Growing Up in Working Class Youngstown — Christmas Choir Concerts

1024px-RIAN_archive_24089_The_youngsters_singing

RIA Novosti archive, image #24089 / Tichonov / CC-BY-SA 3.0, via Wikimedia Commons

Do you remember choir concerts at Christmas time? In my case my first memories are of concerts in elementary school. We’d have a Christmas assembly in the auditorium of Washington Elementary and each grade would perform various holiday songs. Those for the younger grades were fairly simple — Jingle Bells, Silent Night, and the like. The older grades would sing more difficult songs and those of us who were younger would just sit in amazement. We’d also do parents assemblies, and no matter how well or poorly you sang, mom and dad would look at you like you were Pavarotti and applaud long and loud.

Then there were junior high concerts. The music was harder, we would sing in parts, and there was one big problem if you were a middle school boy — you never knew what your voice would do, particular with the higher notes. So typically all you heard was the girls who didn’t have such problems, with a low rumble of boys singing the notes they could safely sing.

I suspect it is memories of those experiences that convince many adult men that they cannot sing. I was one of them for a while. I didn’t sing in the high school choirs at Chaney, when music was an elective. But that was where it seemed music really got to be fun. There were acapella groups, and some amazing choral songs where you heard all the parts, and it somehow worked. The guys voices were maturing and you could hear them.

Secretly, I always loved to sing, and when I more deeply embraced my faith, my love of music expanded. The main outlet for singing I had then (during college at Youngstown State) was church choirs and the big deal for church choirs was the infamous CHRISTMAS CANTATA! Christmas cantatas usually retold the Christmas story in song, and often were 20 minutes or more in length. You spent most of the fall rehearsing it. Everybody liked the Christmas cantata. The choir finally got to perform this music we’d worked on, the congregation loved the music, and probably the fact that there was either no sermon or a very short one. Maybe secretly, the minister liked it too, because he got the Sunday off.

Later in life, work and parenting kept me busy and I was on the other side of choir concerts, the proud parent side. We went to concerts my son sang in all the way from pre-school up through Men’s Glee Club concerts at Ohio State. We still have recordings of some of those concerts (useful for embarrassing your adult child!).

During my son’s high school holiday concerts, Mr. Griffin offered parents the chance to come and rehearse of few numbers and sing in a parent’s choir, and once or twice I did this, which awakened my appetite for more. It turns out it also awakened an opportunity for Mr. Griffin. Some adults asked if he would consider forming an adult choir, to provide more opportunities for those who loved singing to do this. Out of this Capriccio Columbus was born, with Mr. Griffin directing. I joined during their third season, ten years ago. This past Sunday, we performed our Christmas concert.

We closed our concert with a new arrangement of a song I first sang at Washington Elementary over fifty years ago, “Let There Be Peace on Earth.”

Let there be peace on earth
And let it begin with me.
Let there be peace on earth
The peace that was meant to be.
With God as our Father
Brothers all are we.
Let me walk with my brother
In perfect harmony.

Let peace begin with me
Let this be the moment now.
With every step I take
Let this be my solemn vow.
To take each moment
And live each moment
With peace eternally.
Let there be peace on earth,
And let it begin with me.

Songwriters: Jill Jackson/Sy Miller; Lyrics © Mccg LLC

I remembered singing this song with youthful idealism fifty years ago, in the Camelot years of the Kennedy presidency. Maybe you remember it as well. Having seen both the best and the worst that humans can do to each other, I sang it very differently. It was more of a prayer that the “peace on earth” that the angels proclaimed that first Christmas would take root in our troubled world.

Peace to you this Christmas! And I hope you get to hear, or sing in, a choir singing some great music this Christmas.

 

Magnificat

 

brooklyn_museum_-_the_magnificat_le_magnificat_-_james_tissot_-_overall_

The Magnificat, James Tissot

And Mary said,

“My soul magnifies the Lord,
     and my spirit rejoices in God my Savior,
 for he has looked on the humble estate of his servant.
    For behold, from now on all generations will call me blessed;
 for he who is mighty has done great things for me,
    and holy is his name.
 And his mercy is for those who fear him
    from generation to generation.
 He has shown strength with his arm;
    he has scattered the proud in the thoughts of their hearts;
 he has brought down the mighty from their thrones
    and exalted those of humble estate;
 he has filled the hungry with good things,
    and the rich he has sent away empty.
 He has helped his servant Israel,
    in remembrance of his mercy,
 as he spoke to our fathers,
    to Abraham and to his offspring forever.” 

(Luke 1:46-55, English Standard Version: The Holy Bible, English Standard Version. ESV® Permanent Text Edition® (2016). Copyright © 2001 by Crossway Bibles, a publishing ministry of Good News Publishers.)

My hunch is that among all the Christmas songs you listen to this season, you may not hear the words to this song sung, unless you listen to one of the classic works in Latin by people like Bach, or more contemporaneously, John Rutter. This version, in English, by John Michael Talbott captures beauty of this song, but doesn’t get much airplay.

I was reading these words this morning in the lectionary readings I follow. It is a song that helps “prepare the way” of our hearts for the one whose coming we celebrate on Christmas Day. I’m struck by the fact that what we hear is the overflow of a prepared heart filled first with the words of Gabriel at the Annunciation, and then cousin Elizabeth’s response,

“Blessed are you among women, and blessed is the fruit of your womb!  And why is this granted to me that the mother of my Lord should come to me?  For behold, when the sound of your greeting came to my ears, the baby in my womb leaped for joy.  And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.”

Mary was probably no more than a teenage woman. I’m staggered that as a betrothed but not married woman who finds herself pregnant that she can say such things. She sees beyond her “problem,” believing the words of both Gabriel and Elizabeth that this most unusual conception is because she, of all women in history, would bear God incarnate in her womb.

She is from a backwater village, if Nazareth was her home at the time these things occurred. She is far from the centers of power, whether Jewish power in Jerusalem, or the power of imperial Rome. Yet she sees in her story the beginnings of the “great reversal” where those of “humble estate” like her are exalted and blessed, and the proud, mighty, and rich brought down.

Promises to Abraham, long forgotten or despaired over, will find fulfillment in the baby growing within her. Promises to make of Israel a great nation, to give them a land of their own, to bless nations through them. At the time, there seemed little hope of this with the nation under the thumb of Rome. Yet the people of God, the new Israel that would be birthed out of the life and death and raising of this baby would spread to the nations, while Rome would collapse.

One of the more beautiful recent Christmas songs is “Mary Did You Know?” (performed beautifully by Pentatonix in this video). The song asks if Mary knows that the baby she will deliver will deliver her and her people, and later that the child she is holding is the great “I am.”

My sense is that in some way, perhaps still forming like the child inside her, Mary would say “yes.” She magnifies the Lord, which carries the idea of “extol, or glorify.” But she also makes God BIG, and the powers that be small.

As I reflect on Mary’s words I find great hope in a time when many of my friends are despairing as they see both events in the world, and events in our own country (the United States). I think many of us feel of “humble estate” and wondering what we can do among the powerful and the violent. If we would identify as followers of Christ, this also means in some way we also “carry” Christ, this one who rules, and over-rules the nations. Powers have indeed risen and fallen, the violent have attempted their worst–and ceased. And the rule of Christ, often carried by those of “humble estate” keeps spreading from nation to nation. The seemingly powerless, like a pregnant teenage girl from an insignificant place both carry the Lord of creation, and like Mary, are looked upon by him. And because she opened her heart and her whole body to this, we to this day call her “blessed.”

Favorite Christmas Recordings

I love to listen to Christmas music throughout the season (including the 12 days of Christmas beginning with Christmas Day!). Over the years I’ve accumulated a nice collection of Christmas music. Here are some of my favorites, with links to Amazon if you want to learn more about or acquire a recording:

1. A Charlie Brown Christmas with Vince Guaraldi. Not only does it recall this wonderful Christmas special but listening to Guaraldi’s  jazz piano with a hot cup of something by the Christmas tree on a cold winter’s night–it doesn’t get any better.

2. A Christmas Festival with Arthur Fiedler and the Boston PopsThis is the classic pops performance of Christmas tunes that includes Leroy Anderson’s “Sleighride” that everyone else imitates!

3. Song of Angels: Christmas Humns and Carol: Robert Shaw Chamber SingersThis is a great collection if you love choral music. Shaw was among the very best and you find less common pieces like “My Dancing Day” and “The Cherry Tree Carol”.

4. More Shaw:  The Many Moods of ChristmasRobert Russell Bennett arranged these four suites of familiar Christmas tunes for Robert Shaw, whose recordings are the gold standard.

5. Christmas Star: Carols for the Christmas Season: The Cambridge Singers and Orchestra dir. by John RutterThis is a beautiful collection of carols in the British choral tradition. They were digitally recorded in 1981 and thought lost until discovered and released in 1997. It includes “Twas in the moon of winter time”, a French Canadian carol and “O Little One Sweet”, a German Carol.

6. Brass and Christmas just seem to go together. Christmas with London Brass includes all the favorites and more!

7. There are several individual artists whose Christmas albums are favorites. One of my favorites that I still listen to in vinyl is Joan Baez’ Noel. Her renderings of “O Come, O Come Emmanuel” and “Ave Maria” are riveting.

8. James Taylor at Christmas was originally released as a Hallmark Christmas CD and later re-released on Columbia with the additional song “River”. This was where I first heard David Grusin’s “Who Comes this Night”.

9. Tony Bennett: The Classic Christmas Album is just that. Nothing more need be said!

10. Finally, I think a good orchestral collection of Christmas music is a must. Eugene Ormandy and the Philadelphia Orchestra’s Greatest Christmas Hits fills the bill perfectly (although you may have to do some hunting to find it).

You might find these at a discount after Christmas–some I’ve picked up for $1 at second-hand stores. What are your favorite Christmas recordings?

Some of My Favorite Advent and Christmas Carols

This is a season of singing! Of course, the interesting question is, what is there to sing about but I will leave that to another blog. I thought I might share some of the Christmas music I love the most. This is in no particular order except what comes to mind.

1. O Come, O Come Emmanuel. This is properly an Advent song, that longs for the coming of “God with us” and the very music speaks of both longing and the great joy that Emmanuel has come.

2. What Child is This? The tune of “Greensleeves” is part of the wonder of this song, but only part. The other part is the words, the first part of which ask a question of wonder about this child and the second declare the greatness clothed in the garb of the babe.

3. Joy to the World! This Isaac Watts carol with music by Lowell Mason (and part from G. F. Handel) captures in music the tremendous thing that has occurred in the coming of the Christ. Here is verse 4:

He rules the world with truth and grace,
And makes the nations prove
The glories of His righteousness,
And wonders of His love,
And wonders of His love,
And wonders, wonders, of His love.

4. I must include Silent Night not only for the wonderful story of this carol’s composition but also the memories of singing this for most of my life at candlelight services.

5. Of the Father’s Love Begotten is a chant whose words date back to the 4th century and explore the wonder of the incarnation. More recently Caldwell & Ivory wove this song into their Hope for Resolution which Capriccio has had the chance to sing at our Christmas concert a couple years ago and several times since.

And some lesser know carols:

6. Thou Who Wast Rich was written by Frank Houghton to a French Carol melody. Here is the first verse:

Thou who wast rich beyond all splendour,
All for love’s sake becamest poor;
Thrones for a manger didst surrender,
Sapphire-paved courts for stable floor.
Thou who wast rich beyond all splendour,
All for love’s sake becomes poor.

There are “covers” of this song on YouTube by contemporary artists, not all which acknowledge the authorship and none of which are particularly satisfying. You can find the lyrics to the song and a midi file here.

7. Lo! How a Rose E’er Blooming is a German carol (my ethnic heritage!) and likens the infant Christ to an ever blooming Rose drawing from the prophecy of Isaiah 11:1 that ‘a shoot will come up from the stump of Jesse.”

8. Who Comes this Night is a contemporary carol written a few years ago by David Grusin, the jazz musician and performed by James Taylor on his Christmas album.  You can listen to a choral version of this here.

9. A few years ago Capriccio sang The Darkest Midnight in December written by Stephen Main.  Here is a recording I listened to many times as I practiced this music.

10. And just yesterday we sang another piece I’ve come to love, What Sweeter Music by John Leavitt. Here is a link from Stanton Music’s website (a great source of sheet music located right here in Columbus!).

What are some of the songs you most love to hear and sing at this time of the year?