Summary: An argument that Western civilization reflects a 4000 year history of the mixing of global cultures.
Josephine Quinn sets out in this book to puncture at least two myths about Western civilization. One is the the story of Western civilization is the story of the influences of Greek and Roman cultures. The second is the myth of the “clash” of “civilizations.” Quinn instead argues that the story of the West is the story of a global human civilization (singular) incessantly in contact with the far reaches of the world via travel and trade (and sometimes warfare) resulting in the commingling of cultures.
Quinn begins with ancient Byblos, a port city that traded with peoples from the Nile region all the way to the Asian steppes. In turn, Byblos traders travel to the kingdom of Crete, which reaches from the Aegean to Mesopotamia. As the focus shifts to Mycenae, we learn of trade routes reaching as far as Wales and Scandinavia, through Germany and the Hungarian plains and throughout Italy.
Artifacts from the small town of Akrotiri, buried in a volcano reveal items from around the Mediterranean. Tablets from Amarna in Egypt reveal trade relationships with the Aegean, Crete, and Rhodes.
Civilizational contributions consist of Ugaritic, an alphabet anticipating our own. Babylonians formulated what we call the Pythagorean theorem more than a thousand years before Pythagoras.
And on it goes. Quinn ranges from one end of the Mediterranean to another, along Asian trade routes, into and around Africa, circumnavigated by the navy of an Egyptian king, and into Europe and the British isles. This unfolding history traces a continuous commingling of cultures that ultimately formed our “Western” civilization. She shows the cultural influences shaping Greece and Rome and the wars between powers.
Quinn amasses an impressive amount of artifacts, carbon dating, genetic testing, and other sources to make her argument. The one challenge at times in reading is that it felt difficult to keep track of the forest for the trees as Quinn moves from place to place, detailing trade relationships between places. But perhaps this is part of her argument. It is not a neat story of just Greece and Rome. Nor is it the West versus the rest.
It impresses me that the story of civilization is simply a human story. While culturally diverse, human beings have been intersecting, sharing culture, beliefs, and technology, throughout our history. We are the product of this and the purveyors of what human civilization will become for future generations. While we erect barriers and borders, we also seem driven to cross them in travel and trade and learning. It seems me might do well to give ourselves to thinking about how that may be best channeled to the ends of human flourishing rather than conflict or exploitation.
Summary: What it is, why it happens, the phases of deconstruction and walking with someone through this process.
I was both surprised by a statistic in the Introduction to Walking Through Deconstruction and found it confirming of something I’ve witnessed anecdotally. While we think of large numbers of youth walking away from Christian faith, the average age of the person deconstructing their faith is 54. And, having passed that age, I’ve seen it happen. All the beliefs and practices and ways of living one’s faith that worked in their twenties and thirties aren’t working so well at mid-life. It is as if they have hit a proverbial wall. Some give up and embrace a post-Christian life. Others go through a process of questioning and struggling with their faith, and for some, they end up with a reconstructed faith that is deeper and more resilient than when they started.
Of course, deconstructing faith occurs at different ages and for a variety of reasons ranging from intellectual questioning to some sort of abuse from a figure in power. It can be scary if you are a believer and watching this happen to a friend. You don’t want to see a friend walk away from Christ. And you want to support them while not making it worse.
Ian Harber has been there. First of all, he went through his own process of deconstructing faith, and nearly a decade later came to a deeper, reconstructed faith. Friends who cared and a different church that took him deeply into scripture, theology, church history, and a life of discipleship all helped. Second, he has ministered with many going through the same thing. His book explains what deconstruction is, why it happens, and the phases one goes through. Then he explains how a person may reconstruct with the help of Christian community.
He begins by defining deconstruction: “Deconstruction is a crisis of faith that leads to the questioning of core doctrines and untangling of cultural ideologies that settles in a faith that is different from before. For some, the issues are more cultural. And for others, they are more doctrinal.
Deconstruction is an experience of hitting the Wall. He cites Janet O. Hagberg’s The Critical Journey and the season when God seems absent and the old answers don’t work. One grieves the loss of God. It is a crisis on par with losing a loved one and we may observe the same stages of grief: denial, anger, bargaining, depression, and acceptance.
For many, their Christian faith is in an imaginative gridlock. We try harder, look for answers rather than ask questions, and engage in either-or thinking. For others, it is church that needs deconstructing. Churches are performative rather than formative. Biblical teaching is thin, they veer either into legalism or license. Some cover up abuse. Others have fallen into the captive embrace of politics.
Perhaps the most challenging chapter is on the deconstruction of self. The culture emphasizes our self-fulfillment and our digital devices help us curate our own lives, albeit, disembodied ones. This stands in contrast to the idea that we are not our own and made for community. Harber follows with a chapter on possible ends for deconstruction. Inevitably, we will reconstruct in some way, either into a secular intellectualism, or some form of ideology or idolatry, or into a renewed faith.
The second part of the book, then, envisions the process of reconstruction into a renewed faith. One key component is non-anxious friendships. These are people who are present, who pray, on are patient with questions, and who persist but don’t push anxiously. Suffering may be a real issue, whether physical or emotional. To walk alongside someone in suffering is to walk the path of the cross from the grief of Mary to her dawning hope in the resurrection, allowing suffering to form character.
Belief needs to be reconstructed as well. Instead of just propositions, doctrine may be understood as the story in which we live. Harber also encourages distinguishing essential, doctrines from those that are urgent, then important, and finally indifferent. In place of performative church, Harber discusses a discipleship that focuses on devotion, formation, and mission before God’s face.
This requires reconstructed churches. They are devoted to scripture, sacrament, and a social life of hospitality. Finally, instead of taking the route of some who deconstruct in saying God is unknowable and defies our attempts to capture him in our theologies, Harber speaks of what we may know of God. He is united, crucified, and alive.
I hear Harber saying that deconstruction is both a crisis to take seriously and an opportunity for God to deepen a reconstructed faith. We should not write it off as the decision to pursue a sinful lifestyle. Real deconstruction, as messy as it looks, is a process in which one seeks God amid the clutter of an inadequately formed faith. Instead, Harber invites us to be the non-anxious presence through which God works. And he invites churches to move from being performative institutions to formative communities, offering substantive models of faith and discipleship. This book is full of wisdom and hope.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
While spring time is the season of planting, this month of reading has been a veritable harvest of interesting books. One of these was Gabrielle Zevin’s, The Storied Life of A.J. Fikry, a sweet-sad love story set in a bookstore. It’s been a month of learning about the life of Jakob Hutter, an Anabaptist forebear, the art of Georges Roualt, the poetry of Luci Shaw, and the wonders of marine biology. Early in the month, I enjoyed a fine biography of theologian Markus Barth and a book on Christian discipleship by Luke Timothy Johnson. Finally, I finished the month with six reviews of children’s books, courtesy of IVP Kids. Believe me, these books are not just for kids, though I list them in a separate section below. With that, here are the reviews!
The Reviews
Tucker’s Last Stand(Blackford Oakes, 9), William F. Buckley, Jr. MysteriousPress.com/Open Road (ASIN: B0116EBXKY) 2015 (first published in 1990). Blackford Oakes teams up with mercenary Tucker Montana to block troops and arms flowing from North to South Vietnam. Review
An Incremental Life, Luci Shaw. Paraclete Press (ISBN: 9781640609792) 2025. Poems celebrating the daily moments offering glimpses of joy, growth, insight, and the quiet presence of God. Review
Imitating Christ: The Disputed Character of Christian Discipleship, Luke Timothy Johnson. Wm. B. Eerdmans Publishing Co. (ISBN: 9780802883100) 2024. Contends our understanding of Christian discipleship has shifted in recent centuries from personal sanctification to social justice. Review
Markus Barth, Mark R. Lindsay. IVP Academic (ISBN: 9781514001622) 2024. The first biography of Markus Barth, drawn from access to his letters and papers, highlighting his theological legacy. Review
Judea under Greek and Roman Rule, David A deSilva. Oxford University Press (ISBN: 9780190263256) 2024. Covers the period from 334 BCE to 135 CE, Hellenizing reforms, revolts, Herods, and Roman domination. Review
The Body Keeps the Score, Bessel van der Kolk. Penguin Books (ISBN: 9780143127741) 2015. An account of the growing understanding of the effects of trauma on the brain and the body and promising treatments. Review
The Lawless Roads, Graham Greene. Open Road Media (ISBN: 9781504054263) 2018 (first published in 1939). Greene’s journey through Mexico to the states of Chiapas and Tabasco where Catholicism was most severely repressed. Review
Writing and Rewriting the Gospels, James W. Barker, foreword by Mark Goodacre. Wm B. Eerdmans Publishing Co. (ISBN: 9780802874528) 2025. Drawing on ancient compositional practice, argues for for a “snowballing” process of gospel writing. Review
Until the Last One’s Found, Curt Parton. Wipf & Stock (ISBN: 9798385225439) 2024. An evangelical pastor argues that God will ultimately reconcile and restore all to himself through Christ. Review
Northwest Angle (Cork O’Connor, 11), William Kent Krueger. Atria Books (ISBN: 9781439153963) 2012. A family vacation is disrupted by a derecho, casting Jenny onto a remote island where she rescues an infant sought by killers. Review
Jakob Hutter: His Life and Letters (Classics of the Radical Reformation, 14), edited by Emmy Barth Maendel and Jonathan Seiling. Plough Publishing (ISBN: 9781636080901) 2024. Biography, letters by Hutter, chronicles of Hutterites, testimony, and Hutterite and government letters. Review
A Prophet in the Darkness, Wesley Vander Lugt, editor. IVP Academic (ISBN: 9781514011058) 2024. An exploration of the work of Georges Roualt and his identification of human suffering with Christ’s sufferings. Review
Third Girl(Hercule Poirot, 40), Agatha Christie. HarperCollins (ISBN: 9780062073761) 2010 (first published in 1966). A young girl disturbs Poirot’s breakfast claiming she may have murdered someone, then leaves, telling Poirot “You’re too old.” Review
The Last Romantic (Hansen Lectureship Series), Jeffrey W. Barbeau with contributions from Sarah Borden, Matthew Lundin, and Keith L. Johnson. IVP Academic (ISBN: 9781514010518) 2025. The influence of Romanticism on C.S. Lewis in terms of imagination, subjectivity, memory and identity, and the sacraments. Review
Abundance, Ezra Klein and Derek Thompson. Avid Reader Press (ISBN: 9781668023488) 2025. A vision of an American future where we invent and build what’s needed and for government that enables rather than hobbles growth. Review
Reading the Margins, Michael J. Gilmour. Fortress Press (ISBN: 9781506469355) 2024. How reading literature may enhance empathy for those on the margins, illuminating the advocacy of scripture for them. Review
The Storied Life of A. J. Fikry, Gabrielle Zevin. Algonquin Books (ISBN: 9781616204518) 2014. A widowed bookseller’s life changes when a rare book disappears and an orphaned child is left in his care. Review
Knock at the Sky. Liz Charlotte Grant, foreword by Sarah Bessey. Wm. B. Eerdmans Publishing Co. (ISBN: 9780802883759) 2025. After losing faith in biblical inerrancy, the author returns to Genesis with all her questions, seeking God in the story. Review
Gutta Percha Willie, George MacDonald. Rosetta Books (ASIN: B07KX64ZB3) 2018 (first published in 1873). The story of a young boy who gives himself to discover his own work within God’s work and how he finds his vocation. Review
Makers by Nature, Bruce Herman. IVP Academic (ISBN: 9781514009802) 2025. Letters to students, artists, and friends on calling, making, and process, with reproduced works by the author. Review
If the Ocean Has a Soul, Rachel G. Jordan. Tyndale Refresh (ISBN: 9798400505843) 2025. Meshes marine biology and biblical insights, exploring the integration of science and faith. Review
Kaylee Prays for the Children of the World, Helen Lee, illustrated by Shin Maeng. IVP Kid (ISBN: 9781514009161) 2025. Kaylee and her grandfather learn of needy children in the news and struggle for words to pray. Review
Not Finished Yet, Sharon Garlough Brown, illustrated by Jessica Linn Evans. IVP Kids (ISBN: 9781514007952) 2024. While “painting prayers” with Gran, Wren discovers she can honestly share all her feelings with God. Review
Zion Learns to See, Terence Lester and Zion Lester, illustrated by Subi Bosa. IVP Kids (ISBN: 781514006696) 2024. Zion goes to work with her father at the community center and learns how those experiencing homelessness matter to God. Review
Birth of the Chosen One, Terry Wildman, illustrated by Hannah and Holly Buchanan. IVP Kids (ISBN: 9781514007020) 2024. An account of the birth of Jesus based on the First Nations Version reflecting Native oral storytelling. Review
Penny Preaches, Amy Dixon and Rob Dixon, illustrated by Jennifer Davison. IVP Kids (ISBN: 9781514008584) 2024. A young girl loves the big ideas she hears in Sunday sermons, aspires to preach, but friends discourage her. Review
Best Book of the Month
Makers by Nature is a combination of a theology of artistic practice and the wisdom of a master artist on various challenges of artistic work. All of it is presented in the form of a series of warm letters to former students and friends. Each “chapter” is introduced with some of the artist’s work in full color reproductions. This book was a feast for my eyes and heart!
Quote of the Month
I deeply appreciated A Prophet in the Darkness on the work of Georges Roualt. Roualt’s deep empathy with human suffering intersected with his faith. This quote gives a flavor of that:
“Paul Klee says ‘Art does not reproduce the visible; rather it makes visible.’ This is what the art of Georges Roualt (1871-1958) has done; his images have penetrated deeply into the human dilemma to find meaning and offer hope, helping us to see light in the darkness, making visible the invisible.”
What I’m Reading
I’m just coming to the end of Richard Bauckham’s Jesus and the Eyewitnesses. Bauckham marshals extensive material to demonstrate that our four canonical gospels are based on eyewitness testimony rather than communal remembrances of the ministry of Jesus. Love’s Immensity by poet Scott Cairns translates the works of mystics throughout church history, a journey into loving contemplation of God. Skills for Safeguarding explores abuse within the church and other Christian contexts and the best practices to safeguard against abuse and to deal with it in a way that cares for survivors and properly deals with perpetrators. Every church and ministry needs to read and implement the practices in this book!
Justin Evans offers an entertaining and informative book on data and how the data revolution impacts us all in The Little Book of Data. It’s chilling how much data we give up about ourselves everyday, often without being aware of it. Finally, there never seems an end of Tolkien books! The Fall of Numenor covers the second age of Middle Earth, which preceded The Lord of the Rings.
If you’ve read this far, thanks! I hope your summer reading bears a rich harvest and hope these reviews help!
The Month in Reviews is my monthly review summary going back to 2014!It’s a great way to browse what I’ve reviewed. The search box on this blog also works well if you are looking for a review of a particular book.
Penny Preaches, Amy Dixon and Rob Dixon, illustrated by Jennifer Davison. IVP Kids (ISBN: 9781514008584) 2024.
Summary: A young girl loves the big ideas she hears in Sunday sermons, aspires to preach, but friends discourage her.
Penny loves going to church with her family. She especially loves the sermons and the big ideas her pastor shares about God, about his love that has no limits. Penny likes that the important words start with the same letter. She even likes the tiny microphone he wears.
Penny wonders if she could do that. She wants to share big things about God. So, she begins by practicing with her animals after she has searched and written down some of God’s words in her notebook. Then she invites her neighborhood friends.
But they don’t applaud. Instead they question. “Girls can’t be preachers, can they?” She wonders if they are right and tucks her notebook under her bed.
But God gives her more words. And she writes them down in her notebook.
And that Sunday, her family visits a new church with a pastor named Sarah. When Pastor Sarah shares amazing stories and important words (that begin with the same letter), Penny claps loudest of all. But what happens next, when Pastor Sarah notices Penny’s notebook, exceeded Penny’s wildest dreams.
This is a wonderful story that affirms that there is room in church for everyone’s gifts, even girls like Penny and women like Sarah. And I love the idea that preaching is about sharing the words God gives, the big and important truths about God.
Bright, colorful illustrations by Jennifer Davison capture the joy of sharing God’s words with God’s people. They effervesce with the excitement of a young girl who finds God giving her words she wants to share. Together with the wonderful turn in the story the Dixons tell, we learn that God’s good gifts for God’s people are given to all and should be shared by all.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
A romantic novel in which the AI prompt was never edited out. A White House report on health citing non-existent sources. An article with summer book recommendations in which some of the authors existed but not the books attributed to them.
One might argue that each of these expose the flaws of AI. I suspect what they really expose is the flaws of the particular humans using this tool. Laziness that doesn’t carefully line edit, that doesn’t verify sources, and that doesn’t confirm the existence and availability of books. Similar to computer programming, AI is only as good as the prompts given it. “Garbage in, garbage out.”
Actually, AI has become quite good. A college professor friend now considers AI capable of writing at a professorial level. He shared examples of using AI in various forms of analysis of large amounts of material.
But one thing both of us are agreed upon is that AI offers a dangerous temptation to let it do our thinking for us. It may be a student writing a paper or an author cranking out a steamy novel. What we are doing when we let AI think for us is denying the intrinsic worth of thinking. For many of us, hammering out our ideas in writing serves to clarify thought.
Lest you think I am an AI Luddite, I do believe AI may be a helpful interlocutor in the process. I might ask AI to evaluate an argument for weaknesses or to raise counter arguments. It strikes me that when the chance to do this with real people is unavailable, this could be quite helpful. However, I am still thinking, and indeed, am forced to think harder and better.
I guess what it comes down to is that the ability to think and reason and create from our thoughts is one of the things that makes us human. I’m just not willing to give that up. I’m not ready to slack on the hard work of being a thinking human.
Five Articles Worth Reading
Alasdair MacIntyre, the philosopher, died recently. Charles Matthewes reviews his life and work in “Remembering Alasdair MacIntyre.”
“In a nation known for its relatively poor health, nearly everybody seems to be thinking about how to be healthy….” This line in “The Perilous Spread of the Wellness Craze” captured my attention. Sheila McClear explores the connection between our health care inequalities and the explosion of the wellness industry.
Nick Ripatrazone explores the decline of literary criticism in “The Art of the Critic.” Specifically, he argues for the importance of criticism as a benefit not only to audiences but to writers.
Geraldine Brooks is popular with many readers. Her husband died in 2019. In this interview, “Geraldine Brooks Is a Widow Now,” she talks about loss, grief, writing, and her Jewish faith.
Finally, the summer can be a great time to break out of our reading ruts. The New York Times Book Review has published a “Summer Reading Bucket List” of ten literary “to-do’s,” challenging us to see if we can check off five. The even include a copiable checklist!
…And a Video Worth Watching
The Covenant of Water was one of my favorite books of 2024. I have Cutting for Stone on my reading stack. On Thursday, physician and author Abraham Verghese gave the commencement address at Harvard. One of his pieces of advice for students was to commend the importance of reading novels. As an immigrant to the U.S., he also had some thoughtful and challenging critiques of our current political scene. In case you haven’t seen the video, it is worth watching, especially if you appreciate his writing.
Quote of the Week
G. K. Chesterton was born May 29, 1874. I’ve often appreciated his wit and turn of phrase. This one has some good advice:
“Don’t ever take a fence down until you know why it was put up.”
Miscellaneous Musings
Regular followers of this blog may have noticed that I have been posting two reviews a day this week. One of these has been of a children’s book published by IVP Kids. What a joy. I’ve loved the combination of brilliant illustration, good writing, and especially the inclusive character of these books. The first book I reviewed, Jesus Loves the Little Children, typified this approach showing pictures of children from every culture as well as children with disabilities. The reason for the extra reviews? I wanted to review these books, compliments of IVP Kids, before passing them along to our church’s Little Free Library, which we’ve just set up.
I was thrilled to visit the new Barnes & Noble store in Dublin, Ohio. When I walked in, it took my breath away–it was huge and overwhelming at first. And it was packed. But I like how the different sections were set apart from each other, many with comfortable seating. Not only that, the cafe was huge. But there was one drawback: the checkout and service counter was smaller than in the old store. And the lines were long.
I like the writing of Amor Towles. And I love bookstores, in case you haven’t noticed. I enjoyed this brief video clip of Towles supporting BINC, a national foundation supporting independent booksellers.
Next Week’s Reviews
Monday: The Month in Reviews: May 2025
Tuesday: Ian Harber, Walking Through Deconstructioin
Wednesday: Josephine Quinn, How the World Made the West
Thursday: Brian Goldstone, There is No Place For Us
Friday: Terence Halliday and K.K. Yeo, eds., Justice and Rights
So, that’s The Weekly Wrap for May 25-31, 2025!
Find past editions of The Weekly Wrap under The Weekly Wrap heading on this page
Birth of the Chosen One, Terry Wildman, illustrated by Hannah and Holly Buchanan. IVP Kids (ISBN: 9781514007020) 2024.
Summary: An account of the birth of Jesus based on the First Nations Version reflecting Native oral storytelling.
Many of us who have read and heard the narratives of the New Testament have appreciated hearing the story afresh through the First Nations Version of the New Testament. This is a true translation by a team of First Nations translators led by Terry Wildman. They sought to translate the New Testament into English in a way that captured the idioms of indigenous storytellers. One distinctive is the translation of names, which carry great meaning among indigenous peoples. Instead of translating the Aramaic pronunciation of the name, they translate its meaning. For example, in this story “:Mary” is translated “Bitter Tears” and “Jesus” is translated “Creator Sets Free.”
The Christmas story is one of those familiar stories. However, this book, using the First Nations Version and illustrations by Native artists reflecting Native settings, dress, and imagery, offers a fresh rendering of the familiar story. For instance, consider these words from the Annunciation that sent chills through me:
“Do not fear! The Great Spirit has chosen to honor you and give you a son. You will name him Creator Sets Free, for he will set people free from their bad hearts and broken ways. He will be chief over all the tribes and his chiefly guidance will never end.”
Bitter Tears asked, “How will this be?”
Creator’s Mighty One answered, “The Holy Spirit will spread his wings over you, and his great power from above will overshadow you. This holy child born to you will be the Son of the One Above Us All.”
Then, on the opposite page from these last words we see Bitter Tears overshadowed by wings and light. This is challenging to render and done beautifully.
The desert journey and search for a place to give birth captures the precarity of this journey and search. We witness the awe and joy of the shepherd, the adoring visit of the Seekers of Wisdom. Meanwhile, the angelic host are rendered as a spirit messenger surrounded by great soaring eagles representing spirit warriors.
The Native artists, twin sisters, sumptuously illustrate the book with a vivid color palette including deep shades of violet skies filled with stars, colorful Native clothing, desert landscapes and a young mother filled with ponderings of what this all means.
While designed for First Nations readers, the translation and renderings helps all of us see and hear an old story with fresh eyes and ears. Pick this up now to have it on hand for your Christmas celebrations later this year.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
Summary: Meshes marine biology and biblical insights, exploring the integration of science and faith.
From childhood, Rachael Jordan loved the ocean. It began with sea urchins that poke and crabs that pinch. But far from turning her off, she found herself wondering what else lurked in the ocean. Only later did she discover that the deeps she explored as a marine biologist could deepen her faith She also discovered her faith could speak to realities not quantifiable by her science. Each enhanced the other.
Jordan went on from shoreside explorations to graduate training. From there, her research led to a position as a coral biologist and lead of the Coral Response Team for the Dry Tortugas National Park. Later, she worked at Australia’s Marine Aquaculture Research Facility. In this book she recounts her experiences from her training for professional certification as a scuba diver to her exploration of and efforts to save dying coral reefs. She describes the impact of the die-off of these reefs and the impact this would have on the array of beautiful creatures who make these reefs their home.
Each chapter mixes scientific observations from her work and reflections upon her faith. For example, as she writes about coral die-off in a chapter titled “Valley of the Shadow,” she goes on to a biblical reflection on the significance of death in a fallen creation and the renewal of creation through the risen Lord.
I found a chapter on “Buddy Breathing” equally compelling. Humans can’t live in the depths she explores, and only the equipment she dons sustains her life. But things go wrong from getting lost to equipment failure to injury. Therefore, dive buddies and advance procedures relentlessly trained mean the difference between life and death. She draws lessons on everything from scripture’s instructions to our dependence on the Lord from these experiences.
She fills her accounts with with wonder. Descriptions of coral. Colorful fish. Snuggling with seahorses. And the symphony of voices of the coral, pods of dolphins and more distant resonant soundings of whales. This is mixed with reflections on the Psalms and considerations of the wonders of God’s purposes and workings in a beautiful and broken world.
Instead of a polemic on science and faith, Jordan seamlessly weaves rigorous science and a life of faith. Not only did I find this a delight, but the interest of team members in her faith reflected that there is the savor of Christ in her work. Rather than warfare between science and faith, there is wonder. And for me, that makes for a better story.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
Zion Learns to See, Terence Lester and Zion Lester, illustrated by Subi Bosa. IVP Kids (ISBN: 781514006696) 2024.
Summary: Zion goes to work with her father at the community center and learns how those experiencing homelessness matter to God.
Terence Lester leads a community mobilization organization addressing various poverty issues. One Saturday, as he was headed out the door to work, he asked his daughter if she’d like to come with him. She decides this is more interesting than helping with household chores. As they drive to the center, she notices the neighborhood changing. she sees tents on the sidewalks.
Dad stops to get her favorite breakfast sandwich–then orders 50 more! They are for the people on the street around the center. Dad calls them “friends.” He knew their names and introduced each to Zion as she gave them a sandwich.
These happy moments are disturbed when Zion hears a driver curse out a homeless family. She can’t understand why someone would do that. Terence doesn’t know either but says that when you understand that every person matters to God, you begin to see them differently.
They talk about why these people don’t have homes (in the afterword, we learn over a million school children are homeless). As they pass out basic necessities, Zion meets lots of homeless people that day–adults, teens, and young children. They share about God’s love.
Zion decides two things. She wants to go back and also tell others what she saw. And some amazing things happen after that, including this book!
This beautifully told story by the Lesters is accompanied by the illustrations of Subi Bosa. Together, story and art convey the joy of treating people as those who matter to God. But there was one unhappy person in the story– that irate driver who just saw people living on the street. It’s a story that builds compassion and shows how we can matter to those who matter to God. Even when they don’t to society.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
Makers by Nature, Bruce Herman. IVP Academic (ISBN: 9781514009802) 2025.
Summary: Letters to students, artists, and friends on calling, making, and process, with reproduced works by the author.
Bruce Herman taught studio art for four decades, setting up the art program at Gordon College. This allowed him time for work in his own studio, resulting in works exhibited throughout the world as well as in many private collections. In this work, presented as letters to students and friends in the art world, he share his insights on faith and art, how he has pursued his calling, and many of the issues facing artists.
Herman describes these as “imaginary” letters but they certainly have the feel of real correspondence including affirmation of specifics of an artist’s work, remembrances of time spent together, and even details regarding payment for a work. Each “chapter” consists of letters written to a particular artist, many of whom were former students. Each collection focuses around a particular aspect of making art. With each, Herman includes a reproduction of a work referenced in the correspondence.
Herman talks about artistic process, the mysterious gift of work and using one’s skills to serve that work. He explores issues of theology such as the rendering of glory in suffering, and the place of paradox in art. He describes his own unfolding sense of vocation and his decisive choice to not pursue the contemporary art scene to support a family and the gift of being able to teach and make art without financial stresses.
One of the most striking chapters was a discussion of “style” with “Angela.” He proposes that thinking too much about style is akin to thinking too much about walking or breathing. Rather, he writes:
“We need to fall in love with our subject matter, not our manner of execution or our own handwriting. The beautiful irony is that if we forget about ourselves and our style, we will discover a far greater love. The work will come into being and become a portal of meaning, and style will be a grace, not a possession.”
Throughout, in this sequence and elsewhere, the theme of “serving the work” recurs.
Most of all, Herman explores how his faith intersects with his artistic practice. Whether it is the grace of what is given that the artist serve or the offering up of one’s work as prayer. Then Herman also explores the rendering of religious events like the Annunciation and the incredibly difficult matter of visually rendering the “overshadowing” of the Virgin.
Finally, Herman writes to Jesus. Instead of saccharine praise, Herman expresses his discouragement with himself. The issue is sin and he laments his own “cussedness.” Yet in the end, he senses that weakness is the place of grace “and good fuel for art.
A wonderful bonus to this rich collection of personal communications is an appendix of artworks. They are a gift from former students presented on the occasion of his retirement. In sum, this book is a feast for eyes and heart. Especially, it is a gift to any engaged in creative making, from a wise maker devoted to the Master Maker.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
Not Finished Yet, Sharon Garlough Brown, illustrated by Jessica Linn Evans. IVP Kids (ISBN: 9781514007952) 2024.
Summary: While “painting prayers” with Gran, Wren discovers she can honestly share all her feelings with God.
An old shed behind the farm house was a wonderful place for Gran and Wren. It’s where they painted together. Some of their paintings didn’t look like much. But Gran defended the mess, saying that you finish a painting when you sign your name.
One of the things Gran and Wren like to do was “paint prayers.” For example, a painted squiggle served to say “Dear God.” Wren wanted to paint feeling special. She picked out colors that felt “special.” But when she put paint to canvas, it looked like an ugly dark blob. Instead of special, she felt awful. Gran asked her for a title to express all the feelings in the blob. Finally, she said, “disappointed.”
Gran asks her to think about and paint her disappointments. A lot had to do with how others treated her at school, or when animals died. Then she dares to admit she sometimes God disappoints her. Gran calls her brave to be able to admit that, and if Gran wasn’t disappointed with her, maybe God wasn’t. And so she paints the sad and scary things she wants to say to God.
It ends up that she does feel special. Heard. What she thought and felt mattered to God. And she signed her name. And in Gran’s embrace, Gran talks about how God isn’t finished yet with the scary, broken world and imagines with her the day he signs his name.
Some, who know Brown’s novel Shades of Light will recognize Wren. But even if not, the story stands on its own as a beautiful statement about how we can be honest with God about all our feelings. It even suggests how we might use the arts in giving expression to what is within us. Complementing the text, the illustrations of Jessica Linn Evans take us into the feelings of Wren. Most of all, Sharon Garlough Brown reminds us of what it means to face the sad and scary and lean into the hope that God, too, will someday be done.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
