Gospel Media: Reading, Writing, and Circulating Jesus Traditions, Nicholas A. Elder. Wm. B. Eerdmans Publishing Co. (ISBN: 9780802879219), 2024.
Summary: Addresses myths and generalizations about reading, writing, and publication in the Greco-Roman world shaping ideas of how the gospels were composed, used, and circulated.
Nicholas Elder writes to address the myths around how people read, wrote, and circulated written materials in the Greco-Roman world. It is assumed, for example, that no one read silently. Reading was a communal rather than solitary act. Likewise, it is assumed that texts were rarely composed in one’s own hand and that the gospels all reflect the same compositional practices. Circulation of written texts was believed to follow a “concentric circles model from intimate associates to a broader public. Elder’s study of Greco-Roman practices and the gospel texts reveal a much more complicated picture than has been generally assumed.
Reading
Elder observes that there are examples of both silent and vocal reading in the Greco-Roman world. He also notes at least one example in the gospels, when Jesus reads from Isaiah. Jesus would have read silently or at least scanned, to find the text he read. Reading also was not always a communal activity. For example, the Ethiopian eunuch was reading on his own when Philip came along. People read alone both silently and aloud. Also, reading aloud with others occurred in various settings, from large groups to intimate family settings, or even one person reading for another.
The gospels reflect these different reading practices. Mark reflects the oral recitations of the Jesus tradition converted to text whereas Matthew wrote a “book,” that best worked when read in sections communally. Luke reflects an account written for an individual, if we interpret Theophilus as such, that was also used communally. John is written as a document reflecting awareness of the other accounts, and complementing these. Elder notes the concluding colophons in John 20 and 21 in support of this idea.
Writing
Contrary to the idea that the same compositional practices, often in the form of dictation to an amanuensis, pertained in all instances, Elder proposes that the evidence supports a variety of practices. Both composing by mouth and by hand may be used, or some combination, whether in writing or revision. All of this may or may not be in connection with a prior oral event, with or without the approval of the speaker (such as unauthorized dissemination of lecture notes).
Elder notes evidence for very different compositional approaches with the gospels. He sees Mark as reducing oral preaching to text to be re-used in other oral readings. Matthew and Luke both reflect written compositions, working with Mark and other sources, removing the oral residues (for example, reducing the use of “and”). Matthew wrote for communal readings (its five-fold structure) whereas Luke wrote for individual and communal reading. John is more complicated, reflecting both oral and written aspects and the evidence, for Elder is less clear.
Circulation
How were written compositions circulated? One assumption is that many New Testament documents were circulated in codex, or book, form. Also, it was believed that compositions were circulated in successively larger concentric circles. This goes from initial text, to friends, a wider friend circle with feedback, a public release, and then further copying of texts by others.
Elder proposes that both the form in which they were circulated and the process varied with different documents, both in Graeco-Roman society and with the gospels. Things may be accidentally or intentionally published abroad with or without the author’s approval of the text. Or it may go through more limited circulation with authorial revision. It may even be suppressed.
Elder thinks that Mark was circulated in codex form to a select group, and presumably they circulated it to other churches. He believes Matthew and Luke to have been circulated in roll form in a public release. John, he believes, was read intramurally among friends, and then circulated more widely. This felt to me the most speculative part of his book.
Conclusion
Overall, I thought Elder raised interesting questions and proposed reading, writing, and circulation processes that are as complex as they are today. I found the section on reading fascinating as I relate to contemporary readers who also read in a variety of ways. The section on writing helped me reflect on the differences of the four gospels from a compositional point of view. I think the section on circulation the most speculative, but challenging the general adoption of codices seems to point to a direction for further research. What I most appreciated was Elder’s attention to textual detail in the gospels for clues to how they were written, form whom they were written and how they were intended to be used. All told, I thought this a fascinating account that challenged prevailing assumptions and asked interesting questions.
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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.
