Review: The Affair at the Bungalow

The Affair at the Bungalow

The Affair at the Bungalow, Agatha Christie. New York: Witness Impulse, 2013 (originally published in the anthology Thirteen Problems in 1932).

Summary: Actress Jane Helier tells a story of a mysterious burglary at a bungalow in the town where she is acting in a play, involving a woman impersonating her and an unfortunate young playwright. Miss Marple, professing to be baffled, privately hints at a different story.

Most readers are familiar with Agatha Christie’s full-length mysteries. This is a delightful short story originally part of an anthology titled Thirteen Problems first published in 1932, and now available in e-book form as a stand-alone short story.

Jane Helier, an actress, is with a party of friends including Miss Marple, and turns the conversation to a mysterious event that happened to a “friend” of hers, who is quickly found out to be Jane herself. She was in a town by a river (“Riverbury”) as part of a play company when called upon by the police to confront a young man arrested for burglary. The story gets more interesting when the young man, a playwright, claims he was summoned to a bungalow, the site of the burglary, by Miss Helier. Of course, when he sees Miss Helier, he realizes the other woman was not her. He had called at the bungalow, was introduced by the maid to “Miss Helier,” had a drink, and woke by the side of the road, only to be arrested for burglary. It seems that a case of jewels owned by the mistress of a wealthy city man has been stolen while the house was empty. The mistress was an actress, herself married.

By then it is obvious that the young playwright, Leslie Faulkener, was innocent of the crime. But who stole the jewels? The actress, the maid? The party weights all the angles of the story, and at the end, even Miss Marple professes to be mystified as to the solution, and their ire is further aroused when Jane Helier herself offers no resolution.

As the party is breaking up Miss Marple whispers in Jane’s ear, leaving her startled. Did Miss Marple know more than she let on, that not all was as it seemed? And what did she mean when she said, “What I do realize is that women must stick together–one should, in an emergency, stand by one’s own sex. I think that’s the moral of the story Miss Helier has told us”? What did Miss Marple whisper in her ear?

The one question, which mystifies Miss Helier herself, also mystified me and that is how did Miss Marple know? The resolution of the mystery hinges on information Miss Helier had not told anyone, including Miss Marple, introducing new characters not known to us. How did she know? Was it the vagueness at points in the story? The fact that Miss Helier herself does not know the ending?

In this case, one has only to read twenty-one pages to discover what is going on. But the story demonstrates Christie’s art–to draw one into a crime puzzle–in this case one without a murder, and finish it with a surprise

 

Review: Interpreter of Maladies

Interpreter of Maladies
Interpreter of Maladies by Jhumpa Lahiri
My rating: 5 of 5 stars

I am the first male of all my friends to read this book. Maybe it is just that men often don’t read something other than adventure or detective fiction or stick to non-fiction or sports or don’t read–or maybe I’m just indulging in stereotypes! At any rate, this Pulitzer Prize winning collection of short stories is well worth reading by both men and women because of the exquisitely fine writing and large themes captured in short narratives.

Lahiri is a woman of Bengali Indian descent, born in London, raised in Rhode Island by a mother who valued her Bengali Indian heritage, and educated in Boston. These short stories reflect the complicated challenges of negotiating heritage, immigration to a new country, and the impact these have upon relationships as modernity and traditional cultural values clash.

Jhumpa Lahiri (c) Marco Delogu

Jhumpa Lahiri (c) Marco Delogu

The title story, “Interpreter of Maladies” typifies this clash as a Bengali tour guide for Americans explains that his other job, serving as a translator for a physician opens up an odd intersection of these two worlds with a foreign couple he is serving as guide. In “This Blessed House” we have an Indian couple who buy a house in the US that is filled with the trappings of its previous Christian owners and we have the comical and thought-provoking clash between husband and wife of what to do with all these artifacts of a foreign religion that were part of the home. In “Mrs. Sen’s” we have a traditional Indian wife of a university professor in the US, who supplements the family income by watching children, and who struggles between her traditional role and the pressures of her husband to learn to drive.

There are also stories about the clash of traditional cultural values and modernity in areas of marriage and sexuality. In “A Temporary Matter” we see a struggling arranged marriage that comes to a crucial turning point during a series of power outages. “Sexy” narrates two affairs, including one between a Bengali and an American, who works with a Bengali friend who has just told her about her cousin’s husband’s affair. “The Third and Final Continent” explores the dynamics of arranged marriages and immigration and an unlikely catalyst to real love forming in the person of a 103 year old landlady.

A last category seems to be the ephemerality of relationships, which include the story “When Mr. Pirzada Came to Dine” “A Real Durwan”, and “The Treatment of Bibi Haldar”.

What it seems all these stories have in common is change. Relationships that grow, and those that die. People that come and go. Ways of living confronted by the circumstance of migrating to a new culture. We long for permanence and hope that in a place, in a person, in a set of values, we can find that. In the world Lahiri describes, we see in these short pieces the large, existential drama of the search for what lasts in a world of change.

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Publishing Trends: The Kindle Single

One of the publishing trends that I’ve become aware of since I’ve had an e-reader is that of the Kindle Single. This is what we might in the past call a short story or essay or reporting piece. The challenge for these short pieces is that up until now, they have generally not been stand-alone pieces. They appear in anthologies or magazines or sometimes in a collection of pieces by that author. Publishing the piece all by itself just hasn’t generally worked.

The Kindle Single ranges from 5,000 to 30,000 words, can be in one of a number of genres, and either can be an already published work on the Kindle platform or one considered for publication as a Kindle single. Kindle’s editors make selections. Authors, if selected receive 70 % royalties on publications priced between 0.99 and 4.99. Here is Amazon’s Kindle Single Submission Policy.

It seems to me that this opens up a new avenue for authors to get their work published, and known of itself–not lost in a journal or anthology. It also affords publishers the chance to publish authors without the laborious process of writing and editing a full length work, or waiting for there to be a collection of short stories. The site Good E Reader notes that Penguin and Random House are now publishing short stories in this format and that all this may lead to a renewal in this form of publishing.

I’ve not dipped into this area yet. I would be curious if readers have found some good short stories in e-published form? And if any writers come across this, has this been a way to get your writing out, and more importantly, have you seen many sales?