The Weekly Wrap: November 9-15

woman in white crew neck t shirt in a bookstore wrapping books
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The Weekly Wrap: November 9-15

Reading and the Senses

Yesterday I saw an ear, nose, and throat doctor. Since the summer, I’ve had a feeling of my left ear being blocked and noticed changes in my hearing. The visit included a hearing test, which confirmed that my hearing in the left ear is diminished, especially in the low ranges. That explains things sounding “tinny” in that ear. It’s caused by fluid collected in the inner ear, a condition called cochlear hydrops. My doctor has prescribed treatment. Thankfully, both ear drums are healthy.

I also learned that my hearing ability in the upper ranges is diminished, almost universal in older adults. I suspected that. When I Iisten to music, as I am while writing this, it sounds more warm than bright. All this brings up one of my fears as one who loves to read and listen to music. What happens should the senses on which visual reading or listening fail?

I watched my mom struggle with this. I probably got my love of reading from her. In her seventies, she experienced the onset of macular degeneration in both eyes. I see an eye doc regularly, try to live healthy, and watch for any signs of vision changes. Until recently, however, I hadn’t thought of hearing problems. I kind of figured that if the eyes went, there were still audiobooks.

I’m aware that there are both treatments and assistive technologies to address these losses. For now, I’m grateful that apart from reading glasses, I don’t require them. But my most recent doctor visit reminds me that I do well to prepare for changes.

Meanwhile, I’m grateful for gifts of sight and hearing that permit me to savor the Hadyn string quartets I’m listening to and a Terry Pratchett novel. After yesterday, even more grateful than ever.

Five Articles Worth Reading

The recent passing of James Watson reminds us of the extraordinary scientific breakthrough of their discovery of DNA and the double helix. Janice P. Nimura reviews a new biography of his partner, Francis Crick, in “The Building Blocks of Life Were Just the Beginning.”

This week, Meta offered me instant AI translations of the “reels” of my Bob on Poetry series. Ross Benjamin confirms my suspicions of the problems with this offer in “The Costs of Instant Translation.”

One of my “go to” online sources is The Paris Review. Poetry, book excerpts, and great author interviews, it’s all there. Peter Matthiessen was one of its founders. More recently, it has come out that the magazine made a great “cover” for his work with the CIA. Fittingly, The Paris Review has just offered an account of their founder in “What Really Happened with the CIA and The Paris Review?: A Conversation with Lance Richardson.”

We always try to make sense of the senseless tragedy of suicide. Nowhere is this more true than in the suicide death of Sylvia Plath. At the time of her death, she was at the peak of her writing powers and a mother to two children. In “Making Sense of Sylvia Plath’s Final Act,” Carl Rollyson offers his own researched account of what might have been in Plath’s mind as she ended her life.

Finally, it seems no one found more ways to kill of his characters than William Shakespeare. “74 Ways Characters Die in Shakespeare’s Plays Shown in a Handy Infographic: From Snakebites to Lack of Sleep” shows all the ways Shakespeare found for his characters “not to be.”

Quote of the Week

And while we are on the topic, here was the take of Astrid Lindgren, author of the Pippi Longstocking stories. She was born November 14, 1907.

“I don’t mind dying, I’ll gladly do that, but not right now, I need to clean the house first.”

Miscellaneous Musings

Everyone seems to be racing to get their best book awards out. I guess it doesn’t pay to publish in November or December. I suspect it all anticipates the holiday buying season.

I’ve been reading Rick Atkinson’s great series on Revolutionary War history. Fate of the Day underscores the British folly in persisting in the war, which succeeded in turning it into a global war for them. So, I wonder if Ken Burns will reach a similar conclusion in his new PBS series that starts Sunday evening.

Finally, I like to find Indie authors I can support. I can’t do it for everyone but those from Ohio have a leg up for me, A while back Michael S. Moore, from the Columbus area, reached out to me about his first book, Crumpled Paper. I gave it a chance and loved it. He just sent me his newest, Jazz Trash. If you always wanted to play in a band but didn’t play guitar, how would you respond to an ad that said “Wanted. Guitarist who does not play guitar”? It’s got me curious!

Next Week’s Reviews

Monday: Liam de los Reyes, The Earth is the Lord’s

Tuesday: Wendell Berry, Marce Catlett

Wednesday: Sy Garte, Beyond Evolution

Thursday: Michael A. Evans, David L. McFadden, and Michael O, Emerson, Kingdom Racial Change

Friday: Harry S. Stout, The Divine Dramatist

So, that’s The Weekly Wrap for November 9-15.

Find past editions of The Weekly Wrap under The Weekly Wrap heading on this page

Review: Beyond Church and Parachurch

Cover image of "Beyond Church and Parachurch" by Angie Ward

Beyond Church and Parachurch, Angie Ward, foreword by Jerry E. White. InterVarsity Press | Missio Alliance (ISBN: 9781514009574) 2025.

Summary: A proposal that moves beyond siloed, competitive relationships to a collaborative model of missional extension.

I’ve always been a member of a church, since I was accepted into membership of my childhood Presbyterian church on profession of faith at age 12. My wife and I have been members of our current congregation for 35 years. Until retirement a bit over a year ago, I also worked with a parachurch collegiate ministry for 48 years. Both have been deeply integral to my calling to follow Christ. At times, I enjoyed a delightful sense of collaboration and partnership among Christians. At other times, I’ve witnessed and personally experienced tensions and competition and personal rejection. Truthfully, these hurts were far more painful than anything experienced from the non-believing world. The best of times and the worst of times, to be sure.

Angie Ward writes because she has witnessed both the same tensions and griefs and glimpsed the same visional of missional collaboration together, harnessing the gifts of all God’s people, regardless their location of ministry. This book maps the history of church and parachurch and the meaning and mission of the church. Ward discusses nature of these different structures, why collaboration breaks down, and a new model of missional extension.

She begins by outlining our current state and how church and parachurch are woven into many of our lives. From weekly worship to radio and podcasts, church home groups to Bible Study Fellowship and more, many of us live a both-and existence. She traces the beginnings back to the monastic movements within Catholicism as vehicles of renewal and mission. Protestantism brought movements of revival, mission societies, focused ministries in various sectors, camps and conference centers and ministries leveraging technological advances from radio and television to the internet and the smartphone.

But before we get to the relationship she asks the question of what we mean by “church.” She elaborates the shades of meaning associated with the word. By some uses, even those within identified parachurch groups qualify. Then she explores what the church does and the ecclesiastical “minimums” of the church, she proposes this understanding:

“The church (biblical ekklesia) is the divinely established, called out, and sent collection of all the people of God around the world, animated and united by the work of Christ and guided by the Holy Spirit, who gather regularly in locally embodied community to re-center their lives around God and who seek to live out kingdom values in their relationships with one another and with the world” (p. 89).

Then, going back to the path-breaking work of Jerry E. White (who wrote the foreword of this book) forty years ago, she outlines different theological understandings of parachurch vis a vis the church. She argues that where the focus has been on structures, she think a focus on apostolic function far more helpful. She argues that parachurch groups function apostolically in extending the mission and reach of the church into new places. Thus, she proposes replacing the parachurch terminology with missional extension.

Before elaborating the missional extension model, she notes the problems that have occurred historically. She calls for five movements: 1) from confusion to clarity, 2) from scarcity to generosity, 3) from institutional to movemental 4) from empire to kingdom, and 5) from control to freedom. This results in ministries moving from highly siloed isolation and competition to highly networked and collaborative missional extensions. She offers a number of examples of how this is happening.

She concludes the book with practical steps under the headings: repent, reclaim, reframe and reshape. I will note that the author has put legs on her writing in participating in a series of Church-Parachurch Leadership Summits. In addition she is a professor of leadership and ministry at Denver Seminary. All this gives the book both theological and practical ‘heft.” Most of all, Ward casts a hopeful vision of what we may all be together.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: One Star, Three Kings

Cover image of "One Star, Three Kings" by Rebecca Grabill, Illustrated by Isabella Grott

One Star, Three Kings, Rebecca Grabill, illustrated by Isabella Grott. Paraclete Press (ISBN: 9798893480122) 2025.

Summary: Imagining the journey of the Magi, blending scripture and history as they follow the star and seek the newborn King.

I love the idea of celebrating TWELVE days of Christmas after the preparation of Advent. And the twelfth day celebration is pretty special. Epiphany celebrates the manifestation of the child Jesus as the King the wise men or Magi had sought. But we know little more than they followed a star, coming from the east, sought counsel with Herod, were directed to Bethlehem, and were led to the place Jesus was staying by star, bringing treasures of gold, frankincense, and myrrh as they worshipped the child king. Then they returned a different way, warned not to go back to Herod. But we don’t know their names or number or where they came from more specifically. Tradition says there were three, to go along with the gifts, naming them Balthasar, Caspar, and Melchior.

Rebecca Grabill takes what we know from scripture and tradition and weaves a story that captures the significance of Epiphany. Balthasar is a prince whose father urges him to seek his star, for there he will find his treasure. By day he works with his people gathering the ‘tears” of myrrh and at night seeks the star. Finally, he leaves to seek what he has not yet found taking a precious gift.

On a boat, he meets Caspar, who speaks of hearing a star sing. Balthasar cannot but he joins Caspar in the quest. Then they arrive at the palace of old King Melchior. And Melchior remembers the stories of the prophet Daniel and ancient scripture. Together, they go to the ruins of Babel and there they spy a brilliant star. They follow it to Jerusalem where they meet Herod but no newborn king. Then they learn it is to Bethlehem they must go and the star leads them to the house.

They find mother and child, the King of kings. They bow and offer their gifts, a chest of gold from Melchior, frankincense from Caspar, and the myrrh Balthasar has gathered. Balthasar reminds us that myrrh is for weddings…and burials. Yet the givers realize that they have received the greatest gift but that the trasure is not for them alone but the whole world.

Woven through the re-telling of the story are “I Wonder” questions about biblical texts, legends and traditions, ideas about Gabriel, the nature of the star, and the origins of the magi. Finally, the book concludes with information of how Christians celebrate Epiphany around the world today. Isabella Grott’s colorful and detailed illustrations complement the written story. It is written for children kindergarten through third grade. Often children this age are in Christmas pageants and this is a great book to help them understand the story they are acting out.

And the story reminds all of us of the wonder of the manifestation of Jesus to the nations that is part of the Christmas story. No Christmastide celebration is complete without Epiphany. Likewise, this book completes the nativity stories and narratives of this season and will be a “gift” to your family!

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: The Light Fantastic

Cover image of "The Light Fantastic" by Terry Pratchett

The Light Fantastic, (Discworld, 2) Terry Pratchett. HarperCollins (ISBN: 9780063373679) 2024 (first published in 1986).

Summary: Saved from falling off Discworld, Rincewind, Twoflower, and the Luggage try to avert its destruction by a red star.

Well, I decided to go on in Discworld! Only 39 to go. If you read the first Discworld, we left Rincewind and Twoflower falling off the edge of Discworld into the oblivion of the cosmos. Instead, they wind up in a Gingerbread house in the forest of Skund. How did this happen, you ask? It turns out that the Octavo, the book of eight spells, the eighth of which is lodged in Rincewind’s head, would not let them fall. The spell preserves itself. Thus their rescue.

There is an urgent reason for doing so. A red star is approaching Discworld and only a reading of all eight spells in the Octavo can avert it. Several groups of magicians with varying motivations are searching for Rincewind. Not knowing why they are after him, he and Twoflower elude them. However, they have a sense it is time to return to Ankh-Morpork, where the Octavo and the Unseen University of Wizards is located.

But not before they encounter a few adventures. They save Bethan, a druid maiden from sacrifice with the help of Cohen the Barbarian, a toothless, 80 year old parody of the superhero figure, who still has got it! But Twoflower is poisoned and must be rescued from the realm of Death. Finally, with the help of a traveling magic shop, they return to Ankh-Morpork.

But will it be in time? Trymon, an overly ambitious wizard, attempts to read the seven remaining spells, which vanish from the pages of the Octavo and transmute Trymon into a horrible creature. Meanwhile, the red star, with eight moons is heating up Discworld. The end is near.

A nagging question throughout is why Great A’Tuin, the massive turtle who carries Discworld, supporting four huge elephants, does not simply swim away from the star rather than toward it. It’s not a dumb question, as it turns out but not one I’ll answer. The answer, and the fate of Discworld, Rincewind, Twoflower and the loyal Luggage, I’ll leave you to discover. Along the way, I’m sure you will have fun with Pratchett’s satire.

Review: The Sacred Art of Slowing Down

Cover image of "The Sacred Art of Slowing Down" by A. C. Seiple

The Sacred Art of Slowing Down, A. C. Seiple, foreword by Chuck De Groat. Tyndale | Refresh (ISBN: 9798400506321) 2025.

Summary: Explores ways to become aware of our inner state, to tune into our bodies, and tend our souls.

Dallas Willard often advised his mentees as follows: “Hurry is the great enemy of the spiritual life in our day. You must ruthlessly eliminate hurry from your life.” But how do we eliminate hurry and slow down? Especially, how do we do so when our mind is racing and our body is tense? Licensed counselor A. C. Seiple combines therapeutic practices and spiritual insights to slow down, tune in to our bodies, and tend to our souls. In fact, those three phrases form the outline of this book. She approaches us as integrated beings woven from cognitive, emotional, somatic and spiritual strands combined with the narrative strands of our life story.

First, she explores how we can slow down. Seiple describes how in her own life she had two gears–go and stop, gas pedal and brake. Mostly, she was go, go, go until she crashed. She was caring for a husband with a traumatic brain injury. She didn’t feel any margin existed for stopping. But she was weary. A counselor helped her understand how her body was geared up to go, a function of her autonomic nervous system’s response to crisis. Often our bodies are trying to tell us things through pain, tension, or weariness. She describes her own experience of learning to listen to those messages and offers exercises for readers to practice the same. She also helps us hear with compassion the embedded beliefs that may be driving or dogging us.

Then she explores how we may tune in with the body. She explains neuroception and the subconscious ways our bodies respond to different situations. We may think our brain is driving, but not always. She helps with exercises to discern who is driving and whether that part is stepping on the gas or the brake, perhaps explaining why we want to slow down but can’t. She identifies three states–safety, stress, and shutdown–and our autonomic responses to each. Then she explores how we may anchor ourselves with God in a sacred space amid each of these states. She helps us reflect on our life story, and how different parts of us have responded in different episodes–how we fight or self-protect or freeze or flee.

Thirdly, she discusses how we use all this to tend to the depths of our souls. She offers help in tending to the forgotten or neglected parts of our lives. Then she turns to the places where we’ve been wounded. Finally, Seiple helps us explore our longings and steps that might be new movements for us.

Seiple illustrates ideas from her own experiences. Each chapter has “Pause and Play” sections where we can explore the concepts she’s shared in our own experience. Throughout, one has the sense that Seiple is a caring counselor, walking alongside and extending compassion, creating the safety to look at different parts of our lives. She invites curiosity rather than judgement or shame. She helps us find rest for every part of us, the place where we both know ourselves and are unafraid to know God. And she translates the “relentless elimination of hurry” from abstract advice to lived experience.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: The Gales of November

Cover image of "The Gales of November" by John U. Bacon

The Gales of November, John U. Bacon. Liveright (ISBN: 9781324094647) 2025.

Summary: A new history of the Edmund Fitzgerald, its final voyage, crew and captain, and the possible reasons for its sinking.

Fifty years ago today, sometime after 7:10 pm on November 10, the Edmund Fitzgerald sank in 530 feet of water in Lake Superior, just fifteen miles from the safety of Whitefish Bay. At the time, the ship was contending with winds up to 100 miles per hour and waves of 25 feet or more.

When the Fitzgerald sank, I was a college senior, pressing toward graduation. It was only later that the sinking became part of the fabric of my life. It began with Gordon Lightfoot’s song, The Wreck of the Edmund Fitzgerald. This haunting song captured the awesome forces of a storm on Lake Superior and a tragedy that took “the pride of the American side” and her 29 men to a watery grave where they remain to this day.

In 1977, not long after the sinking, we moved to Toledo, the home port of the Fitzgerald and her captain. We began to understand the integral role of these ships to the manufacturing economy of the lower Great Lakes. More significantly, we met people who knew crew members who had died. The tragedy became real. During summers, I worked at a camp at the eastern end of Michigan’s Upper Peninsula. That afforded opportunities to spot freighters on Lake Huron, and see them up close, passing through the Soo Locks. It made one wonder what it must have taken to sink one of these massive ships.

John U. Bacon, in The Gales of November, explores all this history in careful detail, brought to life with profiles of Captain McSorley and the other 28 men who made up his crew. First of all, he acquaints us with the history of shipping on Lake Superior. He describes the conditions, including historic storms and sinkings that make the lake a fearsome place in bad weather. After people who have worked on ocean-going ships sailed Superior in such conditions, they said they’d take the ocean any time.

However, there were huge rewards for shipping companies transporting iron ore to mills and factories. Bacon describes the pressures to carry extra tonnage and reduce transit time. He explains “the Plimsoll line,” the point above which you could not load a ship without compromising navigational safety. There were ways to cheat this that McSorley and other captains used. On the final voyage, Fitzgerald may have been carrying 4000 tons more than it was designed for.

The Fitzgerald was the “pride of the American side,” the largest ship of her time. Not only that, she was equipped with the latest gear and elegantly appointed. Her food was better than most fine restaurants. But there were questions about her construction and the novel method of welding the hull together. The ship “flexed” as it navigated waves more than other ships. Also, the double hull construction with ballast tanks created a vulnerability if part of the hull breached and ballast tanks filled on an already loaded ship.

Much of the book details the final voyage, its last of the season and final trip for Captain McSorley, and several others who were retiring. McSorley was often considered the best captain with the best crew on the best ship. He was the one you wanted as captain in a storm. From an unseasonably balmy departure, we learn of increasingly worrisome weather forecasts as two systems barreled toward a collision on the Fitzgerald’s final path. The Fitzgerald was sailing in tandem with a sister ship, the Arthur M. Anderson.

Much of our record of the unfolding tragedy is captured in the communication between the two captains. It began with the captains deciding on a northerly route to shelter from some of the winds. But it required passing Caribou Island and the Six Fathom Shoal, inaccurately charted on the maps McSorley was using. It was after passing these that McSorley reported a list that continued to worsen. His radars went out and they depended on the Anderson for navigation. Then, at 7:10 pm, asked how they were making out, McSorley said, “We are holding our own.” Subsequently, the Anderson lost radar and radio contact with the Fitzgerald.

Bacon describes the heroic efforts to search for the ship and survivors, especially the decision of the Anderson to turn around and go out amid the raging storm, an example of the sailor’s code: “We have to go out but we don’t have to come back.” And he offers an account of the impact of the sinking on “the wives, and the sons, and the daughters.”

Perhaps most fascinating is his account of Gordon Lightfoot’s song. Lightfoot was a sailor on the lakes. Bacon describes the writing of the song and Lightfoot’s reluctance to record it. He was concerned about looking like he was taking advantage of the tragedy. We learn how the first take is the one we hear, and how much it meant to the families of victims.

Finally, Bacon explores possible causes without reaching a definitive conclusion. He tends to rule out the unsecured hatch theory. He notes the safety measures put into effect after the sinking. There have been no sinking of commercial vessels in the fifty years since.

Bacon offers a riveting account of the Edmund Fitzgerald. His interviews with surviving former crewmen help us envision what life on the ship was like. His account of McSorley reveals the fine line between superior competence and the gambles that put the ship at risk. He helps us understand the tradeoffs of hauling capacity and navigability of these unusual ships. The narrative builds up our sense of the approach of the impending tragedy. Yet I found myself rooting that somehow, in this telling, the Fitzgerald would make those final fifteen miles.

Overall, I was impressed with the research that went into this book. However a friend pointed out a small error on page 17. Bacon writes of William Henry Harrison creating the United States Weather Bureau in 1890. William Henry Harrison died in office in 1841. That president’s grandson, Benjamin Harrison was president at the time. It’s a mistake I could have made that I hope is corrected in future printings. However, it makes no material difference to the story Bacon tells that honors the crew that went down that fateful night, fifty years ago.

The Weekly Wrap: November 2-8

woman in white crew neck t shirt in a bookstore wrapping books
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The Weekly Wrap: November 2-8

Writing for AI

One of the articles I feature this week highlights one writer’s realization that those of us still writing may not only use AI to write but are likely writing for AI.

I know this to be true. My blog software tells me where people are referred from who don’t come directly to my site. On a near daily basis, people visit from ChatGPT and other AI large language models. That tells me that these LLMs regularly “scrape” my website and include it as a source in their answers. I find the text of these answers often reflect the source website. Often, that is all someone will read. I am writing for AI whether I wish to or not. In fact, various AI programs may be among my most dedicated “readers.” But perhaps I flatter myself!

How do I feel about that? Resigned is probably the best word I can think of. It’s one of the prices of posting material on the internet. I like it when it translates into people coming to my website. But I suspect 5-10 don’t for each who does.

The article writer explores how to leverage writing for AI. But I don’t think I want to devote too much energy to figuring out how to woo that black box. I pay attention to SEO and readability. However the writer mentioned one idea about writing that caught my attention. The material AI trains on shapes its “character.” I hope the ethos of goodness, truth, and beauty in books I’ve sought to put forward has at least some marginal effect. At very least I hope for this with a few of my human readers. If nothing else, it has for me.

Five Articles Worth Reading

So, the article to which I’ve been referring is “Baby Shoggoth Is Listening” by Dan Kagan-Kans, writing for The American Scholar. He does make me wonder if most human writing, even books, may be mediated through AI in the reading experience of most people. Tell me what you think.

Conservatives have been busy reasserting their vision of traditional masculinity. Things like empathy, vulnerability, and asking for help are out. They are too feminine. Leah Libresco Sargeant, a thoughtful conservative writer pushes back on this trend in a new book, reviewed in “A Conservative Rejoinder to the Manosphere.”

Among many readers I interact with, historical fiction is more popular than history. However, the question arises of how true the fiction is to history. In “Emma Donoghue on Populating Historical Fiction,” the writer explores these questions.

Then, in “At the Heart of Don Quixote,” James Como identifies a storytelling device that we may miss and that is important to the narrative.

Finally, NY Times critic A.O. Scott says “When I’m Sick of Doomscrolling, I Turn to This Poem.” He even reads it for us!

Quote of the Week

Albert Camus was born November 7, 1913. This quote underscores A. O. Scott’s point:

“We have art in order not to die of life.”

Miscellaneous Musings

A. O. Scott is not the only one who reads poetry online. Every Wednesday is “Bob on Poetry” day at my Facebook Page. Recording poetry is a great way to get it into one’s life. you rarely get it “right” in one “take.” One has to think about meaning, phrasing, rhythm and rhyme. I suspect like many things I do online, I profit as much or more than others!

I learned this week that Thriftbooks now has a special deal for AARP members. If you are in the over 50 crowd and a member, head over to their “Special Offer for AARP Members” and save 5% extra when you buy two or more books.

I’m reading Marce Catlett: The Force of a Story, Wendell Berry’s latest Port William novel. I hope Mr. Berry is with us a good while yet. But the book has a valedictory feel to it, as if Berry is speaking through grandson Andy Catlett, now old himself, about what was achieved for a time in the Port William membership, and what has been sadly lost.

Next Week’s Reviews

Monday: John U. Bacon, The Gales of November

Tuesday: A. C. Seiple, The Sacred Art of Slowing Down

Wednesday: Terry Pratchett, The Light Fantastic

Thursday: Rebecca Grabill, illustrated by Isabella Grott, One Star, Three Kings

Friday: Angie Ward, Beyond Church and Parachurch

So, that’s The Weekly Wrap for November 2-8.

Find past editions of The Weekly Wrap under The Weekly Wrap heading on this page

Review: Let’s Be Reasonable

Cover image of "Let's Be Reasonable" by Jonathan Marks

Let’s Be Reasonable, Jonathan Marks. Princeton University Press (ISBN: 9780691193854) 2021.

Summary: An conservative argument for liberal education rooted in John Locke’s idea of the cultivation of reason.

“There cannot be anything so disingenuous, so misbecoming a gentleman or anyone who pretends to be a rational creature, as not to yield to plain reason and the conviction of clear arguments.”

–John Locke, Some Thoughts Concerning Education

The argument Jonathan Marks makes in this book may be summarized by this quote. Marks believes that this is at the heart of a true liberal education. Furthermore, if liberal education is to be saved, it must be about teaching students to reason, to be reasonable. It is not about social justice placemats, “complex thinking” or education for citizenship.. As a conservative arguing for this form of liberal education, he believes these are progressive substitutes for the central mission of a university: to teach students to reason and to be formed by yielding to plain reason. Contrary to other conservatives, he is not ready to give up and torch the whole thing.

In the first chapter, he argues that students should be taught to think and reason at any campus. Marks cites both his own experience at Midwest colleges and the unique experience of Earl Shorris. Shorris founded the Clemente Center. Instead of elite college students, he works with the homeless, former convicts, and others on the margins. He believes teaching things like philosophy, logic, poetry, and American history are the road out of poverty. Not only have they found all these students capable. Both he and Shorris are convinced that learning to be reasonable best equips them for work and for citizenship.

Then he addresses the progressive, left-leaning character of the campus. He argues this is real but also makes the case that he has not needed to compromise his conservative convictions. Rather, he describes what I believe is the work of a good professor. He works with his students on fundamental questions of justice, not believing it to be his work to break down their resistance to critical race theory. Marks exposes students to a debate between Jonathan Chait and Ta Nehisi Coates on race in America. He argues, against both radicals of the left and the right, that this kind of education is not only possible but crucial to the mission of higher education.

But what is wrong with other aims of education? Why not teach for citizenship? Why not help students engage complex thinking? He argues that educating for citizenship may just deepen our partisan divides. He admits that some systems really are complex. However,he argues that complexity can make smart people stupid, particularly in instances requiring moral clarity.

Chapter four discusses the work of shaping reasonable students. He is optimistic about students, recognizing differences in this generation. However he doesn’t think them worse or better. Not only so, he believes teaching them to be reasonable provides a robust basis for free speech. They don’t need to cancel those with whom they disagree. Reason loves a good argument.

Finally, Marks engages a case study on the BDS movement (Boycott, Divestment, and Sanctions against Israel due to their actions against Palestinians). This chapter is even more relevant than it was at time of publication. He argues that the BDS movement (as well as its detractors) have often thrown reasoned argument, and hence, the university’s mission to the wind. Too often, academic associations have followed in lockstep, affirming the politically correct. Marks argues against trying to shut down one side or the other. He also draws the line at attacks on students. He argues for what professors do best: teaching. And he relates the example of team teaching with a colleague from a differing point of view a discussion of My Promised Land.

I suspect readers of this review will have different takes on Marks argument. I found it telling that he identifies with David French, a conservative who has, of late taken more hits from the right than the left. His argument against burning down (at least figuratively) our higher ed institutions is one conservatives need to heed. Likewise, I applaud his challenge to those who are fear-mongers toward the left. If anything, it seems the current moment has changed the power dynamic, opening the door to reasonable engagement.

Finally, I appreciate his call to teach students to reason and to be open to reason. I think of Stanley Fish’s Save the World on Your Own Time and his challenges to professors of “do your job” (reviewed at https://bobonbooks.com/2013/11/27/review-save-the-world-on-your-own-time/). I sense Marks would be fine with students who would differ from his conservative views if they had good reasons to do so. He would have done his job.

Review: The Wages of Cinema

Cover image of "The Wages of Cinema" by Crystal L. Downing

The Wages of Cinema (Studies in Theology and the Arts), Crystal L. Downing. IVP Academic (ISBN: 9781514008805) 2025.

Summary: A Christian aesthetic of film in conversation with Dorothy L. Sayers’ ideas on creativity and artistic integrity.

Crystal L. Downing considers Dorothy L. Sayers an ideal dialogue partner to discuss a Christian aesthetic of film. Sayers wrote of creativity and artistic integrity in her Mind of the Maker. She wrote for the stage and even made forays into screenwriting. She wrote film criticism and criticized Christian docetism that failed to take the material of film seriously. Sayers felt strongly the necessity of artistic integrity–that what was portrayed and how it was portrayed must go together. She had no place for inferior artistic work for the sake of a Christian “message,” a major theme of this work.

Downing integrates all of this into a survey of film history and explorations of film aesthetics. She begins with theatre both going back to the Greeks and the ties of theatre figures with the birth and growth of cinema. Downing offers a fascinating discussion contrasting the stigmata of theatre with the stigma of film. World War 2 and war films come in for consideration, with Downing juxtaposing a discussion of The Bridge over the River Kwai with The Railway Man. She connects this with Sayers views of the insanity of wars and efforts in “bridge-building.”

Through an exploration of the transition from silent film to sound work, Downing considers Sayers’ ideas about compromising integrity for money and doing something “for the love of the work.” Then she incorporates Sayers works for the stage into the discussion. Following this, Downing brings Sayers’ Mind of the Maker into dialogue with film makers. But skilled makers can also produce evil works, as in D. W. Griffiths Birth of a Nation, where cinematic excellence is coupled with a racist message. Then Downing moves on to perhaps the most challenging chapter, a deep dive into film theory. In dialogue with philosopher C.S. Pierce, she recurs to this statement by Sayers: “Art that is the true image of experience is true art, even though the experience is ugly or immoral (as the image of God is still the image of God, even in a wicked man).”

However, the most striking chapter is a discussion of feminism in film, exploring how the male gaze at women both shapes and overlooks the expression of women’s creative gifts. Not only do we consider the capable Harriet Vane in front of cameras during her trial but also the trials and travails of Barbie. Finally, in a coda, Downing recaps how Dorothy L. Sayers life intersects with the emergence of cinema, including what, for Sayers, was the magical year of 1908.

I am more of a Dorothy L. Sayers buff than a cinema buff, so I found myself struggling with the cinema parts of the book. However, I don’t think a cinema buff would face the same disadvantage in the discussion of Sayers. Anyone interested in the aesthetics of film making would find this fascinating and illuminating. In addition, Downing’s access to the Sayers archives at the Wade Center adds substance beyond Sayers’ published works. Finally, Downing’s work represents a step forward in Christian engagement with film, moving beyond spiritual content to the art, great or inferior, of making films.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: Pietr the Latvian

Cover image of "Pietr the Latvian" by Georges Simenon

Pietr the Latvian (Inspector Maigret, 1), Georges Simenon. Penguin Books (ISBN: 9780141392738) 2025 (first published in 1930).

Summary: Maigret tracks an international criminal appearing in a number of guises, not always sure he is tracking the real Pietr.

Georges Simenon wrote 75 novels and 28 short stories featuring Inspector Jules Maigret. This is the very first of the novels and serves as a kind of introduction to Maigret and to Simenon as a mystery writer.

One thing we discover is Simenon is capable of an extremely twisty plot. He learns that an international crime ring leader, known as Pietr the Latvian, is arriving via train in Paris. He has a description and intends to follow him, hopefully to apprehend him in his nefarious dealings. The one problem is that the man he identifies as Pietr is simultaneously heading to his hotel and also very much dead in a train lavatory. The man at the hotel registers as Oswald Oppenheim and is there to meet an American businessman.

This is the first of several identities Maigret investigates, including a Norwegian sea captain and a drunken Russian living with a prostitute, Anna Gorskin. Who is the real Pitr and who are the doubles? Are any of them the dead man on the train?

Not only is the pursuit bewildering. It is also dangerous. A colleague of Maigret, working at the hotel is murdered. Then someone shoots Maigret in the street of a rough district. Although the wound entered his chest and exited his shoulder, Maigret somehow keeps going. We discover that Maigret is resolute as a junk yard dog.

What keeps Maigret going? It seems it is both the offense of the crime and the expectation that the best criminals sooner or later slip up. And Maigret’s plan is to be there when it happens.

To sum up, this initial number is a good example for the series. Short, fast-moving, twisty stories, running about 160 pages. An implacable Inspector. And interesting criminals. What’s not to like?