Beren and Lúthien, J.R.R. Tolkien, edited by Christopher Tolkien, with illustrations by Allen Lee. HarperCollins (ISBN: 9781328915337) 2018.

Summary: An edited collection of different versions and extracts of one of the most celebrated love stories of Middle-earth.

The tale of the love story of Beren and Lúthien was considered by J.R.R. Tolkien one of the chief stories of The Silmarillion, published posthumously with the editorial work of his son Christopher. Beren and Lúthien is one of the last edited works by Christopher Tolkien before his death in 2020, along with The Fall of Gondolin, which followed it. It reflects Christopher’s work in collecting, ordering, and editing his father’s various writings in creating the world of Middle-earth. As in other works, Tolkien’s telling of the story evolved over time and this work shows that development.

The story in brief, is of Beren, a refugee of wars with Morgoth that wiped out his people. He wanders into the elvish realm of king Thingol. There, he sees Lúthien (or Tinuviel) dancing in a glade and falls in love, which Lúthien reciprocates. But her father sets a high price for her hand, a Simaril (a precious and powerful jewel) in the crown of Morgoth. After many perils Beren is imprisoned. There are various versions, one involving imprisonment by a great cat. Sauron holds him captive in another. Lúthien, whose dances have the power to enthrall to sleep, comes to his rescue, aided by the great hound, Huan. They succeed in liberating Beren. Subsequently, she uses her powers to enter Morgoth’s fortress, subduing to sleep Morgoth long enough for Beren to cut the Silmaril from Morgoth’s crown.

Alas, they cannot escape without encountering the great wolf who guards the gate of Morgoth, now wide awake. All Beren can do is ram his hand down the wolf’s throat, which bites it off, holding the Silmaril, which drives the wolf mad, allowing their escape. How they recover the Silmaril and the further lore around Beren and Lúthien, in several versions, are all here.

As I’ve mentioned. Christopher Tolkien provides various versions of the story and extracts of parts of it from an early rendering with the cat, later replaced by Sauron, various passages with variations on the story, a lengthy verse rendering of much of the story in The Lay of Leithian, and various versions of the return and afterlife of Beren and Lúthien, as well as the subsequent history of the Silmaril.

In addition, Alan Lee provides nine full-color plates of incidents in the tale. Also, Christopher Tolkien adds an annotated list of names and glossary. This is helpful to keep straight so many names of persons and places.

In conclusion, Christopher Tolkien gives Middle-earth fans a trove of background surrounding this great story. In doing so, he helps us understand afresh the monumental world-building effort of J.R.R. Tolkien. It was so great that it took two generations (at least) to bring it all into published form.