Monk’s Hood (Chronicles of Brother Cadfael #3), Ellis Peters. New York: MysteriousPress.com/Open Road Integrated Media, 2014 (Originally published in 1980).

Summary: When Gervase Bonel dies of poison from a dish sent by the prior, the sheriff is convinced it is his stepson Edwin, with whom he is on poor terms. Cadfael suspects otherwise but must seek proof.

Gervase Bonel has decided to turn over his house at Mallilie to Shrewsbury Abbey in exchange for lodgings and provision at the Abbey. But before the agreement can be signed, Abbot Heribert is called to a legatine council at which his office may be revoked and another named. While he is away, Prior Robert sends a dish from his table for Bonel, and shortly after he eats it, he takes ill and, despite Cadfael’s ministrations, dies. Cadfael recognizes the cause–Monk’s Hood (also called Wolf’s Bane) poisoning.

Attention focuses on Bonel’s stepson, Edwin. Relations between them had been poor due to Edwin having at one time been promised Mallilie only to see the promise revoked. He had reconciled himself to this and, out of care for Richildis, wife of Bonel and his mother, he had come to dinner, sought to reconcile only to be mocked by Bonel, finally to the point where he angrily departed through the kitchen where the dish from the prior was warming. The sheriff is certain it is him and will not consider other possibilities. Shortly after, Bonel was dead. Edwin, with the help of lookalike cousin Edwy escapes.

Edwin finds his way to Cadfael, who questions him about his stepfather’s death in such a way that Cadfael ascertains that Edwin had no clue that the man was poisoned and is therefore innocent. Cadfael is determined to find the real killer, because the poison came from his stores, often used externally to relieve muscle and joint pains. Two keys are to find the vial that contained the poison and a reliquary the boy says he’d thrown into the river, a gift he had prepared for Bonel before being insulted. Whoever had the vial also probably marked with traces of the poison. The location of the vial confirms Edwin’s innocence, as does the eventual finding of the reliquary.

But who was the murderer? This will take Cadfael, sent to care for a sick abbey shepherd near the Welsh border, into Wales and into personal danger that made for an exciting and somewhat unexpected ending–though one in character with Cadfael.

While I enjoyed the story, I felt Peters gave away the suspect early in the story and then ignored that person, leaving me wondering–why aren’t they investigating ______? The misdirection didn’t work for me, leaving me to wonder only about the motive.

An interesting element in the story is Richildis, who turns out to be an early love of Cadfael’s, separated by the Crusade on which Cadfael went, and married to her first husband when no word came from Cadfael. Encountering her is a surprise for Cadfael, raising feelings but also the deeper awareness of his vows and calling. That’s not enough for the officious Father Jerome who sees him conferring with her about Edwin and manages to restrict Cadfael’s movements. But Brother Mark, Cadfael’s assistant is not so restricted.

Cadfael’s relationship with Hugh Beringar, left in charge when the sheriff was called to the king’s Christmas feast, continues to develop. Both stand apart from many others with lesser visions of human nature and acting beyond the strict letter of the law. I look forward to seeing how their friendship develops.

One Corpse Too Many (Chronicles of Brother Cadfael #2), Ellis Peters. New York: Mysterious Press/Open Road, 2014 (Originally published in 1979).

Summary: Burying 94 defenders of Shrewsbury loyal to Empress Maud, executed by King Stephen, Cadfael finds 95 bodies, one of which had been murdered. Could the killer be the young man seeking a daughter of a supporter of Empress Maud, hiding in the abbey under Cadfael’s protection?

The abbey at Shrewsbury is caught amid a civil war between those defending the town of Shrewsbury, loyal to Empress Maud who is in France, and the present, dominating forces under King Stephen. When the town falls, ninety-four of the defenders, loyal to Maud are executed by hanging, cut down and left in a heap outside the town. Cadfael is delegated to lead the group to provide them a decent burial or be claimed by their families. The grim task becomes grimmer when Cadfael counts, no doubt to make sure they have retrieved all, only to find that there are ninety-five. One of the corpses had been murdered, garrotted from behind and hidden among the others.

He secures King Stephen’s permission to investigate the murder. It is only one of the burdens he bears as he copes with the effects of war. A young boy has been assigned to him, provided for by a year’s gift to the abbey. Godric works hard and listens well–and refuses to strip down on a hot day–and Cadfael realizes this is no boy. He learns that she is Godith Adeney, daughter of one of Maud’s patrons, who had escaped the city. He arranges for her to stay with him rather than the other boys, and tries to protect her secret until he can arrange to get her to safety in neighboring Wales. She also identifies the murdered man–one of her father’s young servants, smuggling family wealth out of the city to aid Maud’s cause

The task is complicated by Hugh Beringar. Years ago he was betrothed to Godith. Now he has sided, or tried to, with King Stephen. He’s a skilled horseman and swordsman, but the proof of loyalty remains. Finding Godith and turning her over to the King as hostage and bait to bring her father out of hiding will confirm Beringar’s loyalties. He stays at the Abbey and attaches himself to Cadfael. Does he know, or suspect? The only thing that distracts is the recently bereaved Aline siward who lost her brother among the ninety-four. His rival for her affections is Adam Courcelle, a young soldier of the king, who apologizes that he could not save her brother.

Godith discovers a wounded young man in bushes outside the abbey, a companion assisting the man who was murdered, who had fought with his assailant in a barn. Cadfael attends to the young man, Tobold, who quickly develops a bond with Godith, and investigates the scene, finding a broken flower from the hilt of a knife–a key to finding the murderer. There is also the family treasure, which Tobold has hidden.

Peters does an effective job building the tension as it is evident that Beringer both enlists Cadfael’s help in secreting away some horses and provides bait for Cadfael to use with the two he is hiding who need to get to Wales, along with the treasure, which Cadfael suspects Beringar is also seeking. Beringar is both stealthy and clever. How much does he know? Can the former soldier and herbalist Cadfael outfox him? More than that, if the treasure is Beringar’s object, is he the murderer? For all that, a kind of admiration has arisen within Cadfael for this young man.

Peters has some surprises yet in store that both further the tension in the plot, and heighten the satisfaction with its outcome…but I will say no more! It’s masterful!

In back of all this, Peters captures the knife-edge abbeys lived on amid such civil distress. They do not take sides but provide stores and horses for the king–and refuge for those associated with his rival. All the while, they pursue a higher call, to care for souls, to heal bodies when they can and bury them with dignity when that fails. In Cadfael, the former soldier we read the tension of understanding the way of the warrior and the pursuit of his spiritual calling. He exemplifies one who lives “as wisely as a serpent and as innocently as a dove.”

A Morbid Taste for Bones (Chronicles of Brother Cadfael #1), Ellis Peters. New York: Mysterious Press/Open Road, 2014 (originally published in 1977).

Summary: Cadfael is part of a group commissioned to retrieve the bones of a Welsh saint. When the one leading landowner who opposes the removal is murdered, Cadfael helps his daughter find the murder, avenging his death.

There was a time in the 1980’s and 1990’s when a number of friends went on about the Brother Cadfael stories and television adaptations. Somehow, I missed all that. Perhaps I was reading other things at the time (I was pursuing graduate studies). So I apologize if all this is old news to you. I’m just now discovering these wonderful stories. But for those who are like me….

Ellis Peters (Edith Mary Pargeter) wrote twenty stories (and one collection of short stories) in this series between 1977 and 1994, the last published shortly before her death in 1995. The central character is Brother Cadfael, as you might have suspected, a Welsh Benedictine monk who is a gardener, herbalist and sometime doctor, as well as translator and medical examiner. He came to the Abbey at Shrewsbury later in life after service as a crusader and sea captain. His wide experience made him a shrewd observer of human nature, a skill he draws on to solve deaths by mysterious means in this series.

In this first in the series, Cadfael is part of a delegation sent to Gwytherin to retrieve the remains of St. Winifred, after a vision by Brother Columbanus, who has “fits” and sees visions, speaking of her grave being neglected. This is important to the standing of the Abbey at Shrewsbury, which has no relics. The bishop and the prince of Gwynedd (who later comes off as a very sensible chap as do all the Welsh), consent. Prior Robert, ambitious for the abbey, leads the delegation with Cadfael along to translate. They are also accompanied by Brother Columbanus, Brother John, whose fitness for the celibate life is quesionable, as well as Sub-Prior Richard and Prior Roberts clerk Jerome.

The delegation is received warmly but Father Huw, the local priest, advises a meeting with the free men of the parish to gain there consent. One of the most influential, Risiart, is resistant. In a private meeting Prior Robert attempts to bribe him and discovers he has run up against a man of true integrity. Risiart breaks off all talks and the others follow his lead. Father Huw attempts to patch things up and Risiart agrees to another meeting with Prior Robert the next day–but he never shows up–unusual for this man. A search finds him lying dead on a forest path along the way, apparently from an arrow through the heart.

The leading suspect is Engelard, an Englishman who works for Risiart and who has fallen in love with Risiart’s daughter, Sioned. So far, although they get along, Risiart has refused to give her hand in marriage. The hope is that she will marry Peredur, the son of a neighboring landowner and friend of Sioned since childhood. He loves her but she has only the affection of a friend.

Cadfael investigates. The arrow bears Engelard’s mark, but the angle is all wrong. The pattern of dampness is all wrong. Closer examination of the body shows his assailant stabbed him in the back with a downward blow, and then after death, the arrow was inserted angling upward from the front, following the wound pathway.

In Welsh tradition, it falls to the family to see that a murder is avenged. Risiart’s family is Sioned. Some of the best passages in the book are those in which Cadfael communicates understanding of this need and then works withi Sioned to find the killer, all the while walking a delicate balance with Prior Robert’s ambitions, the amorous feelings of Brother John and the further commanding visions of Brother Columbanus.

I see what people like about Cadfael. While a monk, he is no prude, nor is he naive. He understands both sexuality and ambition, acknowledging that were he a younger man, he would have been one of Sioned’s suitors! He works quietly toward resolution while Prior Robert gains the fame, though we discover that he might not have gained what he thought! Cadfael shows a marvelous degree of self-possession that enables him to care for others and to pursue justice, to act with shrewdness that mends both personal wounds and the social fabric.