
Sillies, Fancies, & Trifles, Peter Kostoglou. Resource Publications (ISBN: 9798385207695), 2024.
Summary: A collection of seven short stories, all with an element of the fantastic, inviting us into the mystery of beauty, the deep joy in the world, and the power of love.
I likely would never have heard of this book were it not for the initiative of a first-time Australian author who reached half way around the world and politely inquired if I would review his book. I am so glad he did, because I was introduced to seven short stories that reminded me of a wonderful collection of George MacDonald short stories published in two volumes by Eerdmans, The Gifts of the Child Christ. I’ve read nothing like it since, until this collection.
“Onawish” opens the collection and begins with the scene of a boy’s birthday party, a boy so eager to eat the cake that he is befuddled with “onawish” or “honorwish” until he finds himself transported to find himself plopped headfirst into a giant cake. Through a series of adventures, he discovers the deep pain his father bears, and a deepened love.
“The Conference of the Trees” follows the courses of two trees from before the “Days of Man,” Shema and Iver who, in seeking to discover what “treeness” is, take very different paths.
“The Boy and His Rod” traces the story of Daniel, given a rod formed of a serpent of great power by a voice in a burning bush, that he might act in the name of the voice to make a great nation. It’s a story of how power may tempt, even the power to do something that seems good.
In “Hanz,” Antigone, skipping through her garden, stumbles, falls, and finds herself in a strange conversation with a gnome in Cloud Cuckoo Land.
Phoebe, in “The Antiquated Mirror” loves being “Queen” over her younger sister until their fights get her sent to her room where she glimpses herself, approaches an antique mirror, and finds herself trapped in it while an evil “twin” escapes into her household.
“The Man Who Lived in Darkness” was a personal favorite. A father and daughter are estranged as her father chooses a dark, anti-social and depressing life until her daughter wants to meet her grandfather.
In “Lilies of the Vale” a man tries to “Draw Love,” plucks a lily for a girl he loves, and learns a lesson from lilies of what it means to love.
This last makes explicit what runs through these stories, the lessons of what it means to love in our flawed yet beautiful world and how that fits into a larger way of love, an idea explained in a final word. Peter Kostoglou’s stories carry the echoes of this love, inviting to tune our ears, to quiet ourselves to listen, to look with greater attentiveness at the everyday ordinaries in which extraordinary love is hidden.
I hope this is the first of many such collections from this author. These silly, fanciful, and trifling tales are only so in appearance while carrying profound ideas that capture the imagination and delve the recesses of our hearts.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.







