From my childhood, I’ve loved the sight of the Parapet Bridge on the east side of Lake Glacier. I first saw it on walks with my dad. Later I sat on Lake Glacier’s banks enjoying the view of it with my girlfriend (now wife of 41 years). I ran past it on morning runs, cycled across it, and have revisited it many times over the years. It turns out that it is one of the most photographed features in Mill Creek Park. Its massive stone construction with its dark “dragon’s teeth” parapets topping the stone work on each side of the road stands in stark contrast to the fairy-tale-like Silver Bridge. In fact, this accounts for one of its other names, “the Dragon Bridge.” It is also called “the Prehistoric Bridge.”
Apparently Volney and Bruce Rogers saw a similar bridge during a journey in Europe. Bruce’s sketches served as the basis of architect Julius Schweinfurth’s design. The bridge was built in 1913, spanning the Spring Brook Ravine, which empties into Lake Glacier. The combination of the graceful arch, the varicolored stonework, the darker upright parapet stones, and the viewing platforms on each side of each end of the bridge all draw one’s eye. The westward facing platforms look out over Lake Glacier, the eastward ones up Spring Book Ravine and the woods on either side of it.
The bridge is attractive in any season, framed by the surrounded forest. I remember it dark and foreboding on winter nights when I was skating on Lake Glacier, subdued and pristine in the winter covered in snow, newly alive with spring growth, and resplendent surrounded by fall colors. This last seems to be the favorite time to photograph it. Our photo albums have photographs spanning the years from 1973 to 2015.
Volney Rogers was known for his desire to create “fanciful park entrances.” The Silver Bridge is one kind of fanciful, delicate in its beauty. The Parapet Bridge is another kind of fanciful, evoking images of dragons, castle parapets, something old, almost organically grown out of the rock of the earth. Over 100 years later, the bridge stands (as do many other structures built in those early years) as a testimony to the vision of Volney and Bruce Rogers. I look forward to seeing it the next time I visit.