The Month in Reviews: October 2016

the-good-shepherd

I didn’t do as much reading as some months, partly due to travel, and then to a five day stint in my local hospital related to foot-surgery. Thankfully, I’m healing up well, and the time off my feet has afforded some extra reading time, although I’m digging into some longer books. Nevertheless, this month’s collection of books is a pretty diverse haul, ranging from controversies among librarians (!) to surviving the apocalypse. Mixed in there is a Dorothy Sayers mystery, a review of Shusaku Endo’s Silence (soon to come out as a motion picture), a biography of G. F. Handel, reflections from Luci Shaw, and Jamie Smith’s new You Are What You Love and Kenneth Bailey’s last book, The Good Shepherd, both tremendous books! So, here is the month in review:

clouds-of-witness

Clouds of Witness, Dorothy L. Sayers. New York: Open Road Media, 2012 (originally published 1926). Lord Peter is summoned to find out the truth concerning the death of Denis Cathcart, for which his brother Gerald is facing a murder trial before the peers of the realm. (Review)

the-good-shepherd

The Good ShepherdKenneth E. Bailey. Downers Grove: InterVarsity Press, 2014. A study of the theme of the good shepherd beginning with Psalm 23 and considering consecutively eight other passages in which this theme is found. (Review)

how-to-survive-the-apocalypse

How to Survive the ApocalypseRobert Joustra & Alissa Wilkinson. Grand Rapids: Wm. B. Eerdmans, 2016. Explores the fascination of the apocalyptic in contemporary film, television, and gaming through the lens of Charles Taylor’s work on secularism and the self. (Review)

handel

Handel: The Man & His MusicJonathan Keates. New York: Random House, 2009.  A biography of George Frideric Handel, tracing his life through his music, from his training in Halle, his time in Italy, and his long career in England, following George I’s ascent to the English throne, through the formation of three opera companies, and the composition of the oratorios for which he is most famous. (Review)

in-search-of-moral-knowledge

In Search of Moral KnowledgeR. Scott Smith. Downers Grove: InterVarsity Press, 2014.  Surveying the history of ethical thought, it argues for the possibility of universal moral knowledge contrary to contemporary theories consigning moral propositions to the realm of subjective, relative values. (Review)

thumbprint-in-the-clay

Thumbprint in the Clay, Luci Shaw. Downers Grove: InterVarsity Press, 2016.  A series of reflections, including some of the author’s poetry, on the “marks of the Maker” evident both in creation and in our lives. (Review)

which-side-are-you-on

Which Side Are You On?Elaine Harger. Jefferson, NC: McFarland, 2016. An account of seven debates in the American Library Association Council over matters of social responsibility and how this body exerts its influence in broader social debates. (Review)

you-are-what-you-love

You Are What You LoveJames K. A. Smith. Grand Rapids: Brazos Press, 2016. Smith contends that our hearts and the ways we live our lives are shaped by what we love and worship, and that “liturgies” historically have shaped the loves of our hearts and the ways of our lives. (Review)

silence

SilenceShusaku Endo. New York: Taplinger, 1999 (Link is to an in-print edition from a different publisher). Endo’s classic novel set in seventeenth century Japan during the persecution of Christian missionaries and converts. (Review)

Best of the Month: I’ve been thinking all month about The Good Shepherd by Kenneth Bailey and the great need for such shepherds in both our churches and civic life. It also made me profoundly grateful for the Great Shepherd and for the life and scholarship of Kenneth Bailey.

Best Quote of the Month:  James K. A. Smith’s You Are What You Love is a profoundly insightful book concerning how transformation takes place in our lives and could equally have been my “best of the month.” So I will share a passage that captures some of this book’s important ideas:

“If worship is formative, not merely expressive, then we need to be conscious and intentional about the form of worship that is forming us. This has one more important implication: When you unhook worship from mere expression, it also completely retools your understanding of repetition. If you think of worship as a bottom-up, expressive endeavor, repetition will seem insincere and inauthentic. But when you see worship as an invitation to a top-down encounter in which God is refashioning your deepest habits, then repetition looks very different: it’s how God rehabituates us. In a formational paradigm, repetition isn’t insincere, because you are not showing, you’re submitting. This is crucial because there is no formation without repetition. Virtue formation takes practice, and there is no practice that isn’t repetitive. We willingly embrace repetition as good in all kinds of other sectors of life–to hone our golf swing, our piano prowess, and our mathematical abilities, for example. If the sovereign Lord has created us as creatures of habit, why should we think repetition is inimical to our spiritual growth” (p. 80).

Coming Soon: Right now I am reading two very different books written by two brothers, Cameron and Garwood Anderson, both good friends. Cam’s book sets out a vision for Christian engagement in the arts. Garwood seeks to move the debate about Pauline biblical theology beyond the conflict between traditionalists and what is known as “the New Perspective on Paul” by proposing that they are both right, but at different times in Paul’s life as his perspective developed. An intriguing thesis! I’ve just started Marilynne Robinson’s Lila as well as a book on Roger Williams and the ideas of church and state and religious freedom that have shaped our country. And I have a review coming tomorrow of a collection of essays by Cornelius Van Til on the idea of “common grace.”

Until next month, unless you follow me more regularly!

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