Review: The Bookseller at the End of the World

The Bookseller at the End of the World, Ruth Shaw. Auckland, NZ: Allen & Unwin, 2022.

Summary: The story of two small bookshops and their customers in the southernmost part of New Zealand, and the long journey of the bookseller running from trauma, broken dreams, and adventures until re-united with her first love and her work as a bookseller.

Ruth Shaw and her husband Lance run “two wee bookshops” in the southernmost part of New Zealand, a rural town named Manapouri, a scenic destination of vacationers and eco-tourists. This is both about her experiences of bookselling, and the long journey from a working class upbringing across much of the south Pacific until she married her “first and last love,” and after sharing duties of sailing a charter boat, settled down and started the bookshops, at first one, and then a second nearby for children.

Ruth had a pretty normal upbringing, living in Naseby, until it was shattered by a rape at a school dance that left her pregnant. As was the case then, she went away to stay with relatives in Wellington until she had the child, which she gave up for adoption. She tried the Navy but couldn’t handle the discipline. She returned to Stewart Island to assist her parents in running a hotel. It was there that she met Lance Shaw, fell in love, only to have their engagement broken off because Lance couldn’t agree to raise their children Catholic. From helping to run a hotel, she took off to Wellington, running for the next twenty years of her life from trauma and heartbreak

She had various jobs including cook and housekeeper for a house of priests, then went sailing around the Pacific with another man she met and married. But tragedy stalked with her husband dying in a car accident, leaving her with child, who died from an Rh incompatibility, a consequence of her first pregnancy. Later, she returns to the cemetery where he is buried and snatches the cross to remember him by.

She spends twenty years in a wild assortment of jobs, surviving a tsunami, encountering pirates, having run-ins with the law in several countries, returning home long enough to care for her dying mother, attempting suicide and spending time in a mental facility. There were more marriages, from which she ran. For a time she works with a social agency, drawing on her own life to help others. Then a phone call comes from a familiar voice from twenty years ago, asking if she was still Catholic, a reunion with the son she’d given up for adoption, and the move to Manapouri after selling the charter business and the decision to open the bookshops. Always a reader, she began with her own library as the core of her stock.

Interspersed with her memoir are delightful little vignettes called “Tales From the Bookshops.” She tells of giving as many books as she sells, including one to Hamish the hiker. We learn of a couple with a bizarre practice of reading books, of finding the right book for the man who loved tractors, and of how she handles the sale of family books–heirlooms. We are entertained by the story of Lex, the six year-old, who became her “bookshop assistant,” Cove, the bookshop dog, and many more vignettes from her bookselling life.

Ruth Shaw offers us a memoir combining resilience amid trauma and tragedy, a wonderful love story with a happy ending, and plenty of stories any bibliophile will love and identify with. Shaw exemplifies the wonderful quality of all the great booksellers–the ability to connect the hungry reader with just the right book, even from her small shops. You don’t have to go to the Strand, Shakespeare’s or Powell’s. There are dedicated booksellers, even at the end of the world in southern New Zealand who find ways to bring just the right book together with the hungry reader.

Review: Colour Scheme

Colour Scheme (Roderick Alleyn #12), Ngaio Marsh. New York: Felony & Mayhem, 2013 (first published in 1943).

Summary: A struggling New Zealand spa by some sulphur springs becomes the scene of espionage, the visit of a famous stage actor, and murder.

This is one of Marsh’s New Zealand novels, in which Roderick Alleyn is engaged in anti-espionage World War II. The story is set at a down-at-heel struggling resort by the fictional town of Harpoon, near the coast on New Zealand’s North Island. The resort, a spa located near sulphur springs and pits is run by Colonel Claire, his wife, and daughter, Barbara and son, Simon. They’ve recruited the Colonel’s brother-in-law, Dr. James Ackrington, a retired physician of some reknown to be the house doctor. The “staff” is rounded out by Bert Smith, an often-drunk handyman, and Huia, from the nearby Maori village, who serves as housekeeper and cook.

The main “guest” at the start is Maurice Questing, a businessman. It becomes apparent that he has an interest in the spa, having given the Colonel a loan on which he has fallen behind. Questing has big plans for the spa and one of his first acts is to advertise it, resulting in recruiting a distinguished guest. Geoffrey Gaunt is a Shakespearean actor with a leg that is paining him. He’s accompanied by his secretary, Dikon Bell, and his dresser, Colley.

Questing is not well liked. Both Ackrington and Simon suspect him of spying. He’s been seen on a volcanic peak, near a Maori preserve. In a couple of instances, flashing lights had been observed at times that coincided with the sinking of ships. Ackrington has written to Alleyn, a friend, sharing his suspicions. At one point, Questing was driving in sight of a railroad signal when he waved Bert Smith across a railroad bridge when a train was coming, claiming later that the signal wasn’t working, when it was. Subsequently he alienates Gaunt,

During all this, another unusual guest, Septimus Falls turns up, ostensibly to undergo treatments for lumbago. Simon suspects him to be in league with Questing, based on witnessing him tapping his pipe in what sounds like Morse code.

You guessed it. Questing ends up dead, falling into one of the dangerous sulfur pits. And there is no shortage of suspects with motives–Claire, Ackrington, Smith, Simon, Gaunt, and the mysterious Septimus Falls, as well as several people from the Maori village. Septimus Falls, who had been walking at some distance behind Questing, heard him scream, and subsequently gets them all discussing their stories, to prepare for questioning from Detective Sergeant Webley, the local man.

In all this, Alleyn is noticeably absent and you keep waiting for him to turn up, one of the interesting twists in this story. There are really three mysteries in the story: who is the spy, who murdered Questing, and where is Alleyn? Have fun figuring all that out. I sure did!

Review: Vintage Murder

Vintage Murder (Roderick Alleyn # 5), Ngaio Marsh. New York: Felony & Mayhem Press, 2012 (first published in 1937).

Summary: Alleyn falls in with a theatre company while in New Zealand and discovers that neither murder nor police work take a vacation.

New Zealand. Trains. Theatres. Murders in Alleyn’s presence. It would be an interesting trivia question for Alleyn lovers of how many novels in this series have one or more of these elements as a significant plot element. This story has them ALL.

Alleyn is on holiday, riding across New Zealand on a train. The other people in his car are the assorted cast members and others associated with the Carolyn Dacres Comedy Company, a touring company. He surveys the company, many of whom are sleeping but a few are awake including a seatmate, leading many Hailey Hambledon and a restless young actor, Courtney Broadhead, who gambles more than is good for him. Alleyn dozes, awakened with the awareness that someone had walked past him. Shortly after, he is sought out by Hambledon, who informs him that someone had tried to kill Alfred Meyer by pushing him off a platform between cars. He listens to the story, advises contact with the authorities, which Meyer, the proprietor of the company, is reluctant to pursue. Then word of another crime intrudes as Valerie Gaynes, a novice actress taken on as a favor reports that a large sum of money in a folder in her luggage had been stolen. Alleyn looks, while asking everyone to keep his true identity secret.

They arrive at their destination in Middleton without further excitement. We meet the various characters and overhear a conversation between Hambledon and Carolyn suggesting some sort of romantic involvement, but one she will not pursue as a Catholic who does not believe in divorce. Only if Alfred is dead would anything be possible. Broadhead settles up gambling debts while Liversidge, the other “juvenile” seems flush with funds. Ackroyd practices his acerbic wit on all and sundry. George Mason, the business manager and Meyer’s partner, seems absorbed with matters in the office. All the preparations for the show are supplemented by an after-show dinner in honor of Carolyn Dacres birthday planned by Alfred Meyer, her husband, which includes a jeroboam of champagne being lowered to the table, counterweighted with a heavy weight, which plummets to the stage at one point as the apparatus is being set up.

You see where all this is going, don’t you? Alleyn has been provided a seat at the performance, and invited to dinner. He buys a gift of a tiki, a symbol of good fortune on the advice of Maori Dr. Te Pokiha, also with the party. It is passed around for all to look at before the surprise of the night, the champagne jeroboam. When Carolyn cuts the cord holding it, the jeroboam plummets, breaking upon the head of Alfred Meyer, killing him.

Alleyn discovers the counterweight had been removed. This was no accident. But who in this tight knit cast would have done it? Could it be connected with the events on the train. Did Meyer know who stole the money. What about Hambledon who had reason to wish Meyer dead. Or perhaps Carolyn herself? The other with a financial stake was Mason, the business partner, but he was not seen leaving his office during the crucial time. Or could it have been the somewhat mysterious Maori, Dr. Te Pokiha?

Alleyn is invited to join the investigation by local authorities, enthralled by a professional text written by Alleyn and the chance to watch him up close. So goes vacation and anonymity! The investigation involves the movements of all the cast members, the layout of the theatre, what became of the tiki, and why a weight, not heavy enough for the counterbalance, was affixed to the rope after Alleyn investigated. What, if any, connection did the events on the train have to Meyer’s murder?

Marsh handles all the classic elements with style, throwing in red herrings to divert us. We wonder if Alleyn will be able to solve this in time for the troop to leave for its next performance–and what will happen with the leading lady’s husband gone? And will Alleyn get his vacation in, or merely a busman’s holiday? While not terribly imaginative, and a bit drawn out in its investigation of various cast members, I still found the denouement satisfying as well as how Marsh got there.