Growing Up in Working Class Youngstown — William B Pollock and His Company

wm b pollock

William B. Pollock

During my student days in the 1970’s, a student group I was part of met regularly at the Pollock House, often in the living room just inside the front door. At that time, the ROTC program had offices and classrooms upstairs. Years later, when the building had been converted to the Wick-Pollock Inn, we celebrated my parents fiftieth wedding anniversary there. Now, of course, it serves as the president’s residence for Jim and Ellen Tressel.

The house was built in 1897 as the home of Margaret Wick, the widow of Paul Wick and her daughter Mary. When Mary married Porter Pollock, the son of William B. Pollock whose company bore his name, they moved into and expanded the residence. In 1950, the Wick family donated the house to what was then Youngstown College.

But who was William Browning Pollock and what did he contribute to Youngstown history? It might be said that the iron and steel industry was in his blood, and that much of the machinery of iron and steel production was made by him. He was born in Pittsburgh in 1832, the son of a well-known machinist and engineer. At an early age, he began operating blast furnaces in the Shenango and Mahoning Valleys. Before long, he was building blast furnaces, first in northeast Ohio and western Pennsylvania and as far away as Chicago and St. Louis.

50-ton-ladle

Cyclopedia of Modern Shop Practice.  Chicago:  American Technical Society, 1907.

In 1863, Pollock recognized that the iron industry of Youngstown needed a plant to fabricate the boilers, furnaces, ovens and other equipment needed for iron production. The company was initially called the Mahoning Boiler Works but quickly adopted the name William B. Pollock Company. A publication of the company on its 75th anniversary in 1939, The William B. Pollock Company presents the seventy-five year history of its contribution to the advancement of the art of iron and steel making, states that the company had been involved in the manufacture of more than 75 new blast furnaces, and rebuilt 447 blast furnaces, accounting for most of the blast furnaces in the United States at that time. Pollock created ingenious methods of increasing the capacity of blast furnaces, resulting in higher productivity.

Eventually, the company expanded into other products involved in iron and steel making including ladles and the cinder (for slag) and hot metal cars that transported molten iron from one part of a plant to another, allowing processing into steel without re-smelting.

Hot metal train - Pollock

A “hot metal” train exhibit at the Youngstown Steel Heritage Museum; part of President Rick Rowlands’ and other Youngstown Steel Heritage Foundation members’ collection of heavy equipment salvaged during the drastic downturn in Youngstown, Ohio’s steel industry and economy. Photograph in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.

Porter Pollock work alongside his father for many years in leading the company until his father passed away in 1914. Porter’s diary reflected the work ethic held by him and his father.

“Honest work, honestly represented, honestly sold are the rules followed and tend to a high standard as well as a high rate of efficiency.”

When Porter Pollock passed away in 1931, his son William B. Pollock II took over. The expertise in metal plating allowed them to expand business into manufacturing oil tanker rail cars and even metal caissons for a New York skyscraper.

Pollock main offices

William B. Pollock Company, from The William B. Pollock Company presents the seventy-five year history of its contribution to the advancement of the art of iron and steel making, p. 18.

Over time, they moved from Basin Street to South Market Street to their final location on off Andrews Ave. An article in 1963 celebrated its 100th anniversary as a company, concluding with these words:

“On the strength of its first century’s achievements. you feel that its next 100 years really will be ‘a breeze.’ ”

In 1963, no one saw the demise of the major steel companies in Youngstown. The closure of these plants was followed by the closure of the William B. Pollock Company in 1983. Two specialty steel companies acquired parts of the facility in 1986, operating for a time until it went vacant. In 2011 Brilex Industries acquired the plant, bringing machining, fabricating, and assembly to this site once again.

The William B. Pollock Company didn’t make steel. They made the machinery that made the whole enterprise possible. For 120 years. In Youngstown.

Growing Up in Working Class Youngstown — The Youngstown Playhouse

Do your remember going on field trips to the Youngstown Playhouse as a kid? I do. I can’t remember the plays we watched but I remember the Cat Lady who came out to welcome us and talked to us before the plays.

The Youngstown Playhouse has a long history in Youngstown. In the 1920’s, Youngstown was a stopover place for national stars like the Barrymores, Al Jolson, and Walter Hampden. Area residents wanted a more ongoing opportunity for live theatre based in and open for community participation. The Youngstown Playhouse website says “In the early 1920’s, four ladies from Rodef Sholom began reading plays for their own enjoyment.”  In 1927, several drama organizations came together and formed the Youngstown Players.

Originally, they performed in a converted barn at Arlington Street and Lincoln Avenue. People from every walk of life participated. The key ingredient was hard work, which people in Youngstown knew how to do. Talent followed.

In 1942, the Playhouse moved to an abandoned theatre on Market Street. Then, in 1959 they moved to their new (and current) home on 600 Playhouse Lane off Glenwood Avenue.

Over the years, the Playhouse has been the starting point for a number of artists. Two of the better known are actress Elizabeth Hartman, who starred with Sidney Poitier in A Patch of Blue, and John DeMain, a Grammy award winning symphony conductor, who I wrote about recently in a post on the Youngstown Symphony, where he served as acting director during the 1980’s. He currently is the music director for the Madison (Wisconsin) Symphony Orchestra.

The Playhouse is still going strong, offering a season of nine productions in 2019-2020. They offer a Summer Theatre Intensive for aspiring actors under 18 as well, other children’s educational programming, as well as opportunities for community involvement as volunteers, as actors in productions and patrons. The Playhouse receives no taxpayer funding and relies exclusively on revenues from grants, donations, and ticket sales–no small feat. James McClellan is the current operations manager and Johnny Peccano the technical coordinator.

Growing Up in Working Class Youngstown — Youngstown Symphony Orchestra

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The Little Symphony Orchestra, Source unknown, via Youngstown Symphony on Facebook

One of the paradoxes of Youngstown is that it is a gritty, industrial, working-class town and a city where the arts have long flourished. It is evident in the spaces that have been set aside, like the Butler and Stambaugh Auditorium, and the performance home of the Youngstown Symphony, the former Warner Theatre, now part of a beautifully restored DeYor performing complex.

For the Youngstown Symphony, it all started when two brothers, Michael and Carmine Ficocelli, recruited twelve young musicians under the age of 16 from the Youngstown Schools, where they taught music. They formed The Little Symphony Orchestra in 1926, broadcasting their first concert on WKBN that year. It wasn’t until 1929 that they gave their first public performance. The Ficocellis continued to lead the orchestra until 1951. John Kruger became the third conductor that year, and shortly after changed the name to the Youngstown Philharmonic Orchestra. Under Kruger, the Philharmonic added a chorus, and a Youngstown Symphony Youth Orchestra, continuing the tradition of young musicians that were the orchestra’s roots.

It was under John Kruger that I first encountered what was then the Youngstown Philharmonic during elementary school. We rode the bus up to Stambaugh Auditorium, dressed up in nice clothes for Youth Concerts, where we heard pieces like Prokofiev’s Peter and the Wolf, that introduced us to the different instruments in the orchestra.

In 1965 Franz Bibo succeeded John Kruger in what was a pivotal period in the orchestra’s history. It was during this time that the name was changed to the Youngstown Symphony Orchestra. Bibo pioneered the staging of locally produced operas. Most of all, it was under his leadership that the Youngstown Symphony and the Symphony Society acquired and renovated the Warner Theatre, restoring its glory as the renamed Edward W. Powers Auditorium. The Youngstown Symphony is one of the few orchestras of its size to have its own performing space. He led the orchestra until 1980. We went to several concerts as college students, most memorably a lavish production of The Nutcracker.

The next 25 years saw a succession of four directors. Peter Leonard came as Music Director in 1980. When he left three years later, Youngstown native John DeMain served as Acting Music Director until 1987. DeMain was born in Youngstown in 1944 to a steelworker father and travel agent mother. He was a piano prodigy at age 6 and sang in Youngstown Playhouse productions in his youth before going to Juilliard. His real career has been in conducting with a Grammy winning performance of Porgy and Bess, and premieres of Leonard Bernstein’s A Quiet Place and John Adams’ Nixon in China. Friends of mine in Madison, Wisconsin rave about his twenty-five year tenure there and all he has done with their orchestra. Youngstown was fortunate to acquire his services when he was in his forties and establishing an international reputation.

David Effron followed from 1987 to 1996, during a time when the Symphony Board led a campaign for a $3.5 million endowment. Isaiah Jackson succeeded him in another nine year tenure through 2006. For many rock aficionados, his tenure is remembered for a joint effort with a re-united Glass Harp on October 22, 2000 at Powers Auditorium, “Strings Attached.”

Since then, the orchestra has been led by Randall Craig Fleischer. Under Fleischer, the orchestra has continued its work with young musicians, filling the gap where music education in the schools has ended and taking Young People’s Concerts to the schools. They have inaugurated a Stain Glass Concert series of free informal concerts at various houses of worship around Youngstown, including St. Elizabeth Youngstown Hospital. They have performed with a variety of popular musicians including country artists Rachel Potter and Patrick Thomas this past Christmas.

In 2016, the Youngstown Symphony celebrated its 90th year. The Vindicator published a special section on September 16, 2016 highlighting its history and current programs. Under Maestro Fleischer, the Youngstown Symphony appears to be a vibrant organization, continuing to inspire young musicians. Who knows who the next John DeMain will be?

More information about the Youngstown Symphony Orchestra including their current concert schedule may be found at their website.

On a sad note: since this aricle was first written, Maestro Fleischer passed away on August 19, 2020.

Growing Up in Working Class Youngstown — Strock Stone House

Strock Stone House

Strock Stone House, photo courtesy of the Austintown Historical Society.

It is interesting the things you learn on the way to researching something else, in this case, posts on the Austin Log Cabin and Jared Potter Kirtland. I discovered that the Strock Stone House, after the Austin Log Cabin, is one of the oldest surviving buildings in Austintown and both homes are historical sites maintained by the Austintown Historical Society. Like the Kirtland residence in Poland, the Strock Stone House (also known as the Judge William Shaw Anderson house) was probably a stop on the underground railroad. Records of such things were not kept because it was illegal (but moral) to shelter and aid fugitive slaves.

The house was built in 1831 by William McClure and occupied by William Strock and his family. Strock’s parents came to Austintown between 1813 and 1815, living in the Smiths Corners area. The home, located along the original road between Youngstown and Akron (a bit south of Mahoning Avenue, was built of huge blocks of sandstone quarried from a nearby quarry on South Turner Road). The road was originally a dirt road, later a plank road, and finally a brick road. Part of the driveway beside the house consists of the original brick.

In 1851 the Strocks sold the house and 108 acres to Francis Henry. If the house served as a stop on the underground railroad, it would have been under Francis Henry’s ownership. The house was somewhat isolated and fugitive slaves could approach without being seen by prying eyes.

In 1863, Francis Henry sold the house to David Anderson, who had met Jonathan Wick in Philadelphia. The two of them opened a general store in Jackson Township and at one time, Anderson was the wealthiest resident of Austintown, worth nearly $50,000, a tidy sum in 1870. After his wife Hannah died from an accidental fall in 1879, Anderson let the house fall into disrepair, then turned it over to his oldest son, William Shaw Anderson.

William Shaw Anderson was a prominent attorney and judge in Youngstown and lived in the house between 1890 and 1925. Between 1912 and 1918 he made improvements on the existing structure and built a frame addition (the white shingled portion) that included a sun room, dining room, and dinette downstairs, and three bedrooms and a full bath upstairs. President William McKinley was reportedly one of his guests.

In 1925, Anderson died and the house passed to his children. In 1929, they sold the house and land to the Mahoning Valley Sanitary District (MVSD), which was in the process of creating Meander Reservoir, modernizing and improving Youngstown’s water supply. At that time, the road was moved north to the present location of Mahoning Avenue.

Until 1985, the house was occupied by the Chief Engineer for MVSD. Since then the Austintown Historical Society, with help from MVSD has maintained the house, particularly the interior. The house features antiques, furnishings, period clothing, games, equipment, and utensils. One of the distinctive items on display is a slave quilt from South Carolina.

The Austintown Historical Society hosts a Holiday High Tea each November with the house decorated for the holidays. The most recent was on Sunday, November 10, 2019, and attended by 120 people. They have also hosted Spring Teas.

Anyone can visit the Strock Stone House on the first Sunday of each month from 1 to 4 pm. No appointment is needed and no admission is charged. Donations, however are welcomed and there is a place to leave donations. The house is located at 7171 Mahoning Avenue, just east of Meander Reservoir. More information about the Austintown Historical Society and events at the Strock Stone House may be found at their Facebook page.

We drove out Mahoning Avenue by Meander many times before I-76 was built, but I never noticed the house (although at that time it was still occupied by the Chief Engineer. It is one more place I’ve added to my “bucket list” of places to visit around Youngstown.

[Written in 2019. Check their Facebook page for current hours of operation. ]

Growing Up in Working Class Youngstown — Paisley House

Paisley House

The Paisley House, photo courtesy of The Paisley House

I walked past here a hundred times or more. In high school and college, I worked at McKelvey’s while going to Youngstown State. In good weather, I often walked to work to save bus fare. On Mahoning Avenue, just before the Mahoning Avenue bridge was this stately old brick home on the left or north side of the street, just across from the McKinley Avenue entrance to Fellows Gardens. I often wondered, “who lives there?” It was a time when there were still “homes for unwed mothers” and I wondered if it was something like that.

In a conversation with Jill Cox, the Executive Director of Paisley House, she shared that this apparently was a common question. Now Paisley House includes with its name the description “Assisted Living.” The other question people may wonder about is “what is it like in there?” The facility has all the comforts of home including a kitchen where meals are prepared, a dining room with hardwood floors, a grand carpeted staircase, library, sunroom, and comfortable resident bedrooms or suites.

Paisley House traces its history back to 1909. In 1908 a board was formed, consisting of Mary Paisley (chair), Louise Anderson, and C. H. Ruhlman, to establish a facility for “aged” women. On March 1, 1909 The Home for Aged Women of Mahoning County was established. According to Howard C. Aley, the board acquired the old homestead of Jacob Powers and came up with a unique fund-raiser with a goal of raising $15,000. Two men rolled a giant inflatable rubber ball on downtown streets with a woman on each side collecting donations. Appropriately, the campaign theme was “Keep the Ball Rolling.” Subsequently, Sallie Tod left a bequest of $110,000 for the home which over the years has been supplemented by charities, and other donations, making it possible to charge residents less than the full cost of their care. To this day, Paisley House functions as a non-profit organization with a volunteer Board of Directors.

I always knew the house as Paisley House. Ms. Cox could not tell me when the name change occurred from “The Home for Aged Women” to Paisley House, named after founding board chair, Mary Paisley. On October 12, 2002, the name was formally changed to Paisley House, Home for the Aged, recognizing the opening up of their care to both men and women. Today, because the term “aged” is no longer acceptable, they highlight their purpose as a facility providing assisted living services.

The tagline that has been used to describe Paisley House was “no extra for the extras.” Ms. Cox mentioned some of the services that exemplify this tagline. They have a beauty shop in which all the women residents have their hair washed and set weekly by a registered beautician. The laundress provides “impeccable” service in washing, removing stains, ironing and repairing clothes. Meals are home-cooked onsite in the kitchen. The home has a staff of nurses and aides, a house physician, and podiatrist. Regular outings for shopping, movies, and live performances are offered.

Paisley House has room for 24 residents and there are usually a few openings. The website indicates: “At Paisley House, meals, and virtually all of life’s other necessities, are included in a single, affordable monthly fee. There is no up-front investment or long-term commitment.” Because charges change, interested families or individuals should contact the Executive Director to discuss current fees.

For 110 years, Paisley House has been serving the needs of the elderly in the Youngstown area. It was assuring on a recent visit to the West side where so much has changed to see the Paisley House, looking just as I remembered it in the early 1970’s. In my conversation with Jill Cox, the Executive Director, I received the impression of a dedicated team who love what they do and take great pride in continuing the tradition of compassionate care for seniors that was vision of Mary Paisley and that first board that “got the ball rolling.”

You may contact the Paisley House at:

Paisley House
1408 Mahoning Avenue
Youngstown, Ohio 44509

Phone: 330 799-9431
E-mail: living@paisleyhouse.com

Learn more about the Paisley House at:

Website: http://www.paisleyhouse.com/
Facebook: https://www.facebook.com/paisleyhouseyoungstown/
Twitter: https://twitter.com/thepaisleyhouse

Sources:

Howard C. Aley, A Heritage to Share. Youngstown: The Bicentennial Commission of Youngstown and Mahoning County, Ohio, 1975, pp. 183-184.

Interview with Jill Cox, Executive Director, Paisley House, 9/27/2019.

Growing Up in Working Class Youngstown — Austin Log Cabin

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Austin Log Cabin. Photo by Jack Pearce [CC BY-SA 2.0] via Flickr

You probably drove by it on South Raccoon Road on the way from Austintown to Canfield. For many years it was the eyesore at the corner of South Raccoon Road and Burgett Road, just north of where Raccoon takes a bend to the right. It was an old home covered with fake brick shingles that sat vacant between 1964 and 1973. In that year, St. Andrews Episcopal Church, located next door to the property, acquired the property and started tearing down the house, until they discovered the log beams beneath the layers of siding. The log beams were joined at the corners by what was known as a “steeple notch,” a technique only used before 1824. Clearly this was a building that went back to the very earliest years of Austintown Township.

A title search on the property traced it all the way back to Calvin Austin, a land agent for the Connecticut Land Company, and later a judge, residing in Warren, then the county seat for the area that included Austintown and Youngstown. Austintown is name after him. In 1814, he sold just over 150 acres to John Packard for $500. It is likely he built the cabin the same year. Here is a brief history of the ownership of the cabin:

1827: Upon John’s death, the cabin was willed to William Packard, his son.
1828: William and Martha Packard transfer 30 acres to Samuel Dorwat
1829: Samuel and Sarah Dorwat sell 10 acres, including the house to Henry and Polly Lawrence for $50.
1845: The Lawrences sell the property to Abraham and Rebecca Dustman for $406. The Dustmans built a barn on the property that burned down in a fire.
1850: The Dustmans sold the house and property to Henry and Margaret Wehr for $510. The Wehrs added a hog shed and dug wells.
Date unknown: Levi (nephew) and Emma Wehr acquire the property. Levi builds a second barn in 1910.
1940’s: Willard Wesley Stricklin owned the home, digging out the root cellar under the kitchen.
1948: Joseph Hanko acquires home, digs out cellar under main house and adds small bathroom extension.
1964: House vacant.
1973: St. Andrews Episcopal Church acquires property.

When the cabin was discovered beneath the siding, the Austintown Community Council came together to raise funds to restore the cabin. A fundraiser was staged at the intersection of Mahoning Avenue and Raccoon Road. School children and PTAs chipped in. Bake sales and book sales were organized. This all-volunteer effort raised $50,000 that was supplemented with a Bicentennial grant of $2500. Working with an architect familiar with historic preservation, the roof was removed and replaced with a wood shake roof, interior walls were removed, windows replaced with those from a hundred year old school house. The chinking was replaced with a cement mixture and the logs were sealed. A restored fireplace was built with one hundred year old brick. A new furnace and plumbing were added. During the restoration, it was added to the National Register of Historic Places on July 30, 1974. This became Austintown’s Bicentennial Project and was dedicated on July 4, 1976 after a parade down Raccoon Road to the site.

The Austintown Historical Society was formed the same month to maintain the cabin, which it has done since that time. The cabin serves as a historic museum for Austintown Township. Period furnishings include a bed Frank Ohl slept in, a spinning wheel and a yarn winder. The upstairs has been set up to resemble a one room school house and contains various memorabilia pertaining to John Fitch, who donated land for Austintown’s first high school, which bore his name as does the present high school. The basement contains a collection of farm implements, meticulously labeled as part of an Eagle Scout project. Also onsite is a family genealogy of Calvin Austin and his wedding certificate. Outdoors, there is a corn crib brought from another location, a three-seat outhouse, a smokehouse, a coal car, and various farm implements.

The late Dr. John White, an anthropology professor from Youngstown State supervised archaeological digs on the site. He located evidence of a multi-purpose shed used as a chicken coop, a stock well, a chicken house, two other outdoor privies, the foundations of the first and second barns on the property, a hog shed, a house well, a cistern, and a summer house. A book, The Archaeology of the Log House, written by Dr. White, along with various artifacts are on display at the house.

The Austin Log Cabin is located at 3797 S Raccoon Rd, Canfield, OH 44406. The phone number posted online is: (330) 799-8051. It is open for free tours on the first Sunday of each month from 1 to 4 pm, and other times by appointment. The cabin offers a combination of local history and captures what living conditions were like in the early years of the Western Reserve when the area was slowly becoming dotted with cabins like this one. As I write, the upcoming Sunday is the first of the month. This might make a great afternoon outing!

Sources:

Austin Log HouseWikipedia

Joyce Hunsinger Pogany, “History of Austintown and the Log Cabin” The Town Crier, March 10, 2017.

Vision of the Valley – Austin Log Cabin” YouTube video.