
Naming the Spirit
Naming the Spirit, W. David O. Taylor and Daniel Train, eds. IVP Academic (ISBN: 9781514013489) 2025.
Summary: An essay collection considering the different names for the Holy Spirit, using works of art to deepen our understanding.
Many of us wrestle to understand the person and work of the Holy Spirit. While scripture is always our ultimate authority, artistic works often illuminate the narratives of scripture. They depict in image and sound the character and work of God in the world. This book focuses in on the Holy Spirit, looking at names and aspects of the work of the Spirit from both theological and artistic perspectives. The essays are authored by both theologians and artists, some co-written.
Steve Guthrie open the collection considering the Greek term for Spirit, pneuma, which can mean “wind” or “breath.” He reflects on the poetic “fecundity” of this term. It speaks to God’s life-giving breath, his word-bearing breath, and the dynamic wind of God. Then Jonathan A. Anderson uses portrayals of Pentecost in early church art. Thus, he considers the spaciality of “descent,” the visual form of this outpouring in tongues and fire, the persons on whom the Spirit is poured,- and from where this outpouring occurs. Christina Carnes Ananias explores how Olafur Eliasson’s Beauty illustrates Basil’s contention that light and the image it illuminates cannot be separated.
Several collaborative essays follow. Erin Shaw and Taylor Worley reflect on the shalom of the Spirit. Shaw’s art is influenced by Native American ideas and worldview. She draws on the notion of kincentricity as an expression of what shalom means–the interdependency of all things flourishing in relationships of reciprocity. From discs of various sizes to wound balls of string, she expresses this idea. Then Devon Abts and Joelle Hathaway return to the idea of pneuma, connecting our breath and the breath of the Spirit. They do so through an analysis of Ross Gay’s “A Small Needful Fact,” written upon the death of Eric Garner whose last cry was “I can’t breathe.”
Finally, Phil Allen Jr. and Justin Ariel Bailey move from breath to breadth. They consider the work of the Spirit in creating habitable spaces for people through Dea Jenkins BLK Halos, an artistic installation for artistic resistance and liturgical performance in a black-walled room with textile creations. Then, perhaps the greatest example of creating a “habitable space” came when the Spirit “overshadowed” Mary. Chelle Stearns explores Oliver Messiaen’s Vingt Regards sur l’Enfant-Jesus. She reflects on how Messiaen captures the work of the Spirit in Mary, with her full assent, and how the Spirit may similarly work in the church.
Julian Davis Reid describes the Spirit’s prompting during a performance to enfold “Holy, Holy, Holy” into “Give Me Jesus” as a lead in to exploring the Spirit’s convicting work. Amy Whisenand Krall also draws on a musical performance. “Hope for Resolution” serves as the basis to reflect on maintaining the unity of the Spirit. Having sung this piece, it joins an ancient chant and an African praise song into a seamless garment of sound. Finally, in this section on music, Shannon Steed Sigler considers Charles Wesley’s “resignation,” and both the spiritual and creative freedom that followed.
Lastly, the concluding two essays turn to film and landscape architecture. David W. McNutt and Wesley Vander Lugt consider Terence Malik’s The Tree of Life. They focus on its insights into the comforting and disrupting work of the Spirit. Jennifer A. Craft and W. David O. Taylor describe the renovation of Laity Lodge’s landscape, using native species requiring less maintenance. They see this as an illustration of the Spirit’s particularizing work. No one size fits all!
Part of the impact of a book like this is to be able to experience the artistic works. The book renders some of these and links to others. The chapter on maintaining the unity of the Spirit was powerful because I’ve sung “Hope for Resolution” and knew its significance. The person and work of the Holy Spirit is not known merely through cognition or affect. The Spirit acts upon our physical world. People know Him through their senses and in their bodies. So, this collaboration of theologians and artists helps open up the reader to that deeper knowing.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.




























