Review: John Henry Newman: A Life Sacrificed

Cover image of "John Henry Newman" by Ida Friederike Görres

John Henry Newman: A Life Sacrificed, Ida Friederike Görres. Ignatius Press (ISBN: 9781621646983) 2024.

Summary: A study of Newman focused on the cost of his conversion to Catholicism and how it formed his character.

John Henry Newman is one of those figures of interest to many of us who have worked in college ministry. Newman Centers often served as the base for Catholic ministry on campus. For those of us who tried to think Christianly about what universities are for, Newman’s The Idea of a University was required reading.

Newman’s story is an interesting one. He came to a vibrant evangelical faith as a teenager. As a young man, he became part of a movement to reform and revitalize Anglicanism through turning toward its Catholic roots, promoting a kind of Anglo-Catholicism. But he discovered he could not go half way, and after an agonizing process, converted to Catholic belief. While this brought spiritual relief, it both cost him friends and engendered suspicion among his fellow Catholics in England. He was relegated to a parish in Birmingham, where he faced (and lost) a libel trial. Later, he had a chance to pursue his vision of a university in Ireland, but never enjoyed the support of his fellow Catholics. Only late in life did he rise to the office of Cardinal.

This work is less a biography than a study of how Newman was formed through the challenges and setbacks he faced in his life. The theme of this book is that Newman sacrificed his life in the pursuit of spiritual truth. Whether this was in the advocacy of his Tracts for the Times during his Oxford Movement period or his wrestlings at Littlemore, he sought truth. Later on, his works on The Grammar of Assent and on the development of doctrine centered on the pursuit of truth. A long chapter toward the conclusion of the work unpacks Newman’s ideas on conscience

Görres traces how adversity brought him low. She also shows how it formed a godly humility and deep personal devotion. Newman always adhered to the code of the gentleman. He even addresses himself to the formation of gentlemen in Idea. To gentlemanliness, Newman’s trials added Christlike gentleness.

But this work is not just about Newman, but about Ida Friederike Görres. Görres was a German Catholic scholar, profoundly influenced by Newman, who wrote on the lives of saints. In an introduction, Hanna-Barbara Gerl-Falkovitz, who edited this work for German publication describes the author’s difficulties in completing the work. Also, the translator, Jennifer S. Bryson, offers both commentary and a detailed index of the book. Concluding appendices offer timelines of both Newman’s and Görres life. One of the most helpful resources in the book is an extensive register of persons.

Görres doesn’t offer a biography of Newman so much as a study of his character in the context of the events of his life. We see how sacrifice produces sanctity. For biography, the reader may turn to Ian Ker’s John Henry Newman. But many biographies don’t reveal the personality of a person and how God formed them through the challenges of their lives. This is what Görres does so well in this work.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: Dancing in My Dreams

Cover image of "Dancing in my Dreams: A Spiritual Biography of Tina Turner

Dancing in My Dreams (Library of Religious Biography), Ralph H. Craig, III. Wm B. Eerdmans Publishing Co. (ISBN: 9780802878632), 2023.

Summary: A biography of the life of Tina Turner, centering on how her embrace of Soka Gakkai Nichiren Buddhism was transformative in the fulfillment of her dreams, including that of becoming a religious teacher.

If you remember Tina Turner, most likely your memory of her was in performance, singing “Proud Mary” or “What’s Love Got to Do With It”, often beginning low and slow and climaxing in a frenzy of dancing by her and her backup singers as she belted out powerful vocals–a revival service at a rock concert.

Maybe that should have cued me to powerful spiritual roots in her life. Even so, there was much new for me in this spiritual biography of Turner’s life. What should have been evident, knowing the stories of other, was her Black church experience, beginning at the Woodlawn Baptist Church in rural Nutbush, Tennessee, and later Pentecostal Church of God in Christ churches in Nashville. Growing up as Anna Mae Bullock, she was the child of a strict religious mother and absentee father who died young, She also lived part of the time with an aunt Zelma and her uncle Richard, who she eventually would live with after her mother left, moving to St. Louis where she encountered the clubs, sang for Ike Turner, eventually becoming part of his act, becoming “Tina” and marrying her.

On one hand, Ike Turner turned Tina into the professional who could walk into a studio and lay down a vocal track in one take. But it came at the tremendous cost of physical abuse, making her life a study of partner abuse and the psychological fear and dependency that kept her from leaving for many years, even as Ike further descended into drug addiction.

What distinguishes this book is Ralph Craig’s account of the turning point in her life, resulting from a number of spiritual practices including consulting with readers, astrology, and most significantly, Soka Gakkai Nichiren Buddhism. Through Wayne and Ana Maria Shorter and their friend Valerie Bishop, she was introduced to the chanting associated with this Japanese form of Buddhism and the peace and focus she gained from this practice and their support helped her leave Ike for good, and over several years, launch her solo career, pursuing a dream of performing in stadiums. Craig goes into depth concerning the history of this branch of Buddhism and the embrace of Buddhism in Black America.

He also describes what he calls Turner’s “combinatory religious repertoire” in which she draws upon all her religious influences although Soka Gakkai Nichiren Buddhism remains central. A quote from Vanity Fair (1993), cited by Craig may give a sense of this:

“I do something about my life besides eating and exercising and whatever. I contact my soul. I must stay in touch with my soul. That’s my connection to the universe….I’m a Buddhist-Baptist. My training is Baptist. And I can still relate to the Ten Commandments and to the Ten Worlds [a concept from Soka Gakkai]. It’s all very close, as long as you contact the subconscious mind. That’s where the coin of the Almighty is….I don’t care what they feel about me and my tight pants on stage, and my lips and my hair. I am a chanter. And everyone who knows anything about chanting knows you correct everything in your life by chanting every day” (p. 175)

Craig goes own to recount how she used chanting to prepare herself to connect with audiences in concerts. And he recounts the slow climb from smaller venues to arenas, the struggle and prejudice she encountered with getting recording contracts with American companies and the much more favorable reception she enjoyed in Europe leading to her move to England and eventually Switzerland, where she married again.

The final chapter records her retirement after her Wildest Dreams concert tour, where she filled stadiums, in 2009. In her remaining years, she pursued one final dream, to teach what she had learned, releasing several recordings sharing religious teaching. Her life after 2013 became increasingly a struggle with declining health as she suffered a stroke, kidney disease and later, cancer. Her last US appearance was in 2019 at the New York debut of Tina: The Tina Turner Musical. She died May 24, 2023.

Craig offers an in-depth account of how Soka Gakkai Nichiren Buddhism profoundly shaped the second half of Turner’s life, and offers her as an example of the experience of other Blacks who followed her path into Buddhism. One senses that for Turner, and perhaps others, the church remained culturally formative but failed to offer the spiritual resources found in Buddhism. As much as I wished she would have found the support to leave an abusive partner from the church (even her mother supported Ike against her) and found in the spiritual practices of the church, what she needed to sustain her in her performing life, I’m grateful for the solo career she achieved, her body of work, and the preservation of her life from the violence many women do not survive. Ralph H. Craig, III has added an important, though religiously divergent account, to Eerdmans Library of Religious Biography.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.