Inklings

Review: Between Interpretation and Imagination

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Cover image of "Between Interpretation and Imagination" by Leslie Baynes

Between Interpretation and Imagination

Between Interpretation and Imagination, Leslie Baynes. Wm B. Eerdmans Publishing Co. (ISBN: 9780802874009) 2025.

Summary: C.S. Lewis as Bible interpreter, vis a vis biblical criticism, the trilemma argument, and Narnia.

I am among those shaped profoundly by the works of C. S. Lewis. Mere Christianity spoke to me of the reasonableness of Christian belief as a young believer in conversation with skeptical friends. Over the years, I often used his “Liar, Lunatic or Lord” argument, also referred to as “the trilemma.” And like many, his works of fiction opened up to me the reality of a Christian imagination.

Yet like all human beings, C.S. Lewis was fallible. He discovered this painfully when bested in debate by Elizabeth Anscombe, discussing the problem of pain. Leslie Baynes, who is associate professor of New Testament and Second Temple Judaism at Missouri State University has steeped herself deeply in the work of Lewis as a scholar in residence at the Kilns as well as in New Testament scholarship. She combines these two foci to examine and critique Lewis’s engagement with scripture. On one hand, she will find numerous flaws in Lewis’s engagement with biblical scholarship. On the other hand, she will take us deep into the world of Narnia and how Lewis’s scripture-saturated imagination shows up in these stories.

The first part of the book considers what Lewis read about scripture and how this influenced him. James Moffatt shaped his ideas about the harmony of the gospels, including the very different gospel of John. Charles Gore more than anyone shaped his doctrine of scripture with his emphasis on the incarnation, how not all scripture is divine in the same way, how the Old Testament prepares the way for Christ and how Jesus, not scripture is the word of God.

The second part of the book addresses specific case studies and controversies. Lewis identified with neither the fundamentalists or the modernists. He did not, unlike the fundamentalists, consider scripture inerrant, even though he shared other common ground with them. If anything, he was more scathing in criticism toward modernists. And it is here that Baynes most strongly criticizes him as a scholar. She highlights his essay “Modern Theology and Biblical Criticism.” She notes errors of Lewis in citations, and believes he fundamentally misread Bultmann. Rather, she thinks Lewis and Bultmann may have had more in common than Lewis thought.

Then, she comes to Lewis’s “Liar, Lunatic, or Lord” argument. She observes how Lewis invents statements by Jesus found nowhere in the canonical text. Basically, she contends that Lewis’s assertion that Jesus taught that he was God overstates the case. Only in his trial does he unambiguously say this (although it may be argued that other statements infer, if not state his identity as God). She observes that the argument as Lewis states it collapses with the knowledgeable.

The third part has a very different tone. Here, Baynes takes each of the Narnia stories and explores how they reflect Lewis’s biblical imagination. She finds biblical allusions others have missed. For example, she concludes her chapter on The Voyage of the “Dawn Treader” with a chart of ten allusions to the Gospel of John and the corresponding plot element in the story. Many of the allusions are subtle, and Baynes concludes, as have others that Lewis does so to steal past watchful dragons.

Baynes concludes that Lewis’s errors were those of a theological amateur. She wishes he were alive because “he loved a healthy intellectual brawl.” She thinks there was a lot Lewis got right, including his rejection of biblical inerrancy combined with his life of loving obedience.

Baynes close reading of Lewis points up legitimate flaws in his scholarship, something academics do for each other in the service of truth. For any of us engaged in apologetic work, her critique of Lewis’s framing of the trilemma points the way to making a stronger argument. What I had wished for was more balance in affirming the strengths of Lewis’s critique against the modernists, particularly the subjective character of their judgments. On the other hand, she offered an extremely helpful “readers guide” to the Chronicles that made me want to read them again. This is Lewis scholarship that breaks new ground and reminds me of the legacy of riches he left us.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: The Last Romantic

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Cover image of "The Last Romantic" by Jeffrey W. Barbeau

The Last Romantic (Hansen Lectureship Series), Jeffrey W. Barbeau with contributions from Sarah Borden, Matthew Lundin, and Keith L. Johnson. IVP Academic (ISBN: 9781514010518) 2025.

Summary: The influence of Romanticism on C.S. Lewis in terms of imagination, subjectivity, memory and identity, and the sacraments.

As a young Christian, the logical arguments of Mere Christianity were helpful in confirming me in my own Christian conviction. They also served as a source of “reasons to believe” that i could share with my friends. So I went on to read other works by Lewis including the Chronicles of Narnia and the Space Trilogy. These works captured my imagination and evoked both fear and love for the Lion who was on the move. Then I read Surprised by Joy, and how joy served as a signpost for Lewis in his journey to faith.

Jeffrey W. Barbeau helps me understand the subjective experience and Christian imagination I found in Lewis and its connection to the objective, logical arguments Lewis made for the Christian faith. What Barbeau develops in this book, a transcript of three Hansen Lectures, is the influence of nineteenth century Romantics on the thought of C.S. Lewis. He begins, though, with a debate during 1967 at his own institution, Wheaton College. Was Lewis’s thought infused with “the Romantic heresy”? The principles were Clyde Kilby, who obtained Lewis’s papers for Wheaton and introduced many in this country to Lewis, and Morris Inch, who took Lewis’s subjectivity to task.

Studying the marginalia in Lewis’s books, Barbeau traces interaction with Schleiermacher, Hegel, Marx, and Kant. He also shows the profound influence of Wordsworth, and especially Coleridge upon Lewis. While Lewis recognized that subjectivity could mislead, it could also evoke and mirror objective reality and point toward it. He shows how often in Lewis’s work, he begins with the personal to point toward the general, objective truth.

In the second lecture, Barbeau turns to what he calls “the anxiety of memory.” He observes that Lewis, in Surprised by Joy and A Grief Observed, draws on nineteenth century spiritual biography. He parallel’s Lewis to Sarah Eliza Congdon or Elmira, New York and the Journal she kept of her spiritual journey. Lewis didn’t know of Congdon but possessed a copy of John Wesley’s Journal. Again, for Lewis, Wordsworth and Coleridge released him from concerns about the “suffocatingly subjective” character of his own experience. Rather, Coleridge’s ability to connect spiritual intuition with objective theological truth was critical in the lead-up to Lewis’s conversion.

Finally, the third lecture focuses on how Romanticism influenced Lewis use of symbol. He unpacks Lewis’s view of nature, imagination, and of experiences of God. Barbeau shows how Lewis differed with figures like Nietzsche and Emerson, distinguishing nature’s power from nature worship. It is actually in the commonplaces of food and drink, and with our neighbors that we may most deeply encounter God, as in the bread and cup of the sacrament.

A distinctive contribution of Barbeau’s scholarship is his study not only of Lewis’s works but of his library. Lewis’s marginalia points to what he was thinking as he read philosophy, theology, and the works of the Romantics. Not only that, Barbeau retrieves Romanticism from the dustbin of evangelical thought as he elucidates the influence of figures like Coleridge on Lewis. It turns out the personal, the subjective, and the imagination may well point us to objective truth. Both cannot help but be inextricably involved in the Christian journey.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.

Review: The Reading Life

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Cover image of "The Reading Life" by .C.S. Lewis.

The Reading Life, C. S. Lewis. Harper One (ISBN: 9780062849977) 2019.

Summary: Essays and brief readings from his books, essay collections, and letters on the joys of reading.

It was a serendipitous find while looking for something else. This is not a “lost” book of C.S. Lewis but a recent compilation of writing by C, S. Lewis drawn from his various books as well as his correspondence. And all of this is on our lives as readers. What’s not to like for a C.S. Lewis fan and bibliophile, right?

Some of the material was familiar, for example his “The Case for Reading Old Books” in which he advocates we read one old book for every new one we read (or at least for every three. Or there is the biographical piece from Surprised by Joy on “Growing Up Amidst a Sea of Books.” But there are a number of pieces I either haven’t read or don’t remember (I don’t have Lewis’s eidetic memory).

The first part of the book contains his longer essays, though only one, on “The Achievements of J.R.R.Tolkien,” is longer than ten pages. “Why We Read, ” from An Experiment in Criticism, serves as a good introduction to the whole collection. Lewis makes the point that “[w]e want to see with other eyes, to imagine with other imaginations, to feel with other hearts, as well as with our own.” This is followed by “How to Know if You are a True Reader.” He offers five criteria, and I qualified. I suspect many drawn to this book qualify as well, or are on their way! There are wonderful discussions about children’s literature (the best being not just for children) fairy tales (as less deceptive than “realistic’ stories), and the marvellous.

One of the most important for our day is his discussion of “How to Murder Words.” We do so through inflation, verbiage, and speaking less descriptively and more evaluatively. We are “more anxious to express approval and disapproval of things than to describe them” Yet how can we judge a thing without knowing what it is? The following essay on “Saving Words from the Eulogistic Abyss” carries on this theme. The danger in our careless and imprecise use of words is that “[m]en do not long continue to think what they have forgotten how to say.”

As rich as was the first part, the short readings in the latter part of the book were an absolute find. Excerpted mostly from letters, I’d never seen most of this. For example, Lewis offers this pithy observation in a letter to his friend Arthur Greeves: “If only one had time to read a little more: we either get shallow & broad or narrow and deep.” Like many of us, Lewis loved not only reading but also “Talking About Books.” He encourages reading for enjoyment, especially for children, denounces literary snobs, and says “all sensible people skip freely” that which is of no use to them.

Then there are the readings offering opinions of various writers. He praises Dante but excoriates Alexandre Dumas. He speaks of the utter importance of Plato and Aristotle, opines on Shakespeare and Tolstoy. And he has nothing but good to say about Jane Austen (in contrast to Henry James). He boasts: “I’ve been reading Pride and Prejudice on and off all my life and it doesn’t wear out a bit.”

I’ve only offered a sampler of the riches to be found in this slim volume. It is a gift to have so many of Lewis’s thoughts on reading in one place. I’ll leave you with his concluding comment on “Good Reading”:

A good shoe is a shoe you don’t notice. Good reading becomes possible when you need not consciously think about eyes, or light, or print, or spelling.

Review: Beren and Lúthien

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Cover image of "Beren and Lúthien" by J.R.R. Tolkien, edited by Christopher Tolkien

Beren and Lúthien, J.R.R. Tolkien, edited by Christopher Tolkien, with illustrations by Allen Lee. HarperCollins (ISBN: 9781328915337) 2018.

Summary: An edited collection of different versions and extracts of one of the most celebrated love stories of Middle-earth.

The tale of the love story of Beren and Lúthien was considered by J.R.R. Tolkien one of the chief stories of The Silmarillion, published posthumously with the editorial work of his son Christopher. Beren and Lúthien is one of the last edited works by Christopher Tolkien before his death in 2020, along with The Fall of Gondolin, which followed it. It reflects Christopher’s work in collecting, ordering, and editing his father’s various writings in creating the world of Middle-earth. As in other works, Tolkien’s telling of the story evolved over time and this work shows that development.

The story in brief, is of Beren, a refugee of wars with Morgoth that wiped out his people. He wanders into the elvish realm of king Thingol. There, he sees Lúthien (or Tinuviel) dancing in a glade and falls in love, which Lúthien reciprocates. But her father sets a high price for her hand, a Simaril (a precious and powerful jewel) in the crown of Morgoth. After many perils Beren is imprisoned. There are various versions, one involving imprisonment by a great cat. Sauron holds him captive in another. Lúthien, whose dances have the power to enthrall to sleep, comes to his rescue, aided by the great hound, Huan. They succeed in liberating Beren. Subsequently, she uses her powers to enter Morgoth’s fortress, subduing to sleep Morgoth long enough for Beren to cut the Silmaril from Morgoth’s crown.

Alas, they cannot escape without encountering the great wolf who guards the gate of Morgoth, now wide awake. All Beren can do is ram his hand down the wolf’s throat, which bites it off, holding the Silmaril, which drives the wolf mad, allowing their escape. How they recover the Silmaril and the further lore around Beren and Lúthien, in several versions, are all here.

As I’ve mentioned. Christopher Tolkien provides various versions of the story and extracts of parts of it from an early rendering with the cat, later replaced by Sauron, various passages with variations on the story, a lengthy verse rendering of much of the story in The Lay of Leithian, and various versions of the return and afterlife of Beren and Lúthien, as well as the subsequent history of the Silmaril.

In addition, Alan Lee provides nine full-color plates of incidents in the tale. Also, Christopher Tolkien adds an annotated list of names and glossary. This is helpful to keep straight so many names of persons and places.

In conclusion, Christopher Tolkien gives Middle-earth fans a trove of background surrounding this great story. In doing so, he helps us understand afresh the monumental world-building effort of J.R.R. Tolkien. It was so great that it took two generations (at least) to bring it all into published form.

Review: Unfinished Tales Of Numenor And Middle-Earth

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Cover image of "Unfinished Tales Of Numenor And Middle-Earth" by J.R.R. Tolkien, edited by Christopher Tolkien

Unfinished Tales Of Numenor And Middle-Earth, J.R.R. Tolkien, edited by Christopher Tolkien. William Morrow (ASIN: B00796E7CA), 2012 (originally published by Houghton Mifflin, 1980).

Summary: A collection of stories, many in unfinished state, by J.R.R. Tolkien providing background information on the three ages of Numenor and Middle Earth, edited by his son.

The creation of The Hobbit and The Lord of the Rings (LOTR) is perhaps one of the most astounding instances of worldbuilding in fantasy fiction. Tolkien not only creates Middle-Earth but a whole history surrounding the events in his stories. He invented the languages spoken by the different races. He wrote backstories of many key figures appearing in these works or mentioned. Tolkien intended to publish at least some of this material but it was left unfinished at the time of his death in 1973.

Tolkien’s son, Christopher, has made a life’s work of marshalling this literary inheritance into print, beginning with The Silmarillion, in 1977. Here, Christopher Tolkien wove the extant fragments his father had written into a cohesive narrative of the three ages of Middle Earth. In Lost Tales, we see some of the raw materials with which he worked. Sometimes Tolkien changed names, or events. What Christopher Tolkien does is give us these stories, with some editing on his part, along with an extensive set of notes, annotations as it were on the text, changes made, and so forth.

The stories offer helpful background for any dedicated reader of Tolkien. The book follows the three ages of Middle Earth.

Part One: The First Age

This includes the story of Tuor, son of Huor, his captivity in and escape from Morgoth. Tolkien renders Tuor’s journey with the elf, Voronwe, and his coming to Gondolin, carrying the message of Ulmo, and being revealed in all his greatness. Also included is the tragic story of Hurin, son of Turin, involving his marriage to Nienor, not knowing she was his sister.

Part Two: The Second Age

This part opens with a description of the geography, people, and some history of Numenor, often referred to in LOTR. “Aldarion and Erendis: The Mariner’s Wife” tells the story of a prince who loves the sea, and voyaging to Middle Earth more than his wife. Perhaps most moving is the step his father the king takes in resigning his throne to this son. Tolkien follows with an account of the lineage of the kings of Numenor. The part ends with the marriage of Celeborn and Galadriel and we learn of the sadness that marked her life as well as her distinctive greatness.

Part Three: The Third Age

This section begins with the death of Isildur and the loss of the Great Ring in the battle of Gladden Fields. “Cirion and Eorl and the Friendship of Gondor and Rohan” traces the beginnings and long alliance between Rohan and Gondor, so crucial in the final war of the Ring. One of the delights of this collection is the story Gandalf tells Frodo of why he chose Bilbo as the thief to help the dwarves retake the Lonely Mountain. In “The Hunt for the Ring” we learn of the Nine Riders search for The Ring from when Gollum was questioned until Frodo leaves the Shire–as if we didn’t think the Nine sinister enough! In LOTR, we know Theoden lost his son in the battle of Isen. The final story is the account of this battle.

Part Four

The final part of the book includes three background essays. The first gives the background of the Druedain, wild men who inhabited the forests. The second and third were of greater interest. In “The Ishtari,” we learn the history of the wizards, sent by the Valar. We learn there were five, two who passed into the east and out of history. Tolkien traces the long and hidden resentment of Saruman toward Gandalf and of his treachery. Tolkien gives us all the names by which each were known. The last essay describes the nature and number of the Palantiri, including how they were used for seeing and communicating.

Christopher Tolkien appends an Index giving all the names used in the stories and a brief description of each–incredibly useful.

Comments

The success of this work encouraged Christopher Tolkien to embark on his twelve volume History of Middle Earth. This revealed to me the power of Tolkien’s worldmaking. We re-read his major works and want to read more of this world. That’s why an edited collection of unfinished works holds such a fascination. We will wade through pages of notes and even revel in indexes. We want to fix in our minds the contours of this world.

This is not for Tolkien newbies. Rather, it is for dedicated readers who aren’t contented with mere references to Numenor. This is for the afficionado, the one who wants to read everything connected with Tolkien. I would read it after The Silmarillion, which it followed, and after reading The Hobbit and The Lord of the Rings. The stories vary in quality. The account of Turin and that of Aldarion and Erendis are great tragedies. The story of the choosing of Bilbo is just great fun. The lineage of Numenor’s kings and the essay on the Druedain fell into the category of “for your information.”

Review: The Wonders of Creation

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The Wonders of Creation: Learning Stewardship from Narnia and Middle-Earth (The Hansen Lectureship Series), Kristen Page, with contributions from Christina Bieber Lake, Noah J. Toly, and Emily Hunter McGowin. Downers Grove: IVP Academic, 2022.

Summary: Discusses the value of Lewis’s and Tolkien’s fictional landscapes in fostering love and care for the creation of which we are part.

I think it may safely be said that those of us who love the stories of Narnia and Middle-Earth love not only the stories but the places in which they occur. We imagine finding wardrobes leading into a forest with a lamppost or staying with the elves in Lothlorien. We delight in the home of Mr. and Mrs. Beaver and take deep offense at the industrialization of the Shire and the assault on Fangorn Forest.

Kristen Page, a professor of biology and lifelong lover of these stories believes these stories have a power in them to encourage us to care for the creation we live in and not just the imagined ones of Narnia or Middle-Earth. She sets out her case in three chapters, reflecting the three lectures she gave as part of The Hansen Lectureship Series at The Marion E. Wade Center at Wheaton College. She is joined in this volume by Christina Bieber Lake, Noah J. Toly, and Emily Hunter McGowin who each offer a short response to one of her chapters.

In the first chapter, “Stepping Out of the Wardrobe,” Page shares her twin loves of reading about fictional landscapes and reading actual landscapes, something she teaches her students to do. She proposes that the fictional landscapes of Lewis and Tolkien, particularly forests, reflect the careful observation both men made of actual forests, particularly in the detailed descriptions of fictional places they offer in their books. She sees the connection going both ways. Treebeard’s outrage with what Saruman has done to trees he knew by name can translate to our own outrage at human depredations of our forests and land. She decries the plant blindness of many of our children, the removal of plant vocabulary from children’s dictionaries to make room for tech terms, and believes books like those of Lewis and Tolkien’s are one step in restoring plant literacy and the love of growing things. She also sees the hobbits care for the Shire as a model of sustainable practices.

The second chapter, “A Lament for the Creation,” begins with the scouring of the Shire when the hobbits return. Men from the south have turned it into an industrial wasteland, impoverishing its once flourishing inhabitants. The hobbits give themselves to setting things right. She then turns to our own ravaged ecosystems, oceans, rivers, the atmosphere and considers how stories may awaken us to action. She begins with our over-consumption, where we tax the capacity of the earth to restore itself and the industry created brownfields, often adjacent to the urban poor, whose health is impacted by their proximity. She also brings in her own research on how the destruction of habitats increase the threat of novel viruses and diseases as humans and animal species are brought into closer contact. Cocoa plantation spread in Africa, for example, correlates with the increased incidence of Ebola. She quotes an extended passage in Perelandra in which Ransom refuses to partake of a uniquely delicious fruit more than would sustain him, sensing this would not be right, suggesting that we might develop a similar sense. She proposes that lament, both for the creation and the harms that our excesses have caused our neighbors may lead to change, just as Fangorn’s lament in the company of the hobbits led to the resolve to act.

The third chapter, “Ask the Animals to Teach You,” is about regaining wonder. Whether it is the wonder of talking animals including the lordly Aslan, or the beauty of Lothlorien, reading these works fosters wonder for Page, as do her studies of animals, and of plant life. Tom Bombadil teaches us to take delight in things for themselves without reference to ourselves. Tolkien understood that trees communicate, which scientists are discovering to be the case. Wonder leads us to love the physical creation and give ourselves to care for and tend it.

Page’s presentations are accompanied by a center section of a selection of her exquisite nature photography. The responses by Lake, Toly, and McGowin are brief, adding their own disciplinary insights and personal experiences. I’ve appreciated all the Hansen Lectureship books that I’ve read, but this was a special treat. Most have featured humanities professors, who understandably bring their discipline’s critical skills to bear in their discussion of the Wade authors. This was so delightful as a scientist who is a devoted reader of Lewis and Tolkien, but not a scholar in their works, connected her scientific scholarship to the worlds and landscapes Lewis and Tolkien create and that readers love, and how this may open our eyes to our own world. May we read and love and care for those landscapes as deeply as is fitting of true lovers of Narnia and Middle-Earth!

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Disclosure of Material Connection: I received a complimentary review copy of this book from the publisher.