Yellowface, R. F. Kuang. William Morrow (ISBN: 9780063250833) 2023.
Summary: What happens when a famous author dies immediately after sharing an unpublished draft of her latest work with her writer friend.
Athena Liu and June Hayward met at Yale. Both were aspiring writers. Athena rocketed to literary stardom. June’s book received lackluster reviews and didn’t sell. Both are living in DC and meet up. They migrate to Athena’s apartment, get drunk, and share a lot of girl talk. Athena shows June the draft of her latest, yet to be submitted book. No one else has seen it. It’s on Chinese laborers in World War I and June sees its potential. Next thing, Athena is choking, June’s efforts to save her fail, and Athena dies before help arrives. When June finally leaves, it is with Athena’s manuscript.
Reading through the manuscript, she recognizes both the brilliance and the unfinished state of what Athena had produced. At first, she edits the work as a writing exercise, for Athena. But the more she works on it, including her own extensive research, the more she considers it hers. She sends it off to her agent, representing it as her work, and not only does he think it brilliant, but so does her publisher, who offers her a huge advance. June publishes under the name Juniper Song (June’s full first name and middle name, but also ethnically ambiguous) with an equally ambiguous author photo.
The book enjoys critical acclaim…and booming sales. Then the controversy hits. At first, she has to defend herself against charge of cultural appropriation as a white girl writing on an Asian subject. Then the first allegations of plagiarism arise, which she manages to fend off, but at a steep internal psychic cost. In this sense, the novel is a kind of “crime and punishment” study of the deepening fear of being exposed coupled with the allure, yet the impossibility of coming clean. In the writing community, plagiarism may be worse than murder. But she also discovers that in stealing Athena’s work, she has become a captive to Athena’s voice, losing her own.
Kuang also exposes the capricious world of publishing, and the vicious world of social media. In particular, Kuang portrays how quickly adulation can turn to death threats and other forms of cancellation. There are even the complicated relationships between authors. June claims Athena stole from her, taking her secrets and turning them into stories. June, of course, uses this to justify her own theft.
This is not a pleasant book to read. Kuang makes us look at our rationalizations, the ways we re-narrate our stories. Simultaneously she explores the dark sides of the publishing, literary, and social media worlds. And she weaves all this together in a compelling story.