The Evangelical Imagination. Karen Swallow Prior. Grand Rapids: Brazos Press, 2023.

Summary: A consideration of the images, stories, metaphors that constitute the “social imaginary” of what it has meant to be an evangelical.

A number of commentators both within and outside evangelicalism have tried to make sense of the evangelical movement in North America at a time when it is in crisis and many are deserting churches or even the Christian faith associated with that movement. Karen Swallow Prior grew up in this movement, imbibed its culture, and taught at one of its flagship institutions for many years. She writes as an insider who has seen its strengths and flaws and has not given up or departed.

The premise of this book is that every culture has a “social Imaginary,” a term drawn from Charles Taylor, that refers to the shared stories, metaphors, and images by which a culture makes sense of the world and itself. In this work prior unpacks a series of terms and the stories and images evangelicals by which evangelicals have articulated both their own culture and its interaction with the world: awakening, conversion, testimony, improvement, sentimentality, materiality, domesticity, empire, reformation, and rapture. She uses the tools of her academic discipline of English literature to explore these ideas both in literature and in evangelical and wider popular culture.

Each chapter explores the development of the particular term or metaphor. For example, Prior traces the idea of “testimony” in both Dickens Hard Times (with Mr. Gradgrind’s “facts” about a horse a far cry from its meaning) and Scrooge’s “conversion” testimony in A Christmas Carol. She explores how testimony and the literate culture that acompanied it might be traced through Bunyan’s Pilgrim’s Progress and on to accounts by Thomas à Kempis, John Newton, Philip Doddridge, and William Wilberforce. And she chronicles the rise of “evangelically speaking” where telling a good story takes precedence over truth and the necessity of being able to tell one.

Part of the power of this book is to show how the distinctive imaginary of evangelicalism is double-edged, having elements that genuinely reflect the work of God as well as toxic distortions of those elements.There is both the awakening of conscience to sin of the great awakenings and the resistance to awakening to the systemic character of our nation’s racial sins in which “woke” becomes pejorative. Conversion reflects a concern that one not be a Christian in name only but be transformed through new birth into abundant and eternal life with Christ and yet becomes truncated if it does not lead to the continuing conversion of being formed into Christlikeness in all of life. Even empire might reflect the aspiration that “Jesus shall reign where’er the sun/does its successive journeys run” that fueled genuine advances of Christianity to many parts of the world, only to be co-opted by the empires of white nations that colonized much of the world, or even the entrpreneurial evangelical ministries that built their own empires, often around human personality.

At the same time, what makes this book a joy to read is Prior’s ability to move between literature, history, and popular culture as she does in her chapter on “sentimentality” in which she ranges English and Scottish philosophy to Uncle Tom’s Cabin, to Sallman’s Head of Christ, and to the art and personal habits of Thomas Kinkade. All this is reflected in her intriguing subtitle “Uncle Tom, Sweet Jesus, and Public Urination,” the last part of which I will leave you the fun of discovering.

Prior’s point in this exploration is perhaps articulated best when she writes, “To be a product of a subculture–to inherit unthinkingly, uncritically, and assumingly all its images, metaphors, and stories–is to plagiarize a faith” (p. 218). In her chapter on reformation, she contends that evangelicalism is in a time of reckoning. We cannot unthinkingly parrot the metaphors that have shaped us without being re-formed in the way of Christ, shedding the accreted distortions of the evangelical imagination. Prior points the way toward this in her final chapter on “rapture” where she concludes that we should not focus on being caught up with Christ in some future “rapture” but be “enraptured by him, to be beholden to him, to be taken by him” (p. 258) here and now.

I’ve sometimes wondered if the problem of evangelicalism is a lack of imagination. Prior’s book suggests to me that it may not be a lack of imagination but what we’ve been imagining. Prior takes a critical step back, aided by both literary and cultural interlocutors to help us identify what is often assumed, to question it, and under God’s grace, to give up our feeble imaginations for the robust imagination of Christ and his kingdom.

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Disclosure of Material Connection: I received a complimentary review copy of this book from the publisher.