I remember two conductors of the Youngstown Symphony Orchestra. One was John Krueger, the conductor who led the children’s concerts we attended as elementary school children at Stambaugh Auditorium (it was actually called the Youngstown Philharmonic in those days). The other was Franz Bibo, who led the orchestra from 1965 to 1980. I had classical musician friends during college and went to a number of symphony performances during this time. Student seats were cheap! Franz Bibo conducted most of these including an amazing performance of the Nutcracker What I had not realized was what an accomplished musician he was and what a pivotal role he played in the Youngstown Symphony’s history and Youngstown’s cultural life.

Mr. Bibo was born in Germany in 1922. He came to the United States in 1946, becoming an American citizen. [Several readers  of this article who knew Bibo gave eyewitness accounts of Bibo showing them the serial numbers tattooed on his arm that marked him as an Auschwitz survivor.] He studied at the Mannes Music School in New York City, at New York University, and the Juilliard School. By 1948, he was on the music faculty of Brooklyn College. He was also the assistant conductor of the City Symphony Orchestra of New York, an orchestra of mostly amateur musicians founded by Leopold Prince, a New York City judge. When Prince died in 1951, Bibo took over as conductor and led the orchestra for ten years. In 1955, he was one of three conductors chosen to share a Rockefeller study grant of $49,500, a major sum at this time and a distinct honor.

In 1961, Bibo moved to Ohio, joining the faculty of the Oberlin Conservatory of Music as conductor of the Oberlin Orchestra, Chamber Orchestra, and Opera. Oberlin is a highly recognized school to this day and Bibo had the opportunity to work with talented musicians. Musical organizations establish their reputation in part by touring. A story in the March 15, 1964 Vindicator announced that Bibo and the orchestra would be performing at Stambaugh Auditorium as part of a tour performing concerts in Hartford, Boston, Philadelphia, New York, Washington, Youngstown, Buffalo, and Cleveland. The article notes that it was believed that this was the first undergraduate student orchestra tour of its kind. The New York Times reviewer for their New York appearance, performing the same program, noted their “lovely natural phrasing and tone that kept beautifying the performances all evening.”

In retrospect, this may have served as an early audition for the position as conductor of the Youngstown Symphony. In 1965, John Krueger, battling colon cancer, stepped down. Bibo was selected to be the new conductor. For the first time “Maestro” was used to refer to him. One of his contributions was to stage locally produced operas. He and his wife Jacqueline, a concert pianist and musical director for a number of groups, moved to Youngstown and embraced the city.

It was during his tenure that the Youngstown Symphony, through a gift of Mr. and Mrs. Edward Powers, saved the old Warner Theatre from demolition and restored it to its glory. Bibo played an active role in the restoration work as you can see from this picture:

The new facility opened September 20, 1969 with a gala performance of “Die Fledermaus” conducted by Maestro Bibo.

Bibo led the orchestra for twelve seasons. He hired musicians from outside Youngstown, raising the standards of the orchestra. He was succeeded by Peter Leonard in 1980. Franz Bibo passed away some time in 1986. Jacqueline continued to live in the Youngstown area and was actively involved in development work for Channels 45/49 and the Warren General Health Foundation as well as supporting other arts and community organizations including Opera Western Reserve. She lived until March 7, 2018 and was remembered in the Opera Western Reserve program for Puccini’s Madame Butterfly in November of that year.

Maestro Bibo brought all the training and artistic sophistication of New York and Oberlin to the city of Youngstown, introducing many to opera for the first time. He will always be remembered for leading the symphony in its move to and gala opening at Powers Auditorium and the belief that Youngstown could be a city known for great music and operatic performances. And his wife, Jacqueline, a great musician in her own right, carried forward that legacy. Bravissimo!

To read other posts in the Growing Up in Working Class Youngstown series, just click “On Youngstown.” Enjoy!