Choosing Community: Action, Faith, and Joy in the Works of Dorothy L Sayers, Christine A. Colón. Downers Grove: IVP Academic, 2019.
Summary: A compilation of three lectures and responses on the theme of community running through the works of Dorothy L. Sayers.
Dorothy L. Sayers experienced real pain in her relationship with the community of the church. Yet, as Walter Hansen, in the introduction to this book notes, this was not reflected in the love of community reflected both in Sayers’ life and work. This work, drawn from the Ken and Jean Hansen Lectures at Wheaton College, examines the embrace of community reflected in Sayers work in the form of action, faith, and joy. One lecture addresses each of these followed by a brief response.
The first lecture looks at the idea of communities of action. Colón traces the development of her detective fiction, as she moves from solving a crime perpetrated by an individual and solved by a detective, a classic crime fiction trope, to a much more complex vision of community, deeply impacted by crime, and restored by the communal action of people of good will (Lord Peter, Harriet Vane, Bunter, and Inspector Parker, for example), each pursuing with diligence and collegiality their particular roles, serving the wider community.
Communities of faith are the focus of the second lecture. Colón turns to the plays of Sayers for this lecture, showing how these portray the disintegration of community, the formation of communities of faith in The Emperor Constantine and the necessity of atonement in her play The Just Vengeance. Even as Colón considers the plays, she also reflects on Sayers’ love of the players, of how the theater was a kind of community of faith for Sayers–particularly the quality of unflinching devotion to “the show must go on” no matter the personal circumstances of the players–a kind of devotion to one another and a greater purpose she longed for in the body of Christ.
Dorothy Sayers is portrayed by Colón as a joyful woman, delighting in her work, her comrades, sometimes in plain silliness, revealed in facsimiles of correspondence reproduced in the third chapter. She delighted in her associations with theater companies and the Detective Club, communities that combined serious work and celebration. She then turns back to the detective stories, Sayers development of Harriet Vane, and her finding of joy in return to her academic community in Gaudy Night, and in her marriage to Peter and return to the community of her youth in Busman’s Holiday.
Colón introduces us to a vision of community that is not sentimental but one that confronts evil, that gathers around serious work, that involves responsible action on the part of each person, that is formed around faith and devotion, and that is grounded in an undercurrent of deep joy. The responses are marked for brevity, grace, and brief expansions on each of the idea Colón introduces, reflecting the community of which Colón writes.
This is a valuable work for anyone who has enjoyed the writings of Dorothy L. Sayers. If you’ve only sampled the dramas, or the essays, or the detective stories, it takes you into the breadth of Sayers work (apart from her translations of The Divine Comedy and The Song of Roland). I came away wanting to read more of her dramatic works, having mostly read the detective stories and her theological works. It also probes our understanding of community, inviting us into both the responsibilities and possibilities open to communities of faith.
Disclosure of Material Connection: I received a complimentary review copy of this book from the publisher. The opinions I have expressed are my own.