Theo of Golden
Theo of Golden, Allen Levi. Atria Books (ISBN: 9781668236512) 2025.
Summary: An old man moves to Golden, sees portraits in a coffee shop and in powerful personal encounters gives them to their owners.
I think I’m a latecomer to the Theo of Golden party. For months everyone who has read this book, including friends with discriminating book judgment, have raved about this book. Truthfully, I feared buying the book and being disappointed. Instead, I was won over from his first portrait bestowal to Minnette. For those who haven’t yet read, the story in brief is this:
An old man, Theo moves from New York City to the southern town of Golden to look after his properties. On visiting the local coffee shop, he notices the pencil-drawn portraits of local residents. He conceives the plan to give them to their proper owners. He purchases them, works with Mrs. Gidley, the administrator for James Ponder, whose vacant apartment he has rented, to contact each with a personal note. In it he invites them to meet him at a particular bench by a fountain known as the Fedder..
Along the way, he becomes deeper friends with some of the residents. James Ponder becomes not only advisor but friend and confidant. Others include Tony, a Vietnam vet bookstore owner, a little girl, Lamisha, with extensive injuries from a car crash, an eccentric, homeless cyclist, Ellen and a gifted young cellist. Then there is his deepening friendship with the artist of the portraits, Asher Glissen.
I won’t go further than that in the plot except to note we know little of Theo’s background except that he grew up in Portugal, lost a daughter, and obviously is a man of great means. What we do learn, and what makes this book so compelling is the humble and beautiful character of Theo.
What most seems to stand out is how fully present he is to each person he meets. Instead of talking about himself, he listens to and draws out stories, making people feel safe with him. Theo even wins the trust of Ellen, the eccentric homeless woman, with whom he eventually goes on a bike adventure, something no one has ever done. He notices and names. He studies each portrait and then speaks of what he sees in that person from what they’ve said and what he sees. Then he gently invites them to live into what he has named.
He loved beauty and joy. Whether it was evening reveries by the Oxbow River, delight in a street musician, or enjoyment of a rare bottle of port with his bookstore friend on that man’s birthday, he had a great capacity to take joy in beauty. We learn that giving away portraits in Golden has been the happiest time of his life.
Yet he was a man who knew deep sadness in a romance broken off, and the death of his daughter. One of the most profound passages, in which he names a gift of the artist, Asher Glissen is about sadness. He has just observed that he sees sadness in every portrait of Glissen’s.
“It is a very high compliment, young man. A very high compliment indeed. Perhaps I am mistaken but, at some point, if we are wise, we must all confront our sadness, our brokenness, our disappointment. I am quite certain that your portraits help some people in a very tender and courteous way, to ask themselves, maybe for the first time, ‘Who is that person? What do I know to be true, really true, about that face?…Asher, we are masters at masking our sadness, but deep down inside, if we are honest, we know that there is an unsatisfied longing deep inside all of us. Your portraits invite people to be alone and quiet and truthful with themselves, to admit the longing and to discover the goodness in their sadness. Maybe?”
Asher is also one who notices and names through his portraits.
Finally, Theo is a man of deep faith. While Tony, the bookstore owner scoffs at the idea, Theo quietly hopes in heaven. This vision of heaven is evident in the Christmas gifts he gives. He invites Simone, the cellist to play for the angels. He calls the little girl, Lamisha, a daughter of the King. And he writes to Asher,
“It is an imponderable thought that the Giver of Faces, the face of heaven itself, the face for which every heart yearns, became a wee babe, misty-eyed and helpless, looking Himself for the tender face of his mother on the night of the angels.”
I understand why this book has touched the hearts of many. We are confronted with heartlessness in our media every day. Levi’s book speaks to a yearning in us that believes “another life is possible” as my friends in the Bruderhof describe it. Theo embodies that life. His presence paints a picture of the Christ-transformed life. He incarnates the deep humility, gentleness, generosity, playfulness, and compassion of the Lord of heaven. And quietly, Theo of Golden invites us into that same kind of life.