The Weekly Wrap: February 8-14

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The Weekly Wrap: February 8-14

Why We Love Old Used Bookstores

An informal poll on my Facebook group confirmed by a landslide that people prefer old used bookstores over shiny big box chain stores. However, some dissented because “old” often means musty and dusty, and for those with allergies, that’s a non-starter. But for the rest of us, that’s just how bookstores are supposed to smell. It just wasn’t a good trip unless you acquired a patina of dust!

Firstly, consider the personality of old bookstores. They have such unusual names. A local store that is no more was called Acorn. Another favorite was Blue jacket Books. Then some stores bear the name (and often the personality) of their owner. I think John King’s Books in Detroit is in the running for the king of bookstores. I could spend a week there! Then there is the name of a store in my son’s home town, Birch Tree Bookery. And often, as with this store, there is a story behind the name!

While serendipity is part of a trip to any bookstore, used stores offer the serendipity of the backlist. In those old stores, you might come across an old edition of a book you had thought about buying twenty years ago. Other times, I’ll hear about an older work, and then there it is! Whereas I’m often looking for a particular book at the big box store, my attitude at the old bookstore is surprise me!

Of course, price sometimes figures in. While I’ve found some great bargains, I’ve also discovered that booksellers who last know what they can get for a book, and many sell online as well as locally. Realizing that you are supporting an institution you want to survive helps.

Finally, old used bookstores are great for aging memories. For example, roaming through John King’s last summer, I was reminded of the books we were all talking about in the last half of the twentieth century! I spend most of my time reading and reviewing books from this decade, so it’s nice to refresh the library of my mind with some of those oldies!

Five Articles Worth Reading

We were out for an early Valentine’s dinner yesterday. However, it didn’t dawn on me for awhile why I was seeing all these articles about romance books! If romance is your thing, the New York Times “Let Us Help You Find Your Next Book” series just posted its Romance recommendations.

Speaking of great romances, if hearing about the film adaptation of Wuthering Heights has piqued your interest in the book, here are “Five Things to Know About ‘Wuthering Heights,’ Author Emily Brontë’s Only Novel.”

Another reading list that came to my attention this week is “100 Black Voices: Books for Adults.” The New York Public Library compiled this list. There are even 20 titles you can borrow via Libby! A great way to celebrate Black History Month!

Here’s your long read for the week. With government funding for the humanities drying up, the Andrew W. Mellon Foundation has become the premiere source for humanities funding in the United States. Tyler Austin Harper discusses the hidden danger of this in “The Multibillion-Dollar Foundation That Controls the Humanities.”

Finally, you may have noted that I review some children’s books and feature images from children’s books on my Facebook page. It’s not simply a matter of breadth of coverage. I believe reading starts here. Sally Rippin makes that case better than I could in “Parents, please don’t stop reading to your children – a great picture book could change their life.”

Quote of the Week

Composer and poet Thomas Campion was born February 12, 1567. He remarked:


“From heav’nly thoughts all true delight doth spring.”

Miscellaneous Musings

Well, I’m going to make it. I’ll be reviewing three very different Lenten devotionals next Monday to Wednesday, One even incorporates chant you can listen to or even sing along with, complete with Latin pronunciation. These are all gems and I’ll be reviewing them just in time for Lent.

I missed this when it was first published and so picked up a secondhand copy at a used bookstore! Richard Powers’ The Overstory is an engrossing story exploring the ecology of trees and an unlikely group that comes together to defend the right of an old growth forest to exist. This book makes me look at the trees on my own property differently!

While I enjoy a good sports biography, particularly of someone in baseball, I think there is only one Olympic biography that I’d be interested in reading, that of Jesse Owens. Part of it has to do with his Ohio State connection and part is that his is a heroic story. Are there some I’m overlooking? I’d love to know!

Next Week’s Reviews

Monday: Editors at Plough Publishing, Bread and Wine: Readings for Lent and Easter

Tuesday: David F. Ford, Meeting God in John

Wednesday: Editors at Paraclete Press, Christ in our Midst

Thursday: Robert MacFarlane, Is a River Alive?

Friday: Nicholas Worssam, SSF, In the Stillness, Waiting

So, that’s The Weekly Wrap  for February 8-14.

Find past editions of The Weekly Wrap under The Weekly Wrap heading on this page.

Review: God, Where Are You?

Cover image of "God, Where Are You?" by Dominique Young

God, Where Are You?

God, Where Are You?, Dominique Young. NavPress (ISBN: 9798898020217) 2026.

Summary: In the midst of pain, God may seem distant. Healing begins when we drop our masks, discovering God’s love and presence.

Let’s be honest. There are times when it just feels like God has left the building. Life isn’t working out as we’d like. Or, we are in the pit of deep depression or besieged with anxious thoughts. Dominique Young writes out of her own experience of depression, anxiety, and suicidal ideation. She is a child of divorce and growing up was traumatic, at times. People in church had no clue. Faith felt like a facade she maintained, one she longed to drop. Yet, paradoxically, it was only when she dropped the facade that she discovered the nearness of God. In this book, she walks readers through her own healing process.

First, before we find God, we need to find ourselves. Sometimes, we’ve so cleverly hid behind the masks that we don’t know where we are. She helps us identify where we are mentally and emotionally. Then, she helps us identify the costumes and masks we’ve used that leave us so disoriented. As we do this, we discover our brokenness, the depth of our emotional emergency. Perhaps the most scary thing is naming it. But this is a step toward help and healing Young wants us to learn to be OK with. Finally, she helps us identify the lies we’ve been told and to replace them with truth. For her, the lie was that arguments must lead to separation, leading her to shut down when differences arose. She learned that love casts out fear.

Second, She addresses finding God. Young observes that often, our question, “God, where are you?,” is a rhetorical one. She challenges us to exchange that for an honest and earnest search, believing that God will find us as we seek Him. But sometimes, the darkness of our experiences of abandonment is so intense, we wonder where God was in the trauma. She encourages us to ask this but also to lean into what we know of God’s attributes and to look for evidence of his presence in the darkness. Then there is the issue of failure. Young uses her own experience of failing in creating an organization to explore God’s presence in our failures. Lastly, she explores the presence of God in the storms of our lives.

Third, she explores finding “us.” By this she means finding a walk, a life with God on an ongoing basis. For Young, it begins with the reality that God doesn’t just want to inform us, he wants to change us. Pain in our lives is sometimes one of the ways he does this. Also, we often want God to show up in power to change things when he wants us to learn the power of his presence with us in hard situations. Not only that, God wants us to learn its not all about us, but that being loved, we become instruments of his love with others. Finally, finding us means celebrating not what I’ve done, but what we’ve done.

Each chapter includes a Tracing God Devotional, Reflection Questions for journaling, and a prayer. In addition, Young often pauses during chapters to ask readers to reflect. This is not a book to be read quickly. Rather, one does well to have a journal at hand, and a box of tissues. It might be good to read with a trusted friend, practicing removing masks. And if it is too painful, use that as a cue to take a break, care for yourself, and return to what is painful with a trained counsellor who can accompany you through the pain.

Dominique Young invites those in pain who struggle with God’s presence to take the next step and follow a more intentional process of being honest both with oneself and God. Her own discovery of God’s presence and love in her dark places encourages the reader to persist in a seeking faith that is not a facade but one birthed both in adversity and biblical truth. And she holds forth the vision of not simply encountering God’s presence but making one’s life in that presence.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: There Came Both Mist and Snow

Cover image of "There Came Both mist and Snow" by Michael Innes

There Came Both Snow and Mist

There Came Both Snow and Mist (Sir John Appleby Number 6), Michael Innes. Open Road Integrated Media (ISBN: 9781504092074) 2024 (first published in 1940).

Summary: A gathering of Sir Basil Roper’s extended family and friends is marred when his nephew is shot in his study.

Arthur Ferryman has always loved Belrive, the home of Sir Basil Roper, especially the old priory ruins. So, you can understand his delight on being invited for a holiday gathering with extended family. But city is encroaching on country as Ferryman notes, watching the Cudbury Brewery neon sign pour tall cold ones over the priory ruins. Ah, progress!

Likewise, this is not an idyllic family gathering. Sir Basil has announced plans to sell his estate to fund a science expedition. Not everyone is happy, particularly those who could lose inheritances. Furthermore, a new pastime introduces a new element of danger–pistol shooting!

Yes, you guessed it. There is a shooting. Arthur, unsettled by the family dynamics, goes for an evening walk before dinner. At one point, he notices a figure on the terrace outside Sir Basil’s study. Not able to identify the person and not thinking too much of it, he continues his walk as snow begins to fall. As he is returning for dinner, he meets another person at the door, who is none other than Sir John Appleby, a family friend and dinner guest.

When they go in, they learn there has been a shooting in Sir Basil’s study. At first, because he was in there earlier, they feared it was Sir Basil. Instead, it is a nephew, seriously wounded in the right lung. He’s hanging on by a thread as an ambulance rushes him away.

Appleby is asked to join the local police to assist. Appleby more or less invites Ferryman to be his right hand man. Convenient, since Ferryman is our narrator! Typical of manor house mysteries, while Appleby investigates, the family all come up with theories, accusing most everyone in the house. There is even a confession. One of the family is even a would-be mystery writer with her own theories.

There is also some question of who was the intended victim. Everyone notes the family resemblance between Sir Basil and the nephew, as well as the nephew’s brother. This helps account for the variety of theories. In the midst of all that, and a house full of guns, Appleby has to find the shooter while we wait on tenterhooks to see if the victim will survive.

Not everyone appreciates Innes. I would describe his books as mysteries for the cultured, for those who like sophisticated dialogue and dry British humor. And he wrote in the 1930’s and 1940’s, a different time. But I enjoyed the plot development, the cast of characters, and how Innes employs Ferryman as narrator.

Review: First Nations Version Psalms and Proverbs

Cover image of "First Nations Version Psalms and Proverbs" by Terry M. Wildman, lead translator, First Nations Version Translation Council

First Nations Version Psalms and Proverbs

First Nations Version Psalms and Proverbs, Terry M. Wildman, lead translator with First Nations Version Translation Council. InterVarsity Press (ISBN: 9781514007273) 2025.

Summary: A true translation using idioms of the indigenous peoples of North America.

The year 2021 marked the release of a different kind of Bible translation of the New Testament. In English, the translators used the idioms of First Nations Peoples of North America to offer a meaningful translation for these indigenous people. Now, those who translated the First Nations Version of the New Testament, have published a translation of the Psalms and Proverbs. They use many of the conventions introduced in the New Testament translation, including rendering the meaning of biblical names followed by the original name in parentheses. And cultural idioms significant to indigenous peoples of North America, are used in place of more familiar references. This rendering of Psalm 1:1-2 will give you a sense of this as well as introduce the FNV rendering of YHWH, usually translated in English translations as LORD.

Harmony and well-being rest on those who do not walk the path of the bad-hearted, the ones who do notstand with those who stir up disharmony, those who will not sit in a circle where others are spoken of with scorn and disrespect.

Instead, they take joy in Grandfather’s clear instructions. As the sun and the moon circle the sky, they think deeply about his ways.

The translators chose Grandfather to translate YHWH. This is the First Nations term for the Great Spirit used by many tribal nations. In the glossary, they offer an extended explanation of this choice, noting the unsuitability of LORD in the cultural experience of Native Americans for whom no cultural analogue for “Lord” exists. Also, they note the place of honor grandfathers enjoy in indigenous cultures.

Nevertheless, I have to admit I struggled with the term, while realizing that I am a cultural outsider. I do miss the assertion of God’s self-existence in YHWH, that all else derives its existence from YHWH. But I don’t have a better translation suggestion.

That aside, just as I found the New Testament rendering both fresh and accurate, so it was here. And for the Psalms, this is a freshness of reverent worship. I love the substitution of ‘tender sweetgrass” for “green pastures” in Psalm 23.

Then turning to Proverbs, I noted that Lady Wisdom is “Grandmother Wisdom..” She also has a sister, Understanding, and nieces Good Sense and Clear Thinking. This also resonates well with the matriarchal cultures of First Nations peoples.

Proverbs 3:5-6 is perhaps among the most familiar. Here is the FNV rendering:

From the strength of your heart, put all your trust in Grandfather, and do not hold yourself up with weak human thinking. As you walk the road of life, make every step a prayer. Grandfather will then make your eyes straight and your paths safe.

In conclusion, the fresh rendering of individual Proverbs made me linger over them, listening to their wisdom afresh. While Euro-Americans will gain fresh insights into Psalms and Proverbs, the “sacred songs” and “wise sayings” will hopefully deeply nourish the hearts of indigenous people as they seek to walk the harmony way

Scripture quotations are taken from First Nations Version, copyright ©2021 by Rain Ministries Inc. Used by permission of InterVarsity Press, Downers Grove, IL. All rights reserved.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: God Chose Me!

Cover image of "God Chose Me!" by Lexa Hale, illustrated by Dana Regan

God Chose Me!

God Chose Me!, Lexa Hale, illustrated by Dana Regan. Paraclete Press (ISBN: 9781640609778) 2026

Summary: For children 0-3, affirming that they are God’s loving, good creation just the way they are and that their worth is in God.

Who of us hasn’t wondered at some point why we are the way we are? And who of us hasn’t wondered what God thinks of us, the way we are? Perhaps this accounts for the impact of Fred Rogers simple words, repeated on each show:

“You’ve made this day a special day, by just your being you. There’s no person in the whole world like you, and I like you just the way you are.” -Fred Rogers

That is the message of this new board book for children, ages 0-3, written by Lexa Hale and illustrated by Dana Regan. Hale affirms that God chose every aspect of who we are. For example, our gender, the color of our eyes, the shape of our nose, and whether our hair is curly or straight. Then God knows all our moods and even the times when we don’t like how we’re made. He also knows how we compare ourselves to others. And knowing all this, God loves us. “So, I’ll love who I am with all of my might!”

The colorfully illustrated book includes both boys and girls, and children of representing various ethnicities. There is also a boy wearing glasses (that’s me!) and a girl in a wheelchair. So, I’ll admit it. I struggled with self image because of those glasses! Here is a sample from the book:

Sample page from God Chose Me, Lexa Hale, illustrated by Dana Regan from publisher’s website

Hale uses a simple and memorable rhyme structure. This is one of those books to read with a child cuddled in one’s arm. I can imagine a child even saying these things with a parent as they read and making these truths their own. And who of us doesn’t need reminders that God chose, made, and loves us just the way we are?

Finally, this is the perfect gift for a baby shower, a baptism, or baby’s first Christmas or Easter. Then, if you have grandchildren, you may want a copy for when they come to visit. So, this is a book you might buy in quantity!

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: The Murderbot Diaries Vol. 1

Cover image of  "The Murderbot Diaries Vol. 1" by Martha Wells

The Murderbot Diaries Vol. 1

The Murderbot Diaries Vol. 1 (Diaries Number 1 and 2), Martha Wells. Tordotcom (ISBN: 9781250389824) 2025 (contains works published in 2017 and 2018)

Summary: The first two novellas in the Murderbot series, All Systems Red and Artificial Condition.

Thanks to my son, I’ve discovered the world of Murderbot. For those not acquainted with this series, it is set in some distant future where space travel between star systems is routine. They’ve figured out how to travel through wormholes reliably. In addition to humans and augmented humans, various “bots” are used including sentient bots. Among these are CombatUnits, ComfortUnits, and SecUnits, providing military, sex, and security. Murderbot is a SecUnit with a difference. After a “malfunction” where he allegedly murdered 57 people it is refurbished by Corporation Rim. However, Murderbot figured out how to hack its Governor Module, by which it is controlled by its owners. It is autonomous, but has concealed this.

This edition combines the first two “Diaries,” “All Systems Red” and “Artificial Condition,” released in conjunction with the Apple TV+ streaming adaptation. I will summarize each of the Diaries separately with some concluding comments.

All Systems Red

Murderbot is under contract for a survey by a group of Preservation scientists, an independent planetary settlement effort, operating outside Corporate Rim, the corporate interest controlling much space travel and settlement. The team is surveying a planet for settlement. Murderbot provides security for a satellite team, working in conjunction with the larger DeltFall station. Sounds like a routine gig until a creature under a crater attacks a scientist, who Murderbot rescues, revealing some of its impressive armaments, as well as its ability to sustain severe damage and survive.

This is only the start. A series of glitches, malfunctions, and data gaps raise questions about possible sabotage. But who is doing it? Then they discover they cannot raise DeltFall on their coms. Most of the team goes to investigate. However, DeltFall has been wiped out, and two of the surviving SecUnits turn on them, along with two others of unknown origin, nearly succeed in inserting a Combat module on Murderbot before the team destroys them. Murderbot is seriously damaged, but while being regenerated, the scientists discover its hacked governor and past history. Yet they decide to trust it, given how well it has protected them.

They conclude they are not alone and that an enemy has sabotaged their systems. They prepare for an attack. Before fleeing the station, they learn that GrayCris, a rival corporation that wants the planet, is offering to negotiate their survival. But they assess this a trap. I’ll leave you to discover how they escape if you’ve not read the series (you already know Murderbot lives on!).

Artificial Condition

Grateful for its protection, Dr. Mensah, the lead Preservation scientist buys Murderbot’s contract and grants it freedom, consistent with Preservation values. But Murderbot promptly leaves and takes a series of transports to get back to the planet where he allegedly killed all those people.

Murderbot meets its match on the last, robot piloted transport. ART figures out who Murderbot is, putting Murderbot on defense until ART proves it is an ally. ART even helps Murderbot modify itself, disguising it as an augmented human. ART helps find a way to return to the Ganaka mines, where the murders occurred. Three scientists formerly employed with Tlacey Excavations, want to get their research back from Tlacey.

From the get-go, it’s clear Tlacey will have none of it. Their transport is sabotagd, and only ART’s intervention saves them. They manage to meet Tlacey only to escape another assassination attempt through Murderbot’s efforts. On a break, he returns to the Ganaka mines and learns the truth. Murderbot and the other SecUnits did kill, but as the result of a sabotage by a rival company. Murderbot didn’t just turn into a killer.

But will Murderbot succeed in getting his clients’ research and get them out alive? and what will Murderbot do with what it learned at Ganaka?

Concluding Comments

What most fascinates me in these novels is the exploration of sentient robots. Equally, the subordination of “bots” to a corporation, making them slaves repeats this old human sin of humans subjugating others. The fact that Murderbot hacks its governor to attain autonomy emphasizes its sentience, and essential drive to exercise its will in freedom. Likewise, the fact that these are Murderbot’s diaries, its interior “thoughts,” underscores this very human quality of being able to talk to oneself, a self-consciousness. While not exactly having feelings, it has a sense of loyalty to agreements, that becomes something more when others treat it with trust and dignity. There is also this drive for knowing the truth about oneself.

However, what does one do in one’s free or down time? For Murderbot, it is streaming massive amounts of videos. I’d be visiting the libraries of the world, reading as much of great works as possible with my augmented capacities. Some might argue these are equivalent. But I would propose that reading activates imagination, in which we create the video, as it were, ourselves. I wonder if Murderbot is capable of that?

The Weekly Wrap: February 1-7

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The Weekly Wrap: February 1-7

Is Book Coverage Dying?

One of the major stories this week was the Washington Post’s decision to lay off three hundred of its staff, gutting international coverage, sports coverage, and shutting down Book World, its coverage of books.

Now many readers loved Book World, and I suspect many cancelled their Post subscriptions for this reason alone. And it is sad to lose a major source of book coverage in the U.S. Capitol. It reflects to me what is, and is not, valued, in this city.

It follows a trend in many other smaller papers, struggling to keep afloat in a changing media environment. However, this doesn’t convince me we are seeing the end of book coverage. Instead, I think book coverage is shifting to different platforms. For one thing, you can bet some of those Post reviewers will be setting up Substack newsletters, or teaming up with outfits like The Metropolitan Review. There is vibrant book coverage in these newsletters, many of which I’ve re-posted here. Of course, there are also dedicated Bookstagrammers, BookTokkers, and of course, us old-fashioned bloggers.

It might mean re-learning some old habits. I’ve found some publishers still think they get their best exposure in print publications and don’t give online reviewers the time of day. Yet, I bet, in almost every publishing genre, there are online platforms far-outstripping print in views, and purchases of books.

I also post several articles that suggest the reports of reading’s death, while concerning, may be greatly exaggerated. So, without further ado…

Five Articles Worth Reading

For those who interested in the shuttering of Book World, and the history of book coverage at the Post, “The Washington Post is gutting its books coverage” gives a good account.

A psychologist who studies narratives of decline argues, with a lot of data to back him up, that reading is not dying in “Text Is (Still) King.

A Case Western Reserve English professor describes what he learned when he resumed assigning students whole books to read in “Stop Meeting Students Where They Are.”

Thomas E. Miles describes in “A Mosaic” the transformative experience of reading in prison when he enrolled in the Bennington College Prison Education Initiative.

Finally, February is Black history Month. “Celebrating Black History Month” offers a wealth of readings from the editors at JSTOR Daily.

Quote of the Week

American novelist Robert Coover was born February 4, 1932. He said something that both makes sense and I’ve been arguing in my head:

“Language is the square hole we keep trying to jam the round peg of life into. It’s the most insane thing we do.”

To be sure, every time I sit down to write, I bang up against the limits of words to say what I want to say. But while language may be insane, it is one of the things that makes us human. And when God came to Moses on Sinai, he didn’t give him ten experiences or pictures, but rather wrote ten commands on tablets.

Miscellaneous Musings

I’m trying to get through three Lenten devotionals to review before Lent. One is Christ in our Midst (Paraclete) which couples readings with Gregorian chant accessible online. A second is an expanded edition of Bread and Wine from the good folks at Plough. It includes 90 readings covering the period from Ash Wednesday to Pentecost. Finally, Meeting God in John: Inspiration and Encouragement from the Fourth Gospel (Baker) by David F. Ford is a Lenten study focused in John’s gospel.

I finished Robert McFarlane’s Is a River Alive? What a beautifully written book! I’ve decided to follow it with Richard Power’s The Overstory, a work of fiction about forests that I’ve not read.

I love the names of bookstores. A favorite in my own town is “Two Dollar Radio” which not only sells books but serves as the headquarters for an Indie publisher by the same name. One I came across recently was “Beware of the Leopard Books” located in Bristol, England. And all this is really a buildup to an article on one of the iconic bookstores of our day, “The Radical Power of a Bookstore: On Lawrence Ferlinghetti and City Lights.”

Next Week’s Reviews

Monday: Martha Wells, The Murderbot Diaries, Vol. 1

Tuesday: Lexa Hale, God Chose Me!

Wednesday: First Nations Version: Psalms and Proverbs

Thursday: Michael Innes, There Came Both Mist and Snow

Friday: Dominique Young, God, Where Are You?

So, that’s The Weekly Wrap  for February 1-7.

Find past editions of The Weekly Wrap under The Weekly Wrap heading on this page.

Review: Mort

Cover image of "Mort" by Terry Pratchett

Mort

Mort (Discworld, Number 4, Death, Number 1), Terry Pratchett. Harper Paperbacks (ISBN: 9780063393233) 2025 (first published in 1987)

Summary: Mort is apprenticed to Death, who collects dying souls. Mort messes up the timeline when he saves a princess, killing her assassin.

In Discworld, you do not want to meet Death. As you may recall from earlier installments, Rincewind spent much of his time eluding Death. Because Death comes to collect souls of people when they die and to set them onto their destiny in the afterworld. He has bit parts in previous Discworlds. This is his first as a significant character, and this is the first of several of the Death series within Discworld.

But the title character is really the main character here, even if he must constantly remind people of his name. Mort is the teenage son of a farmer who doesn’t want to farm. So, his father takes him to town on the day various tradesmen choose apprentices. But no one wants him. That is, no one wants him except for Death, who comes just shy of closing. The irony, if you know any French, is that mort is the French word for death.

He goes to the home of Death. Two others live there. Ysabell is Death’s daughter by adoption. The other is Death’s ancient manservant, Albert. Ysabell takes a decided disliking to Mort, despite Death’s efforts to promote their companionship

Part of his apprenticeship is to accompany Death to collect souls. He quickly learns he is not to meddle with the fatal destinies of people when he attempts to prevent the assassination of the king of Sto Lat. He learns that theirs is not to decide the time of death or prevent it, but to assist the deceased. But he does not learn this well-enough, and Death, tired of the work and wanting a change, quickly turns over collecting duties to Mort.

One of those he is assigned to collect is the daughter of the assassinated king. A rival Duke is going to kill her. Instead of allowing Princess Keli’s death, he kills the Duke. But he doesn’t reckon with altered timelines. People act as if the Princess is dead, even when she tries to interact with them. She hires the wizard Igneous Cutwell, who can see her, to promote her existence and arrange her coronation. She wants to live and wants to be Queen.

But there is another problem. The real timeline is swallowing up the alternate one. Cutwell can’t stop it but is trying to get her crowned, even if briefly. Meanwhile Mort, as he seeks a solution discovers there may be more to Albert than meets the eye. And he and Ysabell team up. Meanwhile, Death is AWOL, enjoying life as a short order cook.

If you’ve not read this, I will leave it to you to discover how this all works out, as well as if anyone learns to remember Mort’s name. What is most interesting to me is that by and large, the figure of the Grim Reaper is a character without character. Pratchett gives him one, and even gives him a midlife crisis! And since Mort is such an interesting character, I hope he turns up again!

Review: Under Her Wings

Cover image of "Under Her Wings" by Jennifer Houston McNeel

Under Her Wings

Under Her Wings, Jennifer Houston McNeel. Wm. B. Eerdmans Publishing Co. (ISBN: 9780802885081) 2025.

Summary: A comprehensive study of the mothers mentioned in the New Testament as well as references to motherhood.

What is one topic in biblical studies for which there is significant material but little scholarship? Jennifer Houston McNeel contends that mothers and motherhood is one of those. Some has to do with the space mothers are given in male-written and dominated texts. And then there is the historic dominance of men in preaching and scholarship. This book is an important step in redressing this imbalance. McNeel undertakes a comprehensive study of the mothers who appear in the pages of the New Testament as well as the references, often metaphorical, to motherhood.

She begins by setting the context of mothers in the Old Testament and in Jewish and Greco-Roman culture. The genealogies of scripture emphasize families and every named person, mostly men, had a mother! But the society was patriarchal, though free women had opportunities to manage their households. At the same time, childbirth was perilous, and the purview of midwives and female family and friends. While male metaphors dominate God talk, female images also are used.

Then McNeel turns to the birth narratives, beginning with the four unusual mothers who appear in Matthew’s genealogy. None are conventional. Nor is Mary in Matthew and McNeel likens Joseph to Uriah, the righteous Hittite. He marries her despite the scandal. In Matthew, she is silent. But this is hardly the case in Luke. She engages Gabriel and gives assent, if not consent (McNeel explores the ambiguities in her submission to God’s will). McNeel not only explores the encounter between Mary and Elizabeth but has a fascinating section on Mary as Jesus’ teacher. But how does one mother a grown-up Messiah? McNeel’s next chapter considers John’s portrayal of their relationship at the wedding at Cana and at the cross.

Having considered Mary’s motherhood, the next chapters turn to other mothers in the gospels. First McNeel looks at the accounts of four mothers in crisis: Simon’s mother-in-law, the mother of Jairus daughter, the Syro-Phoenician woman, and the widow at Nain. The one thing in common beyond the urgency of their crises was that none of them are named. These were good mothers, but not all mothers are good. McNeel treats the cases of three mothers which range from ambiguous to evil: the mother of the man born blind who protects her own interests, the mother of James and John, who promotes the interests of her sons (and perhaps herself), and Herodias who exposes her daughter to horror to gain revenge upon John the Baptist. Scripture gives us both exemplars and cautionary tales of motherhood.

Before moving on from the gospels, McNeels considers the metaphors of motherhood associated with Jesus. He speaks of himself as a mother hen. There are allusions to Proverbs Mother Wisdom in his call for people to come to him in Matthew 11:28-30 and he is the logos. Likewise, Jesus uses the imagery of birth to describe the new life he brings. When Jesus speaks of rivers of living water springing from him, the word Jesus uses, koilia, can mean either stomach or womb. Water and blood flow from his side as he gives birth to the church.

Acts is dealt with briefly, because the only references are to Mary, the mother of Jesus, Mary, the mother of John Mark, and the unnamed mother of Timothy. McNeel sees Acts as an interlude in the story of mothers, to become more prominent in the early church. In the undisputed letters of Paul, McNeel finds actual mothers sidelined. Women are co-workers in the gospel mission, playing prominent roles in many situations. But we don’t learn if they were mothers.. However, she observes Paul using a number of metaphors of motherhood. He uses birth pang imagery for the end times and speaks of creation groaning as if in labor. Then he speaks of his own birth and apostleship as untimely. He describes himself tenderly as a nursing mother with the Thessalonians. But he chides the Corinthians for needing milk rather than solid food.

McNeel treats the controversial material material in the pastorals as part of the non-authentic Pauline letters, written at a later time, reflecting the transitional issues facing the church. Meanwhile she notes the commending of Lois, Eunice, and others. She addresses different options for understanding women being saved through childhood, acknowledging problems with all but opting for a straightforward reading of the text, albeit not in individual terms.

McNeel treats Hebrews and the general epistles together, focusing on the faith of Sarah, Rahab, and unnamed mothers. Revelation presents us with the contrast of the virgin and the whore, which may smack of patriarchal norms. Yet Revelation anticipates a new creation where all oppression ends.

The concluding chapter summarizes themes running through this study: new life, suffering, identity, caregiving, and influence. Not only are mothers important in the biblical story, but motherhood images are at the heart of the gospel. This challenges us to combat androcentrism in biblical interpretation.

While I might take issue with some of the author’s ideas about Pauline authorship, overall I deeply appreciated the approach to the study of mothers which foregrounded these women in a helpful way for me. The fact that many women are nameless, in comparison to men, is disturbing. It reminds me that while scripture is both inspired and authoritative, it is also a human document. As a male reader, this book challenges me to notice the portrayals of women. It challenges me to question but also to appreciate. Particularly as a Protestant, we give Mary short shrift. It was illuminating to consider her as the childhood teacher of Jesus. And it was a gift to think of the motherhood images of Jesus, to be “under her wings,” as it were.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: You Can Trust a God with Scars

Cover image of "You Can Trust a God with Scars" by Jared Ayers

You Can Trust a God with Scars

You Can Trust a God with Scars, Jared Ayers. NavPress (ISBN: 978164158-9963) 2025.

Summary: For those wondering if God can be trusted, a study of the story of God’s intimate understanding of suffering.

I was in an Old Testament workshop with Dr. Stephen Hayner, former president of InterVarsity Christian Fellowship. He introduced the workshop stating that the main question the Old Testament, indeed all of scripture addressed was “Is God good and can we trust him?” There are good reasons many wonder if this is so both in what they see in the world around them and what they’ve experienced in their own lives. Jared Ayers has wrestled with this question personally. But what really brought the thoughts together that form this book were discussions with Daniel, a coffee-shop regular who found out he was a minister, and asked him about his sermon each week.

At the heart of those conversations was a walk through the Christian story. He begins with our deep longing for home and the sense that we are exiles. This is a reflection of how we turned our backs on a loving Creator, who then comes and asks, “Where are you? From here, he explores the currents of our contemporary life. We both rail against God for the rotten shape of the world, yet have to figure out where our sense of justice comes from. Quoting David Bazan, he says, we’ve “killed the captain, but…can still hear his voice.”

So, who is this voice? Ayers takes us back to God’s self-disclosure as I Am, YHWH. He makes the world in love, sticks with Abraham and his descendants, though they make a mess, and reveals himself in Jesus. At the heart of it all is love. Yet we are “miserable offenders,” and much of the mess of the world is one we’ve made. It’s beneath the floorboards of all our lives. Ultimately, God’s solution is to become one of us, “Incarno,” that is, “in flesh/meat.” God stoops to serve, enters into our suffering, and unjustly dies. This is the God with scars who may be trusted.

In succeeding chapters Ayers works out the significance of this identification with human suffering. And he offers reasons why we may believe the victory of the resurrection over suffering and death. Then there is the community formed by his Spirit, with all the messiness that needs perpetual reforming. He concludes with our hope of the return of Christ and how that affords hope for today.

Along the way, Ayers weaves his own story, references to contemporary film, art, music, and literature into a fresh re-telling of the Christian story. He leaves us with questions for reflection after each chapter. Not only does he not blink at the horrid realities of our world. He also shows us a God who didn’t blink but became one of us. God intimately acquainted himself with our condition. And he acted powerfully to show us another life is possible. This is a good book for doubters and skeptics, something all of us are in our most honest moments.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.