Review: Ordinary Grace

Ordinary Grace, William Kent Krueger. New York: Atria Books, 2013.

Summary: Two boys in a rural Minnesota town encounter a series of deaths, including one within their family, and discover something of the “awful grace of God.”

The writing of William Kent Krueger has been my discovery of this summer. How grateful I am for the person who recommended his work to me! Ordinary Grace is a standalone novel set in a rural Minnesota town in 1961. The story centers around Frank Drum, the narrator, and his younger brother, Jake. Jake stutters, and is often silent, but also always seeing and often insightful. Their father is a pastor, responsible for a three church charge. Their mother is a musician, once in love with the town’s music professor, Emil Brandt, who had returned from war blinded, physically and emotionally damaged, who lives with his sister Lise, a deaf spinster attached to Emil and to her garden. Instead, Ruth Drum ended up marrying Nathan Drum when he was ambitious to become a lawyer. War changed all that, a survivor of too many battles, having lost too many men, hearing a call from God amid the loss. Ruth tried to make the best of what she had not expected, living the life of a pastor’s life instead of being the spouse of an up and coming lawyer. Nathan came back with one of those he did not lose, Gus, who loves drink too much, gets into fights, lives in the church basement, getting by on odd jobs about the town. Surprisingly, Gus is a confidant of Nathan who he calls “Captain” and often advisor to the boys.

The other person in this circle is Ariel, the Drum’s daughter, just graduated from high school, a gifted singer and composer, headed to Juilliard, representing the unfulfilled dreams of her mother. She is dating Karl Brandt, nephew to Emil and son of the wealthy brewing family who live in a mansion at the top of the hill and drives a sporty convertible. At one point, Frank spots her slipping out in the middle of the night, returning before morning. Shortly after, she begins to reconsider her Juilliard plans.

The story spans a single summer, filled with a mixture of normal adventures, a scrap with Morris Engdahl, the town bully, at the quarry, where they get the best of him, and encounters with a mysterious Native American living in a shanty down by the river, Warren Redstone. It is also a story that progresses by a series of deaths to which Frank is a party–the first is Bobby Cole, a mentally challenged boy, struck by a train passing over a tressle near the town where Bobby was sitting. Then Frank spots the body of a mysterious stranger, an itinerant who had died. Redstone is nearby, but had nothing to do with the death.

The next death is the hardest. Ariel doesn’t come home after partying with friends following an event where a musical piece she wrote was performed. A desperate search follows but it is Frank who finds her spotting her body in the river. Engdahl, Redstone, and Emil all are suspects. For some mysterious reason Frank can’t explain, he lets Redstone escape when the authorities are in pursuit, probably saving his life.

The tragedy hits them all hard. Jake gives up on God. Ruth separates from Nathan, who represents the God with whom she is angry. The tragedy deepens with the results of the autopsy and the events that follow. The words of Aeschylus are used at one point, “the awful grace of God” and it is this Nathan wrestles with as he tries to grapple with this death and guide his broken family and flock. He says,

“‘I confess that I have cried out to God, ‘Why have you forsaken me?’…’When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken?

‘I will tell you what is left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even to the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them.

We see people wrestling with the hardest of tragedies and struggling to hold onto the ordinary graces of God as they face this “awful” grace–these seemingly inexplicable ways of God. People practice ordinary grace in all their brokenness–Gus and officer Doyle fighting and then forgiving, an outing on horses at Gus’s girlfriend Ginger’s farm, congregation members providing food, music, prayers. A moment when Ruth and Frank sit together on the tressle where he’d spotted Ariel’s body, and grieve and extend comfort to each other.

The phrase “ordinary grace” is actually used only once in the book. At a reception after the funeral services, Nathan is unable to offer a grace before the dinner, wordless in his own grief. People look at one another wondering who will pray. Jake, who has turned away from God, says he will. And he prays without stuttering. Frank recalls:

“That was it. That was all of it. A grace so ordinary there was no reason at all to remember it. Yet I have never across the forty years since it was spoken forgotten a single word.” 

Jake never stuttered again, finding the miracle he needed to believe again.

Krueger plumbs the depths of the darkness of inexplicable tragedy, those places we are inclined to wonder where God is and to rail against God. In one sense, there are no answers to dispel the darkness. Yet Krueger leads us to believe that for those who hold on, there is the ordinary grace to go on, holding to faith, hope, and love. There is no grace to make life go smoothly and tragedy-free. Life is not like that. But Krueger, in these ordinary, broken people in a small town, reveals the unconditional love of God in the love they give each other, and the faith that turns to God in anger, grief, hope, and a prayer before a meal, in which a quiet miracle takes place.

Review: Paul & The Power of Grace

Paul & the Power of Grace, John M. G. Barclay. Grand Rapids: Wm. B. Eerdmans Publishing, 2020.

Summary: Looks at the theology of Paul through the lens of grace, an unconditioned and incongruous gift for Jew and Gentile alike, personally and socially transformative.

John M. G. Barclay stirred up a conversation in Pauline studies in 2015 with the publication of Paul and the Gift, an analysis of what Paul meant by “grace.” This book represents both a distillation and extension of the ideas of the former book. It is less technical, expands the analysis beyond Galatians and Romans while summarizing the previous work in these texts well, and does more to consider the present implications of these ideas.

His central contention, based on analysis of charis in other Second Temple Jewish texts, and especially of Paul in Galatians and Romans, is that grace may be understood as God’s unconditioned and incongruous gift that is both personally and socially transformative. “Unconditioned” emphasizes that there is nothing the individual does to deserve the gift. It is not unconditional, because the empowering presence of God’s grace in those who trust in Christ, is meant to transform people who live new lives in dying bodies, and transforms social relationships, creating a new community making no distinctions by ethnicity, gender, or status. All this is redounds to the glory of God. It is also incongruous whether for the Gentiles as uncircumcised outsiders or for disobedient Jews. Indeed, Barclay points to Paul’s argument in Romans 9-11 as an example of the incongruity of grace in saving all Israel.

In this work, Barclay extends his analysis to the Corinthian correspondence and Philippians. He notes Paul’s treatment of grace and power in Corinth, how the incongruity of grace overturns the power value system of Corinth. and what it means to be “in Christ,” as Christ’s gift of himself to the believer in Philippians. He then extends the significance of grace as gift in inspiring giving communities, generously given to one another where all are cared for, as well as to other communities, as in the offering for Jerusalem, from when the gift of Christ arose.

Barclay addresses the various “perspectives” on Paul and what his own contributes to each. To the traditional Protestant view, his unconditioned but not unconditional reconciles the free aspect of grace and the obedience of faith as the consequence of grace. To Catholics, there are not two stages of grace, but grace transforms, eventuating in good works. For the New Perspective folks, the incongruity of grace explains the inclusion of the Gentiles and the hope for the nation of Israel. For the “Paul within Judaism” people, the incongruity of grace reconfigures his understanding of the law in ways that offer hope both for Israel and the nations.

A concluding chapter considers contemporary implications. Incongruous grace doesn’t recognize distinctions when it comes to who is included. The generosity of giving is one that recognizes all are “gifted,” regardless of economic status. And we all need the gifts of each other as manifestations of God’s incongruous gift.

I appreciate the explicit focus on “grace” in Paul, both for the correctives Barclay brings to notions that smack of “cheap grace” while focusing on the incongruous, unconditioned initiative of God. I’ve often sensed that grace gets eclipsed in the covenantal nomism and focus on faithfulness in various renderings of the New Perspective. Yet Barclay draws on the wealth of learning about Second Temple Judaism to sharpen our understanding of grace such that we don’t read the Reformation back into the New Testament language of grace. And the material about how grace transforms in this volume casts a joyful vision of the possible of our life in Christ, where incongruent grace transforms us into people living congruently with that grace.

Review: Becoming an Ordinary Mystic

Becoming an Ordinary Mystic

Becoming an Ordinary MysticAlbert Haase, OFM. Downers Grove: IVP/Formatio, 2019.

Summary: Explores what it means to be a friend of God, to walk in an awareness of God’s grace, in the ordinary of life.

From the time the author’s mother defined a mystic as “a friend of God,” Albert Haase wanted to be one of those friends. Years later he found himself frustrated, feeling he was walking in circles, wondering:

  • I should be further along on the spiritual journey.
  • Why don’t I see any progress?
  • What am I doing wrong?

His spiritual director observed that many of the great mystics felt like this, and that the fact that he felt like this signaled that he was a mystic as well, an ordinary mystic. Instead of striving, he began to learn what it means to be open to God’s grace. In this book, he shares some of the practices by which he learned that awareness of God and God’s grace through his days.

It begins with a mindfulness of the present of stopping to recollect, looking to attend, listening to reflect, and then going in response. In the first of the exercises that conclude each chapter, he urges this practice several times a day. He then moves on to the examination of conscience, a ruthless review of our sins and the ego obsessions that underlie them, opening us even more to the grace of God. He explores how meditation on the Sermon on the Mount can re-wire our thinking and ego obsessions. He invites us into the cardiac spirituality of love that is at the heart of the law. He teaches us to be transparent through the Welcoming Prayer, a prayer in which we welcome the unseemly emotions.

He moves into our experiences of the absence of God, the times of doubt and darkness, where all we can do is to surrender to we know not what. There is the struggle of forgiveness–of God, of ourselves, and others. He commends the practice of CPR: Confession, Pressing the “stop” button on our memories when they arise, and Relaxation that acknowledges what frail creatures we are and trusts God’s transformative work on his timetable. He draws us into exploring our inadequate images of God and the images of God we see in the life of Jesus.

He tackles the challenges we have with prayer and suggests we begin with the “Come as you are” prayer. He helps us to recognize prayer both as words and the silences between them, much like the notes and rests in music. He proposes that our life experiences are God’s megaphone and the question is not whether God’s speaking, or even whether can we hear him, but what is he saying so loudly in our experiences?

Perhaps some of the best counsel in the book are the principles he outlines regarding various spiritual practices:

  1. They are our response to God’s ardent longing for us, inviting us to go deeper with him.
  2. Whatever the discipline, it should foster a heightened awareness of God’s grace.
  3. This, in turn ought lead to our surrender to the will of God.
  4. One size does not fit all. Traditional practices are not helpful for every person.
  5. Any practice that makes us mindful of God’s ardent longing is acceptable.

He concludes with describing the practice of spiritual direction and how such a person can be a help in becoming aware of God and gives practical recommendations for finding direction.

I found much to commend in this encouraging little book. I found myself identifying again and again with Haase–the glimpses of grace, the profound awareness of sin’s depths in my life, the moments of perplexity, the times where God seems distant, and dealing with and welcoming into God’s presence my unseemly emotions. This is a book that may be taken on retreat, or read and used as a group. And it just may be that we will discuss that God ardently desires us, that we may also be “friends of God,” ordinary mystics.

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Disclosure of Material Connection: I received a complimentary review copy of this book from the publisher. The opinions I have expressed are my own.

Review: Surprised by Paradox

surprised by paradox

Surprised by ParadoxJen Pollock Michel. Downers Grove: InterVarsity Press, 2019.

Summary: In a world where things are often defined in either-or terms and a quest for certainty, Michel proposes there are many things, beginning with basic biblical realities that are both-and, inviting our continuing curiosity.

Whether it is schism in the church, political divides, or just a good old marital conflict, the parties often have defined things sharply in either-or terms, one way or another. Jen Pollock Michel explains how she began to look for a third way, and to write this book. A family member had been lying to her, repeatedly. She described her dilemma to her counselor.

“…I needed light for groping my way out of this tunnel with two exits: should I suffer lying or sever the relationship?

‘What if there’s a third way?’ she asked gently. Her language sounded like a struck bell, especially because ‘third way’ language was something my spiritual director often used with me. It was as if here was yet another invitation to find a sure-footed way on some undiscovered path–to find and where I had previously imagined only either and or. Here was an invitation to ‘lean not on my own understanding’ and find wisdom in the way of paradox” (pp. 22-23).

She discovered that paradox ran through the pages of scripture, that Christian orthodoxy is full of and, beginning with the incarnation, this idea that the Son of God came to earth, fully God, and also fully human. If paradox is at the heart of the nature of the Lord we trust and follow, might we look for God in the and, rather than insisting on answers to either-or questions. This paradox also suggests that we find the spiritual in the material, the living God in the stuff of everyday life. It also suggests that to conform to God’s ideal for our lives, is to live fully the “one wild and precious life” that is ours, expressing in our own uniqueness, the image of God in our lives.

She goes on to explore three other paradoxes. There is the paradox of the kingdom, which is already here and not fully come, where the least are the greatest, where we both give lavishly and enjoy lavishly what we are given, and where strength takes the form of vulnerability whose crowning hour is the cross. Grace confronts us with other paradoxes. Treasured, yet not for any personal excellency. Finding favor when the wrath we deserved falls upon his favored Son. Michel writes, “We don’t get grace because we change our lives–but our lives are indelibly changed because we get grace. Finally there is lament, the raw, unvarnished plea to God of people in pain that God has not shielded them from, that is a paradoxical kind of faith. It takes God seriously enough to become angry, to speak with blunt honesty rather than pretty pieties when what has happened in one’s life doesn’t square with our understanding of who God is.

Michel is a compelling author, one who can relate the depths of theology to teaching her daughter to drive, and her need for grace. She weaves scripture, teaching of the theological “greats,” contemporary realities, images, and personal stories into a narrative that sings and helps us examine with fresh eyes what we thought we knew down pat, helping us by asking, “did you notice this and this?”

A friend once observed that when we try to get rid of the tensions in our faith, or our lives by getting rid of one side of the tension to focus on the other, we make life simpler, but also smaller and more confined. Jen Pollock Michel invites us to live with paradoxes, and to celebrate the ands of God. She proposes that this opens us up to mystery, to surprise, and to the depth of the riches of knowing our God and what it means to live in the and of his purposes, to experience how grace transforms our work, and how our laments in all their perplexity may be among the most robust acts of faith. What might this “third way” mean as Christians are present to a world mired in “either-or?”

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Disclosure of Material Connection: I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own.

 

Review: Saved By Grace Alone

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Saved By Grace Alone: Sermons on Ezekiel 36:16-36D. Martyn Lloyd-Jones. Carlisle, PA: Banner of Truth Trust, 2018.

Summary: Fourteen sermons on Ezekiel 36:16-36, demonstrating from this text that salvation is by grace alone, due to our inability because of sin, and God’s loving initiative for his glory and our salvation.

D. Martyn Lloyd-Jones was a Welsh preacher who succeeded G. Campbell Morgan as pastor of Westminster Chapel in London. His ministry at Westminster began in 1939 and concluded because of health reasons in 1968. For a time he was president of the Inter-Varsity Fellowship in the UK. His ministry was marked by consecutive exposition of different portions of scripture, combining careful exegesis of the text, treatment of the broader theological implications of the passage, and personal applicative appeals to his listeners. One series on Romans was published in fourteen volumes. In the case of this book, he takes fourteen sermons, preached over three months, to cover twenty-one verses in Ezekiel.

If that seems daunting, you are in for a surprise if you read this book. Lloyd-Jones preaches for the lay person and not the academic. Here is an example from one of the early chapters, on the Bible:

“This book is not a human book, it is not man’s ideas. It is the word of the Lord. Ezekiel had not been spending weeks and months in study, trying to understand the situation, and at last felt that he had discovered it and went to address the people; not at all. While he was sitting in helplessness and hopelessness with his fellow countrymen, the word of the Lord came to him. And that is still the only hope for our world. The word that comes to the world today is precisely this old word. Here is a perfect summary of the gospel” (p. 18).

The gospel in fact is the theme of this series of sermons, each on a verse or two from Ezekiel 36. As the title indicates, Lloyd-Jones is contending that this passage teaches us about God’s saving work, and that it is by grace alone. Following the passage, he traces Israel’s rebellion, their folly, and inability of themselves to live up to God’s standards. That is why Ezekiel is writing to exiles in Babylon. Exile reflects his just judgment on their sin, and there is nothing they can do to escape it or make up for their wrong. Yet God does not stop there. This would only be bad news, not gospel. Although they profaned God’s name among the nations, God will vindicate his name by restoring them, separating them unto holiness, bringing them back to Canaan, cleansing them from sin, giving them hearts able to obey, a new Spirit within them, a salvation that touches every aspect of their existence.

In each sermon, Lloyd-Jones moves from what salvation meant for the people of Israel to the parallel of what salvation means in the New Testament, accomplished through the work of Christ, confronting us with and cleansing us from sin, restoring us to life in Christ, reclaiming and going beyond what was lost in Eden. While showing the damage of human rebellion against God upon every dimension of life, and life’s futility under this regime, Lloyd-Jones repeatedly goes on to explore all the ways God in his grace meets us to liberate us from its hold, bringing forgiveness, and the indwelling Spirit, and an expanded vision of the purposes of God in us.

He also addresses his hearers (and readers), coming back again and again to commend the grace of God in Christ as our only hope. The sermons are wonderful examples of calling people to faith. Here is one example:

“Can you say, ‘My God?’ Do you know him personally? That is what Christ came to give you: not only forgiveness, not only new understanding, not only cleansing and holiness, but all that in order that we might be enabled to go into the holiest of all with full assurance of faith and know that we will always be there. Have you got that? Are you in that position? That is Christianity. That is the ultimate of it; the acme, the glory of it. He gave himself for us that he might bring us to God” (p. 147).

These sermons are not only valuable for exploring this passage in Ezekiel, and its gospel implications and as a model of appealing to someone to come to faith. They also preach the gospel to those of us who have believed. My heart was warmed by these truths afresh in reading Lloyd-Jones, even though I first believed them as a child. I can never get beyond but only go deeper into all that it means to be saved by grace alone through Christ alone. This book was a valuable aid in that journey.

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Disclosure of Material Connection: I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own.

Review: On the Brink of Everything

On the Brink of Everything

On the Brink of EverythingParker J. Palmer. Oakland, CA: Berrett-Koehler Publishers, 2018.

Summary: A series of reflections on aging, living with grace and vitality as we age, and facing our deaths.

Perhaps one of the greatest unknowns that shape our lives either by denial, or conscious reflection is our own deaths. Like so much else, we have no clue what to expect until we get there. For some of us, our religious beliefs offer the hope of life beyond taking our last breath, or perhaps a return in another incarnation, or a oneness with the universe. We believe, perhaps with good reasons, but none of us knows. We wonder if death is going over the brink of nothingness. For Parker J. Palmer, at the end of his eighth decade, death is the “brink of everything.” This work consists of collected reflections around the question both of “how shall we die?” and how consequently we live, particularly in the autumn years of our lives, a season he believes has its own beauty.

Palmer had me from the “Prelude” where he writes: “Age brings diminishments, but more than a few come with benefits. I’ve lost the capacity for multitasking, but I’ve discovered the joy of doing one thing at a time.” In seven chapters, Palmer organizes his reflections and poetry around several topics. In “The View from the Brink: What I Can See From Here” he proposes that instead of asking “What do I want to let go of, and what do I want to hang on to?” that we ask “What do I want to let go of, and what do I want to give myself to?” Like Erikson, he sees that living generatively and giving ourselves to rising generations is essential to our vitality. That leads into a chapter on “Young and Old” A highlight in this chapter was a letter to a collaborator in the “On Being” program, Courtney Martin, and his observations about gender relationships. The chapter also includes one of the pithier and substantive commencement addresses I’ve heard or read.

“Getting Real” recounts the influence of Thomas Merton on his life and the journey from illusion to reality in his own life, from false self to true self. He describes an epiphany when a therapist observed about his perception of his struggle with depression (qualifying this as applying only to his own experience):

“You seem to image what’s happening to you as the hand of an enemy trying to crush you. Would it be possible to image it instead as a hand of a friend pressing you down to ground on which it is safe to stand?”

The chapter concludes with journal reflections from a winter retreat week, which includes more Merton.

His chapter on “Work and Vocation” centers on his life as a writer. He confesses, “I became a writer because I was born baffled.” It was helpful to find someone else who thinks this. I often find myself writing to find words to express an “inchoate something” that is rumbling around inside. “Keep Reaching Out” speaks to the necessity of remaining engaged with our world, which he models in how he wrestles what that means in a country led by a president whose character and values are at utter odds with his. As a Quaker, he wrestles through the question of how to be angry and yet live one’s commitments to non-violence. A short essay in this section on “The Soul of a Patriot” included a succinct statement from William Sloan Coffin that expressed with precision something I’ve been groping for:

“There are three kinds of patriots, two bad and one good. The bad ones are the uncritical lovers, and the loveless critics. Good patriots carry on a lover’s quarrel with their country, a reflection of God’s lover’s quarrel with the world.”

We also need to “Keep Reaching In,” His insights on the connection between pain and violence were thought-provoking to me, reminding me of Henri Nouwen and how wounds can become toxic or sacred to us, depending on the inner work we do:

“What can we do with our pain? How might we hold it and work with it? How do we turn the power of suffering toward new life? The way we answer those questions is critical because violence is what happens when we don’t know what else to do with our suffering.” 

This relates to his final chapter “Over the Edge,” in which he calls out the great challenge of wholeness, which is to live with and embrace all the contradictions of our lives–our noble and petty qualities–saying “I am all of the above.” He reminds us that we are never other than beautiful and broken persons and to face the truth about ourselves allows us both to live and die well. As for what is “beyond,” the most he will cautiously advance is that he believes that somehow body and spirit are intertwined and indivisible, whether in simply making new life possible or something more.

In this last, it is clear that this is not a book that presents an orthodox Christian view of death and future hope (although the resurrection is a marvelous expression, I think, of his intuitions of the indivisibility of body and spirit). Rather his reflections, the questions he explores in his writing, as well as the bonus downloadable music by retreat collaborator and musician Carrie Newcomer, explore how we might grow old with grace and generativity, rather than crankiness and frustration and sadness. His insights about anger and pain, and the temptations to violence seem very relevant whether we are old or young in this angry and violent culture.

I live in a place of seasons and I love the approach of each one and think each has its own beauty. Palmer helps me to see this in life, that the approach of autumn, and the winter to follow have their own beauty. Contrary to Dylan Thomas, Palmer suggests that we can go gently into the good night. He proposes that this is a season that has its own richness, that he invites us to join with him in exploring as we all approach the brink of everything.