Review: The Evangelical Imagination

The Evangelical Imagination. Karen Swallow Prior. Grand Rapids: Brazos Press, 2023.

Summary: A consideration of the images, stories, metaphors that constitute the “social imaginary” of what it has meant to be an evangelical.

A number of commentators both within and outside evangelicalism have tried to make sense of the evangelical movement in North America at a time when it is in crisis and many are deserting churches or even the Christian faith associated with that movement. Karen Swallow Prior grew up in this movement, imbibed its culture, and taught at one of its flagship institutions for many years. She writes as an insider who has seen its strengths and flaws and has not given up or departed.

The premise of this book is that every culture has a “social Imaginary,” a term drawn from Charles Taylor, that refers to the shared stories, metaphors, and images by which a culture makes sense of the world and itself. In this work prior unpacks a series of terms and the stories and images evangelicals by which evangelicals have articulated both their own culture and its interaction with the world: awakening, conversion, testimony, improvement, sentimentality, materiality, domesticity, empire, reformation, and rapture. She uses the tools of her academic discipline of English literature to explore these ideas both in literature and in evangelical and wider popular culture.

Each chapter explores the development of the particular term or metaphor. For example, Prior traces the idea of “testimony” in both Dickens Hard Times (with Mr. Gradgrind’s “facts” about a horse a far cry from its meaning) and Scrooge’s “conversion” testimony in A Christmas Carol. She explores how testimony and the literate culture that acompanied it might be traced through Bunyan’s Pilgrim’s Progress and on to accounts by Thomas à Kempis, John Newton, Philip Doddridge, and William Wilberforce. And she chronicles the rise of “evangelically speaking” where telling a good story takes precedence over truth and the necessity of being able to tell one.

Part of the power of this book is to show how the distinctive imaginary of evangelicalism is double-edged, having elements that genuinely reflect the work of God as well as toxic distortions of those elements.There is both the awakening of conscience to sin of the great awakenings and the resistance to awakening to the systemic character of our nation’s racial sins in which “woke” becomes pejorative. Conversion reflects a concern that one not be a Christian in name only but be transformed through new birth into abundant and eternal life with Christ and yet becomes truncated if it does not lead to the continuing conversion of being formed into Christlikeness in all of life. Even empire might reflect the aspiration that “Jesus shall reign where’er the sun/does its successive journeys run” that fueled genuine advances of Christianity to many parts of the world, only to be co-opted by the empires of white nations that colonized much of the world, or even the entrpreneurial evangelical ministries that built their own empires, often around human personality.

At the same time, what makes this book a joy to read is Prior’s ability to move between literature, history, and popular culture as she does in her chapter on “sentimentality” in which she ranges English and Scottish philosophy to Uncle Tom’s Cabin, to Sallman’s Head of Christ, and to the art and personal habits of Thomas Kinkade. All this is reflected in her intriguing subtitle “Uncle Tom, Sweet Jesus, and Public Urination,” the last part of which I will leave you the fun of discovering.

Prior’s point in this exploration is perhaps articulated best when she writes, “To be a product of a subculture–to inherit unthinkingly, uncritically, and assumingly all its images, metaphors, and stories–is to plagiarize a faith” (p. 218). In her chapter on reformation, she contends that evangelicalism is in a time of reckoning. We cannot unthinkingly parrot the metaphors that have shaped us without being re-formed in the way of Christ, shedding the accreted distortions of the evangelical imagination. Prior points the way toward this in her final chapter on “rapture” where she concludes that we should not focus on being caught up with Christ in some future “rapture” but be “enraptured by him, to be beholden to him, to be taken by him” (p. 258) here and now.

I’ve sometimes wondered if the problem of evangelicalism is a lack of imagination. Prior’s book suggests to me that it may not be a lack of imagination but what we’ve been imagining. Prior takes a critical step back, aided by both literary and cultural interlocutors to help us identify what is often assumed, to question it, and under God’s grace, to give up our feeble imaginations for the robust imagination of Christ and his kingdom.

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Disclosure of Material Connection: I received a complimentary review copy of this book from the publisher.

Review: Divine Sex

divine sexDivine Sex, Jonathan Grant. Grand Rapids: Brazos Press, 2015.

Summary: Jonathan Grant argues that a powerful “social imaginary” shapes sexual expression even within the Christian community and only communities that live and articulate a “thick” alternative vision can hope to have a formative influence on the lives of Christian disciples.

Often, when I talk with various people in leadership in the Christian community about issues related to sexuality, there is a sense of not knowing what “hit us” and not necessarily liking the result nor knowing how to address it. What I think this important book by Jonathan Grant does is parse out the cultural revolution that has occurred that forms the sexual desires of all of us, and articulates a path forward for the church that goes much farther than the negative messages of “what not to do, when not to do it, and who not to do it with” that has often summarized teaching around sexuality within the church.

Grant draws heavily on the ideas of Charles Taylor and James K. A. Smith. He argues that there is a secular “social imaginary”, a vision of reality, that fundamentally shapes our sexual attitudes, whether we are Christians or not. In particular, and he draws on Smith here, we are desiring creatures, and this social imaginary shapes both what we desire and how we think those desires may be fulfilled. He develops a cultural analysis of this social imaginary in the first part of the book. Its leading characteristic is an expressive individualism committed to radical authenticity in relationships. With regard to sexuality, there is both the longing to find one’s “soul mate” and yet preserve one’s own sense of autonomous individuality. It results in  a ‘definitely maybe’ culture where people long for intimacy but struggle with commitment.

He explores the surprising reality that increasing numbers are deciding to “go solo”, living alone, while either engaging in a series of casual relationships, or substituting cyber-porn for real relationships. This leads to a focus on the consumeristic aspect of modern sexuality, where media has created a feminine (and perhaps masculine) ideal, and where, through online dating, there is this myth of infinite choice, where one is always wondering if there is someone more perfect than the one you are with. He chillingly chronicles the rise of cyber-pornography and how it rewires the brain and renders its users less capable of engaging in real relationships that fail to conform to video fantasies. All this leads to a hyper-sexualized self, where, as one person interviewed put it, “sex has no mystery.”

The second half of the book begins to look at what the author thinks the church must do, drawing on his own parish experience. He believes in the development of a Christian social imaginary, a compelling vision of sexuality within the life of a Christian disciple. It is a vision that is eschatological, understanding ourselves as the betrothed of Christ preparing for our union as the Church with him. This situates sexual desire within the framework of being a sign of something so much larger and really good for which we were made. It is a vision that is metaphysical, recognizing that it is as male and female we image God. We do not complete each other, and so singleness can be honored and fulfilling, but the marriage union does image something of the Creator. It is a vision that is formational and missional. It emphasizes faithfulness and service of fulfillment and the autonomous self. All of this focuses around shaping our desire for God, recognizing that our longing for intimacy is met most deeply in God and all other intimacies point us toward, and are meant to reflect that intimacy.

So much of this can happen only in a community that is living out the story of a gospel that calls us into redeemed relationships marked by commitment, service, and self-giving love. Desire is shaped by examples, as friends, singles, and couples, model a new way of living and desiring that spans generations. He concludes with thoughts about various formational practices of such a community including embodied worship, that celebrates our physicality and churches that are courting communities, not in the sense of the singles “meat market” but as a place where men and women can serve and work together and have the chance to explore who the other is in the context of a supportive community.

The book is an elegantly written and thoughtful cultural analysis that avoids the easy nostrums of so many books while putting forth a rich vision of sexuality as both gift of God and harbinger of so much more. He speaks into a culture that has made sexualty little more than a pleasure function, even while so many who have been caught up in the secular social imaginary find themselves asking, “is that all there is?” Grant points the way to a different vision that would suggest that indeed there is so much more.

Recently, this book was named one of Christianity Today’s Books of the Year in the category of Christian Living/Discipleship.

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Disclosure of Material Connection: I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”