I Cheerfully Refuse
I Cheerfully Refuse, Leif Enger. Grove Press (ISBN: 9780802165190) 2025.
Summary: In a dystopian America, Rainy and Lark carve out a joyful life until tragedy sends Rainy on a Lake Superior odyssey.
I don’t typically select books this way. Looking at a table of new works at my local store, the cover art of this book caught my eye. The description sounded like a modern day odyssey. And the author was from Minnesota. Having had a good experience with another Minnesota author, William Kent Krueger, I thought I’d give Leif Enger a try. I’m so glad I did, though amid the goodness, truth and beauty of the story was heartbreak and terrible darkness.
The setting is Lake Superior in a not-too-distant future America. Societal order, the economy, and the climate have collapsed. The country is controlled by sixteen multi-billionaire “astronauts.” Some semblance of societal order is maintained by pharmaceuticals developed aboard “ships of horror.” Children are rated on a “feral scale” and medicated. And if it all becomes intolerable, a little slip of paper with a drug called “Willow” will help you end it all. And some are having “Willow” parties. Libraries have closed and books are becoming an increasingly scarce commodity.
Rainy and Lark have somehow carved out a joyful life together. He’s a big bear of a man who paints houses, plays bass guitar, often with a local band, but sometimes just to comfort his friends. Lark is a former librarian with a big heart and a passion for books. She runs a second-hand bookstore in a bakery, scouring estate sales for book collections. Lark taught Rainy to sail, going to a place called “The Slates,” where they had a somewhat mystical encounter they believed was with Molly Thorn, thought to be dead. Consequently, they buy and re-hab an old sailboat.
Lark, in her open-heartedness brings home a fugitive, Kellen. He has run away from one of the pharmaceutical ships. Perhaps the fact that he had in his possession an unpublished work of Molly Thorn’s, I Cheerfully Refuse, sufficiently seals the deal and he stays with the couple. But tragedy strikes the night of Lark’s birthday. Kellen has disappeared. After a futile hunt, he returns home to find his home destroyed, and Lark brutally murdered. A stranger, an older gentleman, who he later learns is Werryck, ran the ship Kellen had fled, and has been around the town, and through the book, has traced Kellen to their house. That’s why Kellen has gone.
Not only that, Werryck is after Rainy. Whatever they tore up the house looking for is still missing. So, Rainy takes to his boat. The only destination he can think of is “The Slates,” hoping perhaps he will find Lark there. Along the way, he is joined by Sol, a young girl he rescues from an abuser, buying her with his bass. Together they endure Superior’s terrible storms, scrape together an existence, outsmart a corrupt bridge operator, and search for an old relative who once cared for her.
The novel asks the question what kind of people will we become and what kind of communities will we form when the societal order fails? Along the way, amid the corruption, Rainy and Sol will find outposts of goodness. But what kind of person will Rainy, who has lived by goodness, supporting his friends, become? He faces his greatest test when he becomes Werryck’s captive.
Rainy’s sailing journey on Lake Superior strikes me as a modern-day Odyssey. Will he, in the end, find home? And how will the journey have changed him? Also, not unlike Octavia Butler’s Parable of the Sower, Enger confronts us with a very possible dystopia, asking us what kind of people we would be in such times. He does all this in a compellingly beautiful story.
