The Nature of the Beast (Chief Inspector Gamache #11), Louise Penny. New York: Minotaur Books, 2016.
Summary: A young boy from Three Pines, prone to fantastic tales, reports seeing a big gun with a strange symbol, and then is found dead, setting off a search for a murderer, and an effort to thwart a global threat.
I never knew about Louise Penny until a year ago. One of the benefits of hosting an online book page is you learn of interesting authors you’ve not heard of. I’ve always loved classic crime fiction, and a great detective. I’ve been converted. Louise Penny’s works, and her Chief Inspector Armand Gamache belong with this group.
I made a mistake and bought number eleven in the series, thinking it was the first. At this point, Gamache and his wife Reine-Marie are retired in the idyllic village of Three Pines in eastern Quebec, a place seemingly forgotten by GPS systems. A local theatre group is rehearsing a play by an unnamed author, She Sat Down and Wept. Gamache and a number of friends, including his successor Isabel Lacoste and his son-in-law Jean Guy are relaxing in a local bistro when Laurent LePage, a nine year old boy prone to telling tall tales bursts in with another one of a huge gun in the forest with a picture of a scary woman being drawn by seven horses on it. No one believes him and Gamache drives him home to his parents, Al and Evie, aging hippies (he, a supposed draft dodger) with a farm on the edge of town.
The next day, Laurent goes missing, and is found dead off the side of the road, apparently having lost control of his bicycle, falling and striking his head on a rock–or so it seems to all but Gamache. Something is not right about the position of the body, but no one buys it. Then Gamache realizes something else–Laurent’s favorite stick (his “gun”) is nowhere to be found. A search in the woods for the “gun” leads to a much bigger gun, hidden in camouflage for years. On it, an engraving of the whore of Babylon, being drawn by seven furious steeds. At it’s base, Laurent’s favorite stick. Laurent was telling the truth, which he paid for with his life. And no one, not even Gamache had believed him. Actually someone did, the murderer.
The story gets more complicated as an elderly physicist and two intelligence agents (“file clerks”) who all had been investigating this weapon for years, descend on the quiet village and join in a quest to unravel the tale of its makers, seeking to find the plans for this weapon, which, in the wrong hands, could bring untold devastation and global conflict.
Meanwhile, it turns out that the author of the play is a wicked, sadistic serial murderer, John Fleming, with whom Gamache has a secret, and haunting connection that has been brought back to life. That is not his only connection to Three Pines. A batty old poet and kindly old grocer also carry haunting memories of this man.
Penny does so many things so well in this book. The setting is one I’ve seen a number of people say they would love to live in. The characters have depth, especially Gamache, but also Reine-Marie, Jean-Beauvoir, Lacoste, and even Ruth Zardo, the batty old poet. Gamache at this stage is deeply conflicted, wounded and weary from his efforts to cleanse the Sureté, yet ambivalent about really calling Three Pines and retired life the only life he will know. The unsolved murder of the boy he did not believe awakens all of this. Combine all this with superb writing and an ever-more suspenseful plot and you have all the ingredients of great crime fiction.
As I write, there are fifteen books in this series with a sixteenth due in September 2020. Temptation, thy name is Gamache! I suspect this won’t be the last review of a Louise Penny work you see here.