Enter a Murderer (Roderick Alleyn #2), Ngaio Marsh. New York: Felony & Mayhem, 2012 (originally published in 1935).
Summary: Invited to see a play with his sidekick Bathgate, Alleyn actually witnesses the murder he will investigate.
Nigel Bathgate is friends with the lead actor in a play at the unicorn and receives two tickets to a performance. His friend, and lead partner in crime investigation, Chief Inspector Roderick Alleyn is free and joins him. Before the play, they visit the lead actor, Felix Gardner and witness tensions within the cast as Arthur Subornadier barges into a conversation with Gardner and actress Stephanie Vaughn, a lovers’ triangle with Subornadier the jilted lover. We also learn that Subornadier had threatened the theatre owner, Jacob Saint with blackmail to get the lead part. Are you getting the picture that Subornadier is not a very likable character. Turns out he has offended most of the cast and crew.
During the climactic scene, the character played by Subornadier loads a gun (supposedly with dummy bullets) quarrels with Gardner’s character. Gardner gets the gun, fires and kills Subornadier as the stage manager fires a blank shot. Only Gardner really kills Subornadier, and Alleyn sees it all and calls in his crew to investigate. Quickly, they figure out the murder is the one who substitute real bullets for the dummies that were in the top drawer of a desk during a short time when the stage was blacked out. Attention focuses on various characters including Jacob Saint, who is eventually arrested, and Albert Hickson, the property manager who was responsible for the bullets–until Hickson turns up dead while Saint is in jail.
The climax comes when the actors return to the theatre to re-enact their movements in the final scene. In the end the murderer self-exposes, the very person who Alleyn had written down for his newswriting sidekick, Bathgate. And so ends the first of Marsh’s murder mysteries set in a theatre–a favorite location.
This is early Alleyn. He and Bathgate are still learning to trust each other. Alleyn seems a bit rougher around the edges than in later novels, and without Troy in the picture, suggestively returns the attentions of lead actress Stephanie Vaughn, who doesn’t seem to mind gathering men around her. At the same time, the trademark qualities of Alleyn emerge, his quiet, commanding character that marshals the efforts of his team, including Bathgate and his focus on details and not appearances until the murderer is revealed.
This was a quick read and great fun with an unexpected twist at the end–all the ingredients for a good mystery, and for one just beginning the series, an indication of the good things to come with thirty more of these to go!