The Star Diaries: Further Reminiscences of Ijon Tichy, Stanislaw Lem. Harper Voyager (ISBN: 9780544079939), 2012 (First published in 1971).
Summary: Ijon Tichy’s voyages across the galaxy, satirical short pieces of science fiction by Polish writer Stanislaw Lem.
This is science fiction satire that makes that strains every idea of what is plausible in space travel. Ijon Tichy hops into his rocket and takes off on voyages across the galaxy like we might hop into a car for a spontaneous road trip. And predictably, he sometimes runs out of fuel, bringing further mishaps. The Star Diaries is a collection of short pieces Polish science fiction writer began writing in the 1950’s and added to for this 1971 publication. These are accounts of twelve of at least twenty-eight voyages by our intrepid space traveler.
In each voyage, Tichy gets in and out of difficulties, often in the most improbable ways. For example, in the first story, his rocket develops rudder problems that he needs a spare hand to fix. No problem! Just head into a space vortex and create a double of oneself. Of course, there are unforeseen problems and soon he has a ship full of doubles. Eventually he gets the rudder fixed and the doubles sent back to their own proper time. But not without a certain amount of hilarity.
In other voyages he represents earth’s petition to join a galactic United Nations, a study in bureaucratic tomfoolery. On another planet, he disguises himself as a robot to end a robot tyranny. Squamp-hunting is the focus of another voyage. Lem explores time travel and its problems by a 2166 version of himself visiting the future to persuade him to take his own place and sort out the space-time continuum. Tichy and his time alter ego end up stuck in a time loop. His trip to Dichotica represents a version of an encounter with transhumanists, with much philosophical folderol. His next voyage explores the pitfalls of extra-terrestrial proselytizing. And on a space constrained planet, people are often reduced to their atoms, and then recomposed from stored patterns (I wonder if this is where Star Trek got the idea for transporters!).
What’s really going on here? Is Lem just pulling our leg and having fun? Or is he playing a more clever game of getting his writing past Communist Party censors in Cold War Poland? Many think the latter, which I’m inclined to think credible. He portrays robotic tyrannies and states devoted to evolving their own super-species, and pokes fun at scientific and bureaucratic tensions. Meanwhile, part of the fun is the wordplay in which he creates whole paragraphs of made up words of semi-serious import. He also seems to delight in keeping the reader off balance, alternating between ridiculous satire and philosophical explorations, often in the same story! I also like to think that Lem saw himself in the venturous, resourceful, and intrepid Ijon Tichy.
Reading him, it is fun to imagine a meeting between him and Douglas Adams. Perhaps in another timeline….
