Cultural Apologetics: Renewing the Christian Voice, Conscience, and Imagination in a Disenchanted World, Paul M. Gould, foreword by J. P. Moreland. Grand Rapids: Zondervan, 2019.
Summary: Contends that in our disenchanted post-modern world, the apologist needs to engage in a culturally aware apologetic that appeals to goodness, truth, and beauty.
One thing anyone engaged in Christian witness for any length of time in a western cultural setting will tell you is that the landscape has changed. While the message of the gospel has not changed, the culture in which the message is shared has. Paul Gould’s one word description of that change is “disenchantment.” From a world shot through with the presence and majesty of God, the embrace of materialism and naturalism as all-encompassing accounts of the world results in a sense of the absence and irrelevance of God, and a culture that is sensate, focused on the physical senses, and hedonistic, focused on our desires. I found this intriguing, particularly considering the growing fascination with dystopian apocalypses, and conversely, with fantasy and alternate worlds, that might suggest a longing for re-enchantment or despair of its possibility.
Gould contends that in this context, there is still a place for apologetics, but not that of past generations, focused exclusively on rational evidences, although these still have a place in Gould’s proposal. Gould contends for what he calls as cultural apologetics. By this, he means the “work of establishing the Christian voice, conscience, and imagination within a culture so that Christianity is seen as true and satisfying (italics in text).”
The author believes that a cultural apologetic that does this appeals to a universal longing for truth, goodness, and beauty. It is an apologetic that appeals to the longing of truth through reason (voice), that appeals to the longing of goodness through conscience, and that appeals to the longing for beauty through the imagination. The aim of this to foster the awakening of desire (satisfying) and a return to reality (truth) that constitutes a “re-enchantment” eventuating in the decision to trust and follow Christ.
Gould focuses a chapter each on imagination, reason, and conscience, employing C.S. Lewis’s approach of both “looking at,” and “looking along,” the latter considering the reality to which truth, goodness, and beauty point. The chapter on imagination draws upon Makoto Fujimura’s Culture Care (reviewed here), that makes the case for how beauty may open the hearts of people to faith, exemplified in Masaaki Suzuki’s recognition that the music of Bach is a kind of “fifth gospel” that has led to interest in or the embrace of Christianity among many Japanese. The chapter on reason contends there is a case to be made for recovering the lost art of persuasion and sounds at first glance the most conventional of the three. However, Gould moves beyond classic arguments to appeal to the plausibility structures and sacred cores of one’s hearers. The appeal to conscience addresses the longings for goodness, wholeness, justice, and significance and seeks to demonstrate in practice and examples how Christianity has made the world a better place and why that is so.
Addressing barriers to belief is an important part of this approach. It includes the internal barriers of anti-intellectualism, fragmentation, and unbaptized imagination within the Christian community. It also involves the external barriers of the belief that science disproves God, that objects to the exclusivity of Jesus, that believes God is not good, and considers the ethic of the Bible archaic, repressive, and unloving. Gould offers brief responses to each of these barriers and then describes the “journey home” from initial enchantment through disenchantment to re-enchantment as we join the “dance of God.”
One of the things I appreciated about this work amid the strains of anti-intellectualism in significant swaths of evangelicalism was the affirmation of intellectual leadership. He writes, “If we are to be strategic in our cultural apologetic, we must work to cultivate Christian leadership and a Christian presence within the halls of the academy. The perceived reasonableness and desirability of Christianity depends upon how effectively we accomplish this task” (p. 143).
I also appreciate the integrated appeal to goodness, truth, and beauty. It seems that we often prefer one of these to the inclusion. If reasoning about truth alone is not helpful, abandon it for beauty or goodness. Gould recognizes that to be human means we long for all three. Also, the posture of culture care, as opposed to culture clash assumes that people are drawn by desire rather than overcome by arguments.
Finally, Gould reframes rather than retreats from the apologetic task. It seems to me that this is vital in an age where many are not merely indifferent to Christianity but vigorously opposed, and willing to make a case against the Christian faith. He reframes apologetics in a way that challenges the church to live into its heritage: to abandon trivial banality for a rich artistic imagination, to abandon a slovenly anti-intellectualism for vibrant intellectual engagement, and to abandon moral compromise for a fragrant goodness. It seems to me this would be good both for the church and the world.
Disclosure of Material Connection: I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own.
3 thoughts on “Review: Cultural Apologetics”
Bob, thanks for the review. I haven’t read the book but it sounds intriguing. I’m reminded that, as an evangelist/apologist in the academy, I need dexterity to move among the various big categories of conversation (and real-life demonstration) represented by truth, beauty, and goodness.
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I thought of you as I was writing the review. It seemed the kind of book you’d like.
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