Review: Say Good

Cover image of "Say Good" by Ashlee Eiland

Say Good, Ashlee Eiland. NavPress (ISBN: 9781641587006), 2024.

Summary: Offers a four-part process for finding one’s voice to navigate the tightrope of challenging public discussions, using one’s voice to “say good.”

Engaging in public discussions, online or in-person, often feels like walking a tightrope. Ashlee Eiland says it begins with balance, finding one’s center in Christ. In walking a tight rope, it means fine-tuning that starts low and short and goes slow. Don’t try to walk over Niagara Falls without a lot of training. Likewise, with public engagement.

Eiland outlines a four part, four pillar process of finding one’s voice, using the acronym PAIR:

Passion

It begins with discerning our passion. It is figuring out what we love enough to suffer for it. What is something you are willing to devote enough time to gain the experience you need to accomplish your goal? Our passion is that for which we’ve wept at its absence. Are we willing to identify with the Savior who wept?

Accountability

Accountability is the discipline of consistently showing up with others. It means character and integrity, boundaries we will not cross, having others to hold us to our commitments. It means learning to take initiative, with all its risks–and discerning when not to take initiative. Facing hard truth is another aspect of accountability. Who will we trust to tell us the truth? Will we take the posture of a learner and listener? Eilund recounts the parting advice of dean in graduate school.

Influence

We all have influence. the question is, how will we leverage it? But we can’t influence everything. We need to know our place and space and stay in it. It is learning to use our voice with authenticity, I liked this description of authenticity:

“Authenticity is about discerning the intersection of what’s real and true, both in what we are speaking into and in what we’re speaking out of, for the health and wholeness of the entire body”

You can’t talk about influence without talking about power. She talks about sources of power, power dynamics, and how we use power well. Eilund describes how Steve, a white, dynamic leader, empowered her, a Black woman, in public speaking.

Relationship.

Relationship reminds us that we use our voice with people. Confession is an important part of the use of our voice, sharing with trusted others who we truly are. The author describes confessing to her friends her deep struggle, as a pastor, with depression. Eilund challenges us to know people by name–the pharmacist, the clerk, the wait staff–and not just close acquaintances, or the ‘important.” It’s all about affording dignity to every person. In turn, she asks us to reflect on what we would hope they would say of us in our eulogy. By asking this, she invites us to consider who will see our work and how we will steward our voice to “say good” in light of that. And how we use our voice with people will determine whether we leave chasms or build bridges.

Many people use their voices in ways that widen the chasms that separate us. Sometimes this is intentional. But for others, the question is learning to use one’s voice for good. It means discerning what we truly care about. It means being accountable rather than a loose cannon. We need to learn how to use influence well. And all of this occurs in the context of relationships. Ashlee Eilund charts a clear path toward the better use of our voice. By using her voice and her journey, she shows us how her four pillars integrate into a life of “saying good.”

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: Raise Your Voice

Raise Your Voice

Raise Your VoiceKathy Khang. Downers Grove: InterVarsity Press, 2018.

Summary: Explores both why we stay silent and how we may learn to speak up about the things we most deeply care about, particularly in seeking a more just society for all.

Kathy Khang grew up as the child of Korean immigrant parents, writing in a journal given her by her father at an early age. She eventually became a journalist who learned to use her voice in interviews, in getting stories, and yet struggled with the tension of breaking with cultural norms that often rewarded one for silence, and gender norms that labelled outspoken women as “aggressive, arrogant or abrasive” or “a witch” or another term that rhymes with it. Raising one’s voice can be costly.

This book captures Kathy’s experience of both the forces that pressure us to silence our voices, and how we might learn to speak up, to raise our voices. She begins with silencing, in this case where a supervisor literally covered her mouth in a meeting with senior leadership when she was going to voice hard truths no one in the room was saying. Often, though, we silence ourselves, believing “the imposter syndrome” when, like Moses, God sees us, is with us, and sends us. Like Esther, we need to remember we are also Hadassah, the Jewish girl who will be identified with her people, and in remembering who she is, risks her life as an advocate. She explores the excuses we give for silence–we don’t understand (even though we sense there is something very wrong in what we witness), we say, ‘let God take care of it,’ or because our silence preserves a pretty good status quo for us.

She also considers how we may learn to speak up. It starts with who our IRL (in real life) audience is–from our “underwear family” to neighbors and church and workplace, and the kinds of issues we need to think about with each. She also considers our online lives, and the challenges to real conversation when so often these degenerate. She talks about working with friends in discerning how to engage an issue online–not just jumping out there on your own. Her “Learn from My Mistakes Page” is gold with a critical piece of advice being that what we post online stays forever, and we shouldn’t post anything we wouldn’t want those closest to us to see, or see in public media like the New York Times. I have nowhere near the social media presence Kathy does, but everything here rings true.

She concludes by talking about the different ways, according to different gifts, by which people speak up. Her book is such an encouragement that all of us have voices, and while we use them in different ways, they all are meant to be used and heard.

I had to laugh (because she nailed it) at her description of “Midwest nice” as “a superficial collegiality with a touch of passive aggressiveness,” or as Soong-Chan Rah, who she quotes says, Midwest nice is like “a dog that licks your face while peeing on your shoes.” I’m guilty as charged here, living in the Midwest, particularly in allowing my voice to be muted into placative efforts to achieve superficial peace that fails to come to terms with what radical gospel justice looks like. I’m often tempted to maintain a peaceful status quo.

As a white male, one of the most important lessons of this book is listening to what those who are women, or who are ethnic minorities wrestle with in finding their voices and using them. Khang’s narrative encourages me to stop man-spreading, and man-splaining, and listen to the chorus of our female and ethnic minority brothers and sisters. I sing in a choir and one of the first things we learn is that if you can’t hear other voices, or your section can’t hear other sections, you are singing too loud! White men have been singing too loud for too long in the American church, suppressing the voice of the rest of the “beloved community.” I need Kathy’s voice, as uncomfortable as it has sometimes made me feel, if I am ever to shake off “Midwest nice.” I’m glad she has used, and raised, the voice God has given her.